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Tom Waits|Big Time

Big Time

Tom Waits

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Big Time is an 18-track live album running nearly 68 minutes, its material drawn mostly from Tom Waits' trio of recent studio albums, Swordfishtrombones, Rain Dogs, and Franks Wild Years. (One track, "Falling Down," is a previously unissued studio recording. The performance of "Strange Weather" marks Waits' first recording of a song he and his wife, Kathleen Brennan, wrote for Marianne Faithfull.) It's challenging music, made somewhat more accessible in a live context. Waits' performances tended to be somewhat over the top on the studio versions of these songs, but before a live audience his theatrics seem more appropriate, and he even includes a mini-set of piano ballads. Still, it takes him until the seventh tune, "Way Down in the Hole," to bring the audience to life, and he rarely speaks, in marked contrast to the earlier live-in-the-studio album Nighthawks at the Diner. But Big Time makes a useful sampler of Waits' later work that might enable a listener to determine whether to invest in the studio recordings.

© William Ruhlmann /TiVo

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Big Time

Tom Waits

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1
16 Shells From A 30.6
00:04:17

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

2
Red Shoes
00:04:19

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

3
Underground
00:02:33

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

4
Cold Cold Ground (Live)
00:03:25

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

5
Straight To The Top
00:02:47

Greg Cohen, ComposerLyricist - Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

6
Yesterday Is Here
00:02:41

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer, ComposerLyricist

℗ 1988 UMG Recordings, Inc.

7
Way Down In The Hole
00:04:43

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

8
Falling Down
00:04:14

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

9
Strange Weather (Live)
00:03:35

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer, ComposerLyricist

℗ 1988 UMG Recordings, Inc.

10
Big Black Mariah
00:02:58

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

11
Rain Dogs
00:03:35

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

12
Train Song
00:04:29

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

13
Johnsburg, Illinois
00:01:29

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

14
Ruby's Arms
00:04:53

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

15
Telephone Call From Istanbul
00:04:17

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

16
Clap Hands
00:04:56

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

17
Gun Street Girl
00:04:01

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer, ComposerLyricist

℗ 1988 UMG Recordings, Inc.

18
Time
00:04:10

Tom Waits, Producer, MainArtist, ComposerLyricist - Kathleen Brennan, Producer

℗ 1988 UMG Recordings, Inc.

Album review

Big Time is an 18-track live album running nearly 68 minutes, its material drawn mostly from Tom Waits' trio of recent studio albums, Swordfishtrombones, Rain Dogs, and Franks Wild Years. (One track, "Falling Down," is a previously unissued studio recording. The performance of "Strange Weather" marks Waits' first recording of a song he and his wife, Kathleen Brennan, wrote for Marianne Faithfull.) It's challenging music, made somewhat more accessible in a live context. Waits' performances tended to be somewhat over the top on the studio versions of these songs, but before a live audience his theatrics seem more appropriate, and he even includes a mini-set of piano ballads. Still, it takes him until the seventh tune, "Way Down in the Hole," to bring the audience to life, and he rarely speaks, in marked contrast to the earlier live-in-the-studio album Nighthawks at the Diner. But Big Time makes a useful sampler of Waits' later work that might enable a listener to determine whether to invest in the studio recordings.

© William Ruhlmann /TiVo

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