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Midfield General|Generalisation  (Deluxe Edition)

Generalisation (Deluxe Edition)

Midfield General

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It's not easy being part of the big-beat elite. By the time 2000 runs around, you're ignored by the electronic aristocracy, shunned like an illegitimate son at a Thanksgiving dinner party, and expected to sound exactly like Fatboy Slim. Yet under his nom de plume of Midfield General, Skint label owner and musician Damian Harris takes the "who gives a toss" approach to create a moody, antsy collection of breaks, beats, and a steadfast refusal to die. Luckily, music loves an iconoclast. One of the first warning signs of a quality comeback in the world of big beat was most assuredly Harris' own On the Floor at the Boutique, Vol. 3 mix album because much like that mix, Generalisation retains the unpretentious breakbeats and infectious eclecticism that made big beat such a good idea in the first place. Over here, for example, "General of the Midfield" combines a swishing house beat with pogo-ing bass licks. Or even close by, "Stigs in Love" goes from high keyboard notes and then slowly mutates into a jungle-influenced monster. Both songs certainly show how so much other dance music is tragically conservative. However, not all is as effective. One aspect of the album that one has to quickly become acclimated to is its odd shift of moods. From the fantastic thumps of the old favorite "Devil in Sports Casual" to the cartoonish electro-pulses of "Ricky 39" to the odd fatherly addendum of "Birthday," the album feels uncertain what mood to keep bouncing off of within its own time constraints. As if to prove the point, "Reach Out" -- the song a scant three tracks in -- is Generalisation's summit. It should remind listeners of the inventive nostalgia of songs like Fatboy Slim's "Praise You" or Groove Armada's "At the River," yet it wisely avoids the former's idiosyncratic nature and the latter's melodrama. Linda Lewis' vocals keep cycling to new heights as Harris keeps the song's expressive musical character building until everything has an emotive sheen. Which all helps make Generalisation a follow-up uppercut to Harris' On the Floor at the Boutique comeback punch. A dignified (albeit erratic) album that renews big beat's varied personality as well as its emotional potential.

© Dean Carlson /TiVo

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Generalisation (Deluxe Edition)

Midfield General

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1
Keeping It Real
00:02:08

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1999 Skint Records Limited, a BMG Company

2
Devil in Sports Casual
00:05:59

Midfield General, MainArtist - Damian Harris, Composer, Writer, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1999 Skint Records Limited, a BMG Company

3
Reach Out (feat. Linda Lewis)
00:05:26

Linda Lewis, FeaturedArtist - Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1999 Skint Records Limited, a BMG Company

4
You Take
00:06:20

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1999 Skint Records Limited, a BMG Company

5
Ricky 39
00:04:09

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1999 Skint Records Limited, a BMG Company

6
Stig's in Love
00:05:17

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1996 Skint Records Limited, a BMG Company

7
Midfielding (feat. Noel Fielding)
00:05:27

Noel Fielding, FeaturedArtist - Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1999 Skint Records Limited, a BMG Company

8
General of the Midfield
00:07:29

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1999 Skint Records Limited, a BMG Company

9
Drunk Country
00:04:02

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1999 Skint Records Limited, a BMG Company

10
Coatnoise
00:06:21

ELVIS COSTELLO, Writer - Midfield General, MainArtist - Damian Harris, Composer, Writer, Performance - Produced by Damian Harris, Producer

© 1999 Skint Records Limited, a BMG Company ℗ 2000 Skint Records Limited, a BMG Company

11
Birthday
00:04:18

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1999 Skint Records Limited, a BMG Company

12
Devil in Sports Casual (Fatboy Slim's Does My Beat Look Big in This Mix)
00:05:28

Fatboy Slim, Remixer - Midfield General, MainArtist - Damian Harris, Composer, Writer, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1997 Skint Records Limited, a BMG Company

13
Bergkamp
00:05:54

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1999 Skint Records Limited, a BMG Company

14
Triangle
00:06:00

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 2000 Skint Records Limited, a BMG Company

15
Reach Out (Hakan Remix)
00:07:05

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 2000 Skint Records Limited, a BMG Company

16
Coatnoise (Dave Clarke Remix)
00:05:22

ELVIS COSTELLO, Writer - Midfield General, MainArtist - Damian Harris, Composer, Writer, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 2000 Skint Records Limited, a BMG Company

17
You Take (Caj and Quareriyan Mix)
00:06:19

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 2001 Skint Records Limited, a BMG Company

18
You Take (Bullet Catcher Mix)
00:06:35

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 2001 Skint Records Limited, a BMG Company

19
Faster
00:07:47

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 2000 Skint Records Limited, a BMG Company

20
Worlds
00:06:12

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1996 Skint Records Limited, a BMG Company

21
Bung
00:05:32

Midfield General, MainArtist - Damian Harris, Performance

© 1999 Skint Records Limited, a BMG Company ℗ 1996 Skint Records Limited, a BMG Company

Album review

It's not easy being part of the big-beat elite. By the time 2000 runs around, you're ignored by the electronic aristocracy, shunned like an illegitimate son at a Thanksgiving dinner party, and expected to sound exactly like Fatboy Slim. Yet under his nom de plume of Midfield General, Skint label owner and musician Damian Harris takes the "who gives a toss" approach to create a moody, antsy collection of breaks, beats, and a steadfast refusal to die. Luckily, music loves an iconoclast. One of the first warning signs of a quality comeback in the world of big beat was most assuredly Harris' own On the Floor at the Boutique, Vol. 3 mix album because much like that mix, Generalisation retains the unpretentious breakbeats and infectious eclecticism that made big beat such a good idea in the first place. Over here, for example, "General of the Midfield" combines a swishing house beat with pogo-ing bass licks. Or even close by, "Stigs in Love" goes from high keyboard notes and then slowly mutates into a jungle-influenced monster. Both songs certainly show how so much other dance music is tragically conservative. However, not all is as effective. One aspect of the album that one has to quickly become acclimated to is its odd shift of moods. From the fantastic thumps of the old favorite "Devil in Sports Casual" to the cartoonish electro-pulses of "Ricky 39" to the odd fatherly addendum of "Birthday," the album feels uncertain what mood to keep bouncing off of within its own time constraints. As if to prove the point, "Reach Out" -- the song a scant three tracks in -- is Generalisation's summit. It should remind listeners of the inventive nostalgia of songs like Fatboy Slim's "Praise You" or Groove Armada's "At the River," yet it wisely avoids the former's idiosyncratic nature and the latter's melodrama. Linda Lewis' vocals keep cycling to new heights as Harris keeps the song's expressive musical character building until everything has an emotive sheen. Which all helps make Generalisation a follow-up uppercut to Harris' On the Floor at the Boutique comeback punch. A dignified (albeit erratic) album that renews big beat's varied personality as well as its emotional potential.

© Dean Carlson /TiVo

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