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John Renbourn|Faro Annie

Faro Annie

John Renbourn

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Pentangle singer/guitarist John Renbourn often takes a folk-rock approach, and often investigates American folk songs, on Faro Annie, beginning with the traditional "White House Blues," a song about the 1901 assassination of President William McKinley. "Buffalo Skinners" is a song associated with Woody Guthrie that Renbourn gives an unusually calm treatment to, adding for the first but not the last time a background sitar part. "Kokomo Blues" is the first overtly folk-rock track, finding Renbourn joined by the Pentangle rhythm section of bassist Danny Thompson and drummer Terry Cox. The first song with a distinctly British derivation is "Willy O'Winsbury," but before long Renbourn is evoking Robert Johnson on "Come on in My Kitchen." That Delta blues is followed by "Country Blues," and then the original instrumental title tune. Throughout, Renbourn and his cohorts explore the various folk styles with delicacy and restraint; that's the British element coming through, and it gives an elegance to the material.

© William Ruhlmann /TiVo

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Faro Annie

John Renbourn

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1
White House Blues
00:03:38

John Renbourn, Performance, MainArtist

© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

2
Buffalo Skinners
00:03:40

John Renbourn, Performance, MainArtist

© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

3
Kokomo Blues
00:03:56

John Renbourn, Performance, MainArtist

© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

4
Little Sadie
00:03:19

John Renbourn, Performance, MainArtist

© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

5
Shake Shake Mama
00:03:27

John Renbourn, Performance, MainArtist

© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

6
Willy O'Winsbury
00:05:39

John Renbourn, Performance, MainArtist

© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

7
The Cuckoo
00:04:00

John Renbourn, Performance, MainArtist

© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

8
Come On in My Kitchen
00:03:55

John Renbourn, Performance, MainArtist

© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

9
Country Blues
00:03:39

John Renbourn, Performance, MainArtist

© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

10
Faro Annie
00:03:27

John Renbourn, Performance, MainArtist

© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

11
Back On the Road Again
00:03:12

John Renbourn, Performance, MainArtist

© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

Album review

Pentangle singer/guitarist John Renbourn often takes a folk-rock approach, and often investigates American folk songs, on Faro Annie, beginning with the traditional "White House Blues," a song about the 1901 assassination of President William McKinley. "Buffalo Skinners" is a song associated with Woody Guthrie that Renbourn gives an unusually calm treatment to, adding for the first but not the last time a background sitar part. "Kokomo Blues" is the first overtly folk-rock track, finding Renbourn joined by the Pentangle rhythm section of bassist Danny Thompson and drummer Terry Cox. The first song with a distinctly British derivation is "Willy O'Winsbury," but before long Renbourn is evoking Robert Johnson on "Come on in My Kitchen." That Delta blues is followed by "Country Blues," and then the original instrumental title tune. Throughout, Renbourn and his cohorts explore the various folk styles with delicacy and restraint; that's the British element coming through, and it gives an elegance to the material.

© William Ruhlmann /TiVo

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