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Il Fondamento|Fasch: Ouvertures in G Minor, D Minor and G Major

Fasch: Ouvertures in G Minor, D Minor and G Major

Johann Friedrich Fasch

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The wonderful timbres of original Baroque instruments and the vigorous period interpretations by Paul Dombrecht and Il Fondamento go far to make this 2004 release a delightful listening experience, even if Johann Friedrich Fasch's music falls short of genius. Not that Fasch was considered a mediocrity in his time: despite his later reputation as a modest Prussian kapellmeister, he was widely traveled, well-educated, and popular in his youth; and he enjoyed the benefits brought by continued publication of his Ouvertures, even after settling down in Zerbst in 1722. But the three suites presented here are merely ingenious, for there are no real innovations, few striking features, and little depth of feeling. Fasch's ensemble of oboes, bassoon, strings, and continuo is more or less standard, and the arias, bourrees, gavottes, and minuets are charming but mostly unexceptional. Dombrecht and his musicians, however, breathe life into these pieces and lend them distinctive colors and expressive playing, doubtlessly much more than is indicated in the scores. The Aria largo of the Ouverture in D minor is a fine example of their interpretive skills, and their boisterous reading of the Ouverture in G major -- easily the quirkiest piece -- is a high point. The sound is extraordinarily vivid and fairly hot, so a medium volume setting is advised.

© TiVo

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Fasch: Ouvertures in G Minor, D Minor and G Major

Il Fondamento

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Overture Suite for Three Oboes, Bassoon, Strings and Continuo in G Minor, FWV K/g 2 (Johann Friedrich Fasch)

1
I. Ouverture
00:09:45

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

2
II. Aria largo
00:04:18

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

3
III. Jardiniers
00:02:01

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

4
IV. Aria largo
00:01:59

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

5
V. Aria allegro
00:03:56

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

6
VI. Gavotte
00:01:53

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

7
VII. Menuet
00:02:10

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

Overture Suite for Two Oboes, Bassoon, Strings and Continuo in D Minor, FWV K/d 4 (Johann Friedrich Fasch)

8
I. Ouverture
00:06:08

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

9
II. Air
00:02:35

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

10
III. Gavotte
00:01:36

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

11
IV. Aria largo
00:04:00

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

12
V. Fuga
00:02:03

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

13
VI. Menuet
00:02:10

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

14
VII. Réjouissance
00:04:04

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

15
VIII. Menuet
00:01:59

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

Overture Suite for Three Oboes, Bassoon, Strings and Continuo in G Major, FWV K/G 15 (Johann Friedrich Fasch)

16
I. Ouverture
00:07:58

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

17
II. Aria andante
00:01:52

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

18
III. Jardiniers
00:02:24

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

19
IV. Aria andante
00:02:56

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

20
V. Bouree
00:02:33

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

21
VI. Menuet I - Menuet II - Menuet I
00:02:36

Il Fondamento, Performer - Paul Dombrecht, Performer - Johann Friedrich Fasch, Composer

2004 Outhere 2004 Il Fondamento

Album review

The wonderful timbres of original Baroque instruments and the vigorous period interpretations by Paul Dombrecht and Il Fondamento go far to make this 2004 release a delightful listening experience, even if Johann Friedrich Fasch's music falls short of genius. Not that Fasch was considered a mediocrity in his time: despite his later reputation as a modest Prussian kapellmeister, he was widely traveled, well-educated, and popular in his youth; and he enjoyed the benefits brought by continued publication of his Ouvertures, even after settling down in Zerbst in 1722. But the three suites presented here are merely ingenious, for there are no real innovations, few striking features, and little depth of feeling. Fasch's ensemble of oboes, bassoon, strings, and continuo is more or less standard, and the arias, bourrees, gavottes, and minuets are charming but mostly unexceptional. Dombrecht and his musicians, however, breathe life into these pieces and lend them distinctive colors and expressive playing, doubtlessly much more than is indicated in the scores. The Aria largo of the Ouverture in D minor is a fine example of their interpretive skills, and their boisterous reading of the Ouverture in G major -- easily the quirkiest piece -- is a high point. The sound is extraordinarily vivid and fairly hot, so a medium volume setting is advised.

© TiVo

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