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Charles Gayle|Ancient Of Days

Ancient Of Days

Charles Gayle

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Charles Gayle is not breaking any new ground with Ancient of Days, but it is the most consistent of his "restrained" albums since Touchin' on Trane. Each song on the album builds with a quiet intensity, gliding between standard jazz and late-era John Coltrane. Piano player Hank Johnson keeps things under control, while bassist Juini Booth sounds more like Jimmy Garrison than William Parker. Only on the last track, "Glorified Love," does Gayle show off the saxophone pyrotechnics displayed on such landmark releases as Repent and More Live at the Knitting Factory. Ancient of Days is an interesting listen in its demonstration of how Gayle's furious playing has evolved. Where it was once sandpaper, it's now a sanded piece of oak -- smooth, yet covered with knots.
© Brian Flota /TiVo

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Ancient Of Days

Charles Gayle

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1
Betrayal
00:12:10

Gayle, Composer - Charles Gayle, Artist, MainArtist

1999 Knitting Factory Records 1999 Copyright Control

2
Risen Eternal
00:10:13

Gayle, Composer - Charles Gayle, Artist, MainArtist

1999 Knitting Factory Records 1999 Copyright Control

3
Holy Servant
00:10:32

Gayle, Composer - Charles Gayle, Artist, MainArtist

1999 Knitting Factory Records 1999 Copyright Control

4
Draw Me Nearer
00:12:56

Doane, Composer - Charles Gayle, Artist, MainArtist

1999 Knitting Factory Records 1999 Copyright Control

5
New Earth
00:16:02

Gayle, Composer - Charles Gayle, Artist, MainArtist

1999 Knitting Factory Records 1999 Copyright Control

6
Glorified Love
00:09:25

Gayle, Composer - Charles Gayle, Artist, MainArtist

1999 Knitting Factory Records 1999 Copyright Control

Album review

Charles Gayle is not breaking any new ground with Ancient of Days, but it is the most consistent of his "restrained" albums since Touchin' on Trane. Each song on the album builds with a quiet intensity, gliding between standard jazz and late-era John Coltrane. Piano player Hank Johnson keeps things under control, while bassist Juini Booth sounds more like Jimmy Garrison than William Parker. Only on the last track, "Glorified Love," does Gayle show off the saxophone pyrotechnics displayed on such landmark releases as Repent and More Live at the Knitting Factory. Ancient of Days is an interesting listen in its demonstration of how Gayle's furious playing has evolved. Where it was once sandpaper, it's now a sanded piece of oak -- smooth, yet covered with knots.
© Brian Flota /TiVo

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