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Princeton|Cocoon of Love

Cocoon of Love

Princeton

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Similar to their previous release, 2008's Bloomsbury EP, Princeton's second full-length album, Cocoon of Love, is as bright and bubbly as it is poised, full of delicate harpsichord flourishes, prim string sections, and warm Tropicalia/Afro-beat-influenced guitar work. Released on Kanine Records, this is the first album Princeton haven't put out themselves, and as such it sounds a bit more domesticated than the band's previous work. They've adopted some sleek sonic trappings, including a drum machine and some chic synthesizers, and there are a few moments when they sound practically Handsome Furs-ish ("Martina and Clive Krantz," "Worried Head"). But even if Cocoon of Love shuffles half-heartedly in the direction of sounding all cool and serious, it's saved by Princeton's penchant for quirky storytelling and super-sweet pop hooks -- something they share with the equally mannered and multi-instrumental group No Kids. To put it another way, Princeton are delectably dorky. This isn't the zany, manic dweebiness of They Might Be Giants, mind you -- it's more like a gentle, dusty air of studiousness ("The Wild"). They also sound sweetly old-fashioned; "Sadie & Andy" has hints of the Four Seasons' "Sherry" about it, and "Show Some Love, When Your Man Gets Home" has a backbone of slow-burning, Righteous Brothers-style balladry. Cocoon of Love isn't as unselfconscious as Bloomsbury -- it's far less playful, ramshackle, and stagey -- but it still offers up a strong impression of who Princeton are and what they're about: gorgeous pop hooks, delightful little storylines, and a heaping helping of band-geeky multi-instrumentalism.
© Margaret Reges /TiVo

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Cocoon of Love

Princeton

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1
Sadie & Andy
00:03:36

Princeton, Composer, MainArtist

2009 Kanine Records 2009 Kanine Records

2
Show Some Love, When Your Man Gets Home
00:03:51

Princeton, Composer, MainArtist

2009 Kanine Records 2009 Kanine Records

3
Calypso Gold
00:03:44

Princeton, Composer, MainArtist

2009 Kanine Records 2009 Kanine Records

4
Korean War Memorial
00:04:02

Princeton, Composer, MainArtist

2009 Kanine Records 2009 Kanine Records

5
Stunner Shades in Heaven
00:04:11

Princeton, Composer, MainArtist

2009 Kanine Records 2009 Kanine Records

6
Martina and Clive Krantz
00:02:47

Princeton, Composer, MainArtist

2009 Kanine Records 2009 Kanine Records

7
Shout It Out
00:02:41

Princeton, Composer, MainArtist

2009 Kanine Records 2009 Kanine Records

8
Sylvie
00:03:36

Princeton, Composer, MainArtist

2009 Kanine Records 2009 Kanine Records

9
I Left My Love in Nagasaki
00:04:12

Princeton, Composer, MainArtist

2009 Kanine Records 2009 Kanine Records

10
Worried Head
00:02:56

Princeton, Composer, MainArtist

2009 Kanine Records 2009 Kanine Records

11
The Wild
00:03:45

Princeton, Composer, MainArtist

2009 Kanine Records 2009 Kanine Records

Album review

Similar to their previous release, 2008's Bloomsbury EP, Princeton's second full-length album, Cocoon of Love, is as bright and bubbly as it is poised, full of delicate harpsichord flourishes, prim string sections, and warm Tropicalia/Afro-beat-influenced guitar work. Released on Kanine Records, this is the first album Princeton haven't put out themselves, and as such it sounds a bit more domesticated than the band's previous work. They've adopted some sleek sonic trappings, including a drum machine and some chic synthesizers, and there are a few moments when they sound practically Handsome Furs-ish ("Martina and Clive Krantz," "Worried Head"). But even if Cocoon of Love shuffles half-heartedly in the direction of sounding all cool and serious, it's saved by Princeton's penchant for quirky storytelling and super-sweet pop hooks -- something they share with the equally mannered and multi-instrumental group No Kids. To put it another way, Princeton are delectably dorky. This isn't the zany, manic dweebiness of They Might Be Giants, mind you -- it's more like a gentle, dusty air of studiousness ("The Wild"). They also sound sweetly old-fashioned; "Sadie & Andy" has hints of the Four Seasons' "Sherry" about it, and "Show Some Love, When Your Man Gets Home" has a backbone of slow-burning, Righteous Brothers-style balladry. Cocoon of Love isn't as unselfconscious as Bloomsbury -- it's far less playful, ramshackle, and stagey -- but it still offers up a strong impression of who Princeton are and what they're about: gorgeous pop hooks, delightful little storylines, and a heaping helping of band-geeky multi-instrumentalism.
© Margaret Reges /TiVo

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