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Jordi Savall|François Couperin: Les Apothéoses

François Couperin: Les Apothéoses

Monica Huggett, Chiara Banchini, Ton Koopman, Jordi Savall, Hopkinson Smith

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This new reissue of the famous recording made in 1985 at Radio France offers us a sumptuous reunion with a cast of performers who have become true "stars" of the Baroque over time. Jordi Savall was to reach the top of the charts and win international recognition six years later with his soundtrack for Alain Corneau's film Tous les matins du monde, based on a story by Pascal Quignard about the violinist and composer Marin Marais and his master Monsieur de Sainte-Colombe, played by Gérard Depardieu and Jean-Pierre Marielle respectively.

The other musicians on this recording were also to excel: violinist Monica Huggett has become one of the leading lights of the baroque violin, notably as concertmaster of the Royal Academy of Music and then as a teacher at the prestigious Juilliard School in New York. Chiara Banchini had great success playing that same instrument with Ensemble 415, which she founded in 1981 and with which she made numerous recordings for harmonia mundi. Shortly after this performance, harpsichordist Ton Koopman recorded the complete cantatas of Johann Sebastian Bach with his Amsterdam Baroque Orchestra, and the American Hopkinson Smith enchanted the world with his lute, vihuela, theorbo and baroque guitar.

François Couperin's two Apotheoses are a splendid tribute to Lully and Corelli, two composers he loved above all else and whom he imagines finding again through death by the grace of music, with a vibrant tribute mixing Italian and French tastes. This landmark recording has lost none of its charm. © François Hudry/Qobuz

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François Couperin: Les Apothéoses

Jordi Savall

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1
Le Parnasse ou l'Apothéose de Corelli: Corelli au piéd du Parnasse prie les Muses de le Recevoir parmi elles (gravement)
00:02:07

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

2
Le Parnasse ou l'Apothéose de Corelli: Corelli, charmé de la bonne réception qu’on lui fait au Parnasse, en marque sa joye. Il continue avec ceux qui l’accompagnent (gayement)
00:02:09

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

3
Le Parnasse ou l'Apothéose de Corelli: Corelli buvant à la Source D’Hypocrêne, sa Troupe continue (modérément)
00:02:17

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

4
Le Parnasse ou l'Apothéose de Corelli: Enthouziasme de Corelli causé par les eaux D’Hypocréne (vivement)
00:01:06

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

5
Le Parnasse ou l'Apothéose de Corelli: Corelli, aprés son Enthouziasme, s’endort ; et sa Troupe joue le Sommeil suivant (tres doux)
00:02:26

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

6
Le Parnasse ou l'Apothéose de Corelli: Les Muses reveillent Corelli et le placent auprés D’Apollon (vivement)
00:00:53

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

7
Le Parnasse ou l'Apothéose de Corelli: Remerciment de Corelli (gayement)
00:02:25

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

8
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Lully aux Champs Elysés, concertant avec les Ombres liriques (gravement)
00:02:29

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

9
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Air pour les mêmes (gracieusement)
00:01:34

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

10
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Vol de Mercure aux Champs Elysés, pour avertir qu’Apollon y va descendre (tres viste)
00:00:35

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

11
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Descente d’Apollon qui vient offrir son violon à Lully et sa place au Parnasse (noblement)
00:02:50

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

12
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Rumeur souteraine, causée par les Auteurs contemporains de Lully (viste)
00:00:40

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

13
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Plaintes des mêmes
00:04:04

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

14
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Enlévement de Lully au Parnasse (tres legérement)
00:01:02

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

15
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Accueil entre Doux et Agard fait à Lully par Corelli et par les Muses italiénes (largo)
00:02:18

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

16
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Remerciment de Lully à Apollon (gracieusement)
00:03:04

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

17
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Apollon persuade Lully et Corelli, que la réunion des Gouts François et Italien doit faire la perfection de la Musique
00:03:06

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

18
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Air léger pour deux violons, Lully jouant le Sujet, et Corelli l’accompagnant
00:00:57

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

19
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: Second Air. Corelli‚ jouant le Sujet à son tour, que Lully accompagne
00:03:29

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

20
Concert instrumental sous le titre d'Apothéose pour l'incomparable M. de Lully: La Paix du Parnasse, faite aux Conditions, sur la Remontrance des Muses françoises
00:07:30

Jordi Savall, Conductor, MainArtist - François Couperin, Composer

(C) 2021 Alia Vox (P) 2021 Alia Vox

Album review

This new reissue of the famous recording made in 1985 at Radio France offers us a sumptuous reunion with a cast of performers who have become true "stars" of the Baroque over time. Jordi Savall was to reach the top of the charts and win international recognition six years later with his soundtrack for Alain Corneau's film Tous les matins du monde, based on a story by Pascal Quignard about the violinist and composer Marin Marais and his master Monsieur de Sainte-Colombe, played by Gérard Depardieu and Jean-Pierre Marielle respectively.

The other musicians on this recording were also to excel: violinist Monica Huggett has become one of the leading lights of the baroque violin, notably as concertmaster of the Royal Academy of Music and then as a teacher at the prestigious Juilliard School in New York. Chiara Banchini had great success playing that same instrument with Ensemble 415, which she founded in 1981 and with which she made numerous recordings for harmonia mundi. Shortly after this performance, harpsichordist Ton Koopman recorded the complete cantatas of Johann Sebastian Bach with his Amsterdam Baroque Orchestra, and the American Hopkinson Smith enchanted the world with his lute, vihuela, theorbo and baroque guitar.

François Couperin's two Apotheoses are a splendid tribute to Lully and Corelli, two composers he loved above all else and whom he imagines finding again through death by the grace of music, with a vibrant tribute mixing Italian and French tastes. This landmark recording has lost none of its charm. © François Hudry/Qobuz

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