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Shelagh Mcdonald|Album

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Shelagh McDonald

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Joni Mitchell meets early Fairport Convention? Judee Sill jamming with the Pentangle? The first album by Scotland's Shelagh McDonald has that sort of cross-cultural appeal. It's not easy to remember what different paths folk-rock had taken in the U.S. and the U.K. until one listens to this album and how skillfully it combines intimate, confessional songwriting with a traditionally bent musical inclination. McDonald's voice is a clear, lovely soprano with some of Joni Mitchell's phrasing but none of her more piercing affectations and a bit of Sandy Denny's richness and warmth. The arrangements are mostly in the low-key and largely acoustic style, with drums on most of the songs but a handful of solo piano and voice tracks. (The oddest arrangement choice has to be the buzzing noise in the last half of a swell cover of Gerry Rafferty's "Look Over the Hill and Faraway" that sounds like a young Thurston Moore is sitting in.) There's a slight jazzy tinge to some of the songs, akin to the Pentangle's experiments in folk-jazz fusion, as on the spirited "Waiting for the Wind to Rise." The highlight, though, is the lovely "Ophelia's Song," which appears once in a full-band version featuring an old-timey clarinet and a full string section and later in a stark solo guitar version; both are sublime. The Mooncrest CD adds eight bonus tracks from the demo sessions for McDonald's second and final album, Stargazer, including a remarkable early demo of that album's title track and a pointless version of the Doobie Brothers' "Jesus Is Just Alright."

© Stewart Mason /TiVo

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Album

Shelagh Mcdonald

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1
Mirage
00:04:01

Sandy Roberton, Producer - Shelagh McDonald, Composer, Performance, MainArtist

© 1970 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

2
Look Over the Hill and Far Away
00:05:12

Gerry Rafferty, Composer - Sandy Roberton, Producer - Shelagh McDonald, Performance, MainArtist

© 1970 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

3
Crusoe
00:03:50

Sandy Roberton, Producer - Shelagh McDonald, Composer, Performance, MainArtist

© 1970 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

4
Waiting for the Wind to Rise
00:04:56

Sandy Roberton, Producer - Shelagh McDonald, Composer, Performance, MainArtist

© 1970 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

5
Ophelia's Song (Version 1)
00:02:49

Sandy Roberton, Producer - Shelagh McDonald, Composer, Performance, MainArtist

© 1970 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

6
Richmond
00:02:45

Andy Roberts, Composer - Sandy Roberton, Producer - Shelagh McDonald, Performance, MainArtist

© 1970 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

7
Let No Man Steal Your Thyme
00:03:23

Traditional, Composer - Sandy Roberton, Producer - Shelagh McDonald, Arranger, Performance, MainArtist

© 1970 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

8
Peacock Lady
00:03:27

Sandy Roberton, Producer - Shelagh McDonald, Composer, Performance, MainArtist

© 1970 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

9
Silk and Leather
00:02:59

Sandy Roberton, Producer - Shelagh McDonald, Composer, Performance, MainArtist

© 1970 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

10
You Know You Can't Lose
00:05:03

Sandy Roberton, Producer - Keith Christmas, Composer - Shelagh McDonald, Performance, MainArtist

© 1970 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

11
Ophelia's Song (Version 2)
00:02:07

Sandy Roberton, Producer - Shelagh McDonald, Composer, Performance, MainArtist

© 1970 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

Album review

Joni Mitchell meets early Fairport Convention? Judee Sill jamming with the Pentangle? The first album by Scotland's Shelagh McDonald has that sort of cross-cultural appeal. It's not easy to remember what different paths folk-rock had taken in the U.S. and the U.K. until one listens to this album and how skillfully it combines intimate, confessional songwriting with a traditionally bent musical inclination. McDonald's voice is a clear, lovely soprano with some of Joni Mitchell's phrasing but none of her more piercing affectations and a bit of Sandy Denny's richness and warmth. The arrangements are mostly in the low-key and largely acoustic style, with drums on most of the songs but a handful of solo piano and voice tracks. (The oddest arrangement choice has to be the buzzing noise in the last half of a swell cover of Gerry Rafferty's "Look Over the Hill and Faraway" that sounds like a young Thurston Moore is sitting in.) There's a slight jazzy tinge to some of the songs, akin to the Pentangle's experiments in folk-jazz fusion, as on the spirited "Waiting for the Wind to Rise." The highlight, though, is the lovely "Ophelia's Song," which appears once in a full-band version featuring an old-timey clarinet and a full string section and later in a stark solo guitar version; both are sublime. The Mooncrest CD adds eight bonus tracks from the demo sessions for McDonald's second and final album, Stargazer, including a remarkable early demo of that album's title track and a pointless version of the Doobie Brothers' "Jesus Is Just Alright."

© Stewart Mason /TiVo

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