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Guy Davis|Chocolate To The Bone

Chocolate To The Bone

Guy Davis

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With each new release, the clothes of an old bluesman fit Guy Davis more and more comfortably. By now the blues are completely a part of who he is, so when he reworks an old Sleepy John Estes song into the opener, "Limetown," it feels completely natural; even with the familiar "Rollin' And Tumblin'" riff. He mixes it up well between covers and originals, taking in quite a range -- there's John Lee Hooker, Willie Dixon, and Blind Lemon Jefferson all sitting amicably together in his style; as well as some pieces like "Step It Up And Go" that are just plain old. His own material is less familiar, of course, but just as good, with the careful (if not wholly accurate) patina of age about it. Perhaps the best thing about Davis is that he never tries to be something he's not; there's no fake Southern accent. What you hear is what you get. And while he's hardly the guitar genius that Charley Patton and Robert Johnson were, he's more than adequate, and his excellent band backs him up solidly and subtly, never stepping out too far. There's plenty of talent in Davis, but there's also an obvious and deep love for the blues, especially the rural country blues, and he brings to his music a real timelessness. The man just keeps getting better and better.

© Chris Nickson /TiVo

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Chocolate To The Bone

Guy Davis

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1
Limetown aka The Gal I Love aka Going to Brownsville
00:03:38

SLEEPY JOHN ESTES, Author - Guy Davis, MainArtist - BUG MUSIC O/B/O LERIC MUSIC, MusicPublisher

2003 Red House Records 2003 Red House Records

2
Tell Me Where the Road Is
00:04:34

Guy Davis, Author, MainArtist - Medicine Hand Music (BMI), MusicPublisher

2003 Red House Records 2003 Red House Records

3
Step It Up and Go
00:02:13

Traditional, Author - PUBLIC DOMAIN, MusicPublisher - Guy Davis, MainArtist

2003 Red House Records 2003 Red House Records

4
I Believe I'll Lose My Mind
00:04:10

John Lee Hooker, Author - Guy Davis, MainArtist - BUG MUSIC OBO BOOGIE ONE MUSIC, MusicPublisher

2003 Red House Records 2003 Red House Records

5
Right On Time
00:03:18

Guy Davis, Author, MainArtist - Medicine Hand Music (BMI), MusicPublisher

2003 Red House Records 2003 Red House Records

6
Set a Place for Me
00:05:19

Guy Davis, Author, MainArtist - Medicine Hand Music (BMI), MusicPublisher

2003 Red House Records 2003 Red House Records

7
Shortin' Bread
00:02:32

Traditional, Author - PUBLIC DOMAIN, MusicPublisher - Guy Davis, MainArtist

2003 Red House Records 2003 Red House Records

8
Drifting Blues
00:04:05

Charles Brown, Author - Edward Williams, Author - Guy Davis, MainArtist - EMI UNART CATALOG (BMI), MusicPublisher - Johnn Moore, Author

2003 Red House Records 2003 Red House Records

9
Sho `Nuff Satisfied
00:02:56

Guy Davis, Author, MainArtist - Medicine Hand Music (BMI), MusicPublisher

2003 Red House Records 2003 Red House Records

10
Matchbox Blues
00:02:55

PUBLIC DOMAIN, MusicPublisher - Blind Lemon Jefferson, Author - Guy Davis, MainArtist

2003 Red House Records 2003 Red House Records

11
Honey Babe
00:03:34

Guy Davis, Author, MainArtist - Medicine Hand Music (BMI), MusicPublisher

2003 Red House Records 2003 Red House Records

12
Back Door Man
00:03:03

WILLIE DIXON, Author - Guy Davis, MainArtist - BUG MUSIC O/B/O HOOCHIE COOCHIE MUSIC, MusicPublisher

2003 Red House Records 2003 Red House Records

13
Railroad Story
00:04:11

Guy Davis, Author, MainArtist - Medicine Hand Music (BMI), MusicPublisher

2003 Red House Records 2003 Red House Records

14
Saturday Blues
00:03:10

PUBLIC DOMAIN, MusicPublisher - Guy Davis, MainArtist - Ishman Baacey, Author

2003 Red House Records 2003 Red House Records

Album review

With each new release, the clothes of an old bluesman fit Guy Davis more and more comfortably. By now the blues are completely a part of who he is, so when he reworks an old Sleepy John Estes song into the opener, "Limetown," it feels completely natural; even with the familiar "Rollin' And Tumblin'" riff. He mixes it up well between covers and originals, taking in quite a range -- there's John Lee Hooker, Willie Dixon, and Blind Lemon Jefferson all sitting amicably together in his style; as well as some pieces like "Step It Up And Go" that are just plain old. His own material is less familiar, of course, but just as good, with the careful (if not wholly accurate) patina of age about it. Perhaps the best thing about Davis is that he never tries to be something he's not; there's no fake Southern accent. What you hear is what you get. And while he's hardly the guitar genius that Charley Patton and Robert Johnson were, he's more than adequate, and his excellent band backs him up solidly and subtly, never stepping out too far. There's plenty of talent in Davis, but there's also an obvious and deep love for the blues, especially the rural country blues, and he brings to his music a real timelessness. The man just keeps getting better and better.

© Chris Nickson /TiVo

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