Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Joe Maneri|Angles Of Repose

Angles Of Repose

Joe Maneri, Barre Phillips, Mat Maneri

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

One has to hand it to this trio. Joe Maneri (alto, tenor, and clarinet), his son Mat Maneri (viola), and Barre Phillips (double bass) understand something essential about improvisation that seems to have been lost by all but a handful or so of those currently practicing this art: they seek to convey the complexities of honest emotion first and foremost by any means necessary; secondly, they seek to relate the discoveries of sonic inquiry -- technique and other theoretical concerns come last. They could give a toss if what they are playing is "jazz" or not. What this Maneri/Phillips/Maneri trio is about, then, is not theoretical music, but discovering and conveying feelings in music. Angles of Repose is a suite of ten parts that runs a bit over 71 minutes, recorded without headphones in a small church in France -- next to Phillips' home. The elder Maneri certainly has theories about music, but it's in the playing and connection with other musicians that they are realized. His microtonal inquiries along with his notion of the octave -- which contains no less than 72 subdivisions -- would be useless academic twaddle if they didn't result in such an intimate and, in a sense, accessible communication with other players and of course the listener. The interplay between the viola and double bass -- bowed and plucked -- is where the recurrent ideas come home to be extrapolated upon, dissected, and reemphasized by Joe's horns and voice, which jumps in when the instruments won't get him where he needs to go. In this sense, this music sings. It's true the singing is balladic and dirgelike much of the time, but it is pastoral, too, and gentle and sweetly elegiac. It bears repeated listening and meets the listener readily, offering a standard-bearing effectiveness in how the poetry of collective improvisation should be realized and articulated.
© Thom Jurek /TiVo

More info

Angles Of Repose

Joe Maneri

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From 12.49€/month

1
Number One
00:04:37

Gerard De Haro, Mix Engineer, StudioPersonnel - Barre Phillips, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - Joe Maneri, Composer, Clarinet, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Mat Maneri, Composer, Viola, MainArtist, AssociatedPerformer

℗ 2004 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

2
Number Two
00:07:32

Gerard De Haro, Mix Engineer, StudioPersonnel - Barre Phillips, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - Joe Maneri, Composer, Clarinet, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Mat Maneri, Composer, Viola, MainArtist, AssociatedPerformer

℗ 2004 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

3
Number Three
00:03:22

Gerard De Haro, Mix Engineer, StudioPersonnel - Barre Phillips, Producer, Double Bass, MainArtist, AssociatedPerformer - Joe Maneri, Composer, Clarinet, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Mat Maneri, Viola, MainArtist, AssociatedPerformer

℗ 2004 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

4
Number Four
00:10:03

Gerard De Haro, Mix Engineer, StudioPersonnel - Barre Phillips, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - Joe Maneri, Composer, Clarinet, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Mat Maneri, Composer, Viola, MainArtist, AssociatedPerformer

℗ 2004 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

5
Number Five
00:06:34

Gerard De Haro, Mix Engineer, StudioPersonnel - Barre Phillips, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - Joe Maneri, Clarinet, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Mat Maneri, Composer, Viola, MainArtist, AssociatedPerformer

℗ 2004 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

6
Number Six
00:09:25

Gerard De Haro, Mix Engineer, StudioPersonnel - Barre Phillips, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - Joe Maneri, Composer, Clarinet, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Mat Maneri, Composer, Viola, MainArtist, AssociatedPerformer

℗ 2004 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

7
Number Seven
00:01:04

Gerard De Haro, Mix Engineer, StudioPersonnel - Barre Phillips, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - Joe Maneri, Composer, Clarinet, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Mat Maneri, Composer, Viola, MainArtist, AssociatedPerformer

℗ 2004 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

8
Number Eight
00:02:25

Gerard De Haro, Mix Engineer, StudioPersonnel - Barre Phillips, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - Joe Maneri, Composer, Clarinet, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Mat Maneri, Composer, Viola, MainArtist, AssociatedPerformer

℗ 2004 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

9
Number Nine
00:15:31

Gerard De Haro, Mix Engineer, StudioPersonnel - Barre Phillips, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - Joe Maneri, Composer, Clarinet, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Mat Maneri, Composer, Viola, MainArtist, AssociatedPerformer

℗ 2004 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

10
Number Ten
00:09:39

Gerard De Haro, Mix Engineer, StudioPersonnel - Barre Phillips, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - Joe Maneri, Composer, Clarinet, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Mat Maneri, Composer, Viola, MainArtist, AssociatedPerformer

℗ 2004 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Album review

One has to hand it to this trio. Joe Maneri (alto, tenor, and clarinet), his son Mat Maneri (viola), and Barre Phillips (double bass) understand something essential about improvisation that seems to have been lost by all but a handful or so of those currently practicing this art: they seek to convey the complexities of honest emotion first and foremost by any means necessary; secondly, they seek to relate the discoveries of sonic inquiry -- technique and other theoretical concerns come last. They could give a toss if what they are playing is "jazz" or not. What this Maneri/Phillips/Maneri trio is about, then, is not theoretical music, but discovering and conveying feelings in music. Angles of Repose is a suite of ten parts that runs a bit over 71 minutes, recorded without headphones in a small church in France -- next to Phillips' home. The elder Maneri certainly has theories about music, but it's in the playing and connection with other musicians that they are realized. His microtonal inquiries along with his notion of the octave -- which contains no less than 72 subdivisions -- would be useless academic twaddle if they didn't result in such an intimate and, in a sense, accessible communication with other players and of course the listener. The interplay between the viola and double bass -- bowed and plucked -- is where the recurrent ideas come home to be extrapolated upon, dissected, and reemphasized by Joe's horns and voice, which jumps in when the instruments won't get him where he needs to go. In this sense, this music sings. It's true the singing is balladic and dirgelike much of the time, but it is pastoral, too, and gentle and sweetly elegiac. It bears repeated listening and meets the listener readily, offering a standard-bearing effectiveness in how the poetry of collective improvisation should be realized and articulated.
© Thom Jurek /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
More on Qobuz
By Joe Maneri

Three Men Walking

Joe Maneri

Three Men Walking Joe Maneri

Blessed

Joe Maneri

Blessed Joe Maneri

Pinerskol

Joe Maneri

Pinerskol Joe Maneri

Tenderly

Joe Maneri

Tenderly Joe Maneri

Out Right Now

Joe Maneri

Out Right Now Joe Maneri

Playlists

You may also like...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Orchestras

Bill Frisell

Orchestras Bill Frisell

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

The Carnegie Hall Concert

Alice Coltrane

The Carnegie Hall Concert Alice Coltrane

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson