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Laura Pontecorvo|Bach: Sonate a cembalo obligato e traversiere solo

Bach: Sonate a cembalo obligato e traversiere solo

Laura Pontecorvo and Rinaldo Alessandrini

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Sadly, the majority of Bach's works for transverse flute and clavier (be that obbligato or continuo) have survived only in truncated form, in manuscripts stuffed full of mistakes – surely the result of a hasty copy job from an older work, now lost – to say nothing of doubtful attributions, meaning that flautists have little choice but to take what they're given and do the best with it they can. And that is exactly what Laura Pontecorvo is doing, ably accompanied by Rinaldo Alessandrini on the harpsichord: the truncated works have been finished, the errors corrected, the transpositions restored to their original form, with the result that we find ourselves confronted by works which are almost "new", but still very much by Bach! What links all these works is that the harpsichord part is more than a simple basso continuo – which would require that the harpsichord player improvise an accompaniment, or at least write one for themselves – but a concerting part, written by Bach himself. Incidentally, this gives us an excellent idea of how one should write one's own basso continuo: imitations galore, a great harmonic transparency, unflagging elegance. The missing parts of the Sonata BWV 1032 – the original manuscript is sadly incomplete – have been deftly filled in by Alessandrini, who manages to perfectly respect the Cantor's discourse. © SM/Qobuz

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Bach: Sonate a cembalo obligato e traversiere solo

Laura Pontecorvo

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Sonata for Flute and Harpsichord in B Minor, BWV 1030 (Johann Sebastian Bach)

1
I. Andante
00:08:14

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

2
II. Largo e dolce
00:04:06

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

3
III. Presto
00:05:53

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

Violin Sonata in G Major, BWV 1019 (Johann Sebastian Bach)

4
I. Allegro (Transcripted for Flute and Harpischord)
00:03:47

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

5
II. Largo (Transcripted for Flute and Harpischord)
00:01:44

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

6
III. Allegro (Transcripted for Flute and Harpischord)
00:04:58

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

7
IV. Adagio (Transcripted for Flute and Harpischord)
00:02:34

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

8
V. Allegro (Transcripted for Flute and Harpischord)
00:03:37

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

Organ Sonata in C Minor, BWV 526 (Johann Sebastian Bach)

9
I. Vivace (Transcripted for Flute and Harpischord)
00:03:23

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

10
II. Largo (Transcripted for Flute and Harpischord)
00:03:03

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

11
III. Allegro (Transcripted for Flute and Harpischord)
00:03:44

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

Sonata for Flute and Harpsichord in A Major, BWV 1032 (Johann Sebastian Bach)

12
I. Vivace (Reconstruction)
00:06:03

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

13
II. Largo e dolce
00:03:07

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

14
III. Allegro
00:04:10

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rinaldo Alessandrini, MainArtist - Laura Pontecorvo, MainArtist

2018 Outhere Music France 2018 Outhere Music France

Album review

Sadly, the majority of Bach's works for transverse flute and clavier (be that obbligato or continuo) have survived only in truncated form, in manuscripts stuffed full of mistakes – surely the result of a hasty copy job from an older work, now lost – to say nothing of doubtful attributions, meaning that flautists have little choice but to take what they're given and do the best with it they can. And that is exactly what Laura Pontecorvo is doing, ably accompanied by Rinaldo Alessandrini on the harpsichord: the truncated works have been finished, the errors corrected, the transpositions restored to their original form, with the result that we find ourselves confronted by works which are almost "new", but still very much by Bach! What links all these works is that the harpsichord part is more than a simple basso continuo – which would require that the harpsichord player improvise an accompaniment, or at least write one for themselves – but a concerting part, written by Bach himself. Incidentally, this gives us an excellent idea of how one should write one's own basso continuo: imitations galore, a great harmonic transparency, unflagging elegance. The missing parts of the Sonata BWV 1032 – the original manuscript is sadly incomplete – have been deftly filled in by Alessandrini, who manages to perfectly respect the Cantor's discourse. © SM/Qobuz

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