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Nicholas O'Toole|After The Dark (The Philosophers) (Original Motion Picture Soundtrack)

After The Dark (The Philosophers) (Original Motion Picture Soundtrack)

Nicholas O'Toole, Jonathan Davis

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Korn frontman Jonathan Davis collaborated with veteran cinema and television composer Nicholas O'Toole on the score for this horror film from John Huddles. Though it's been a while, this is actually Davis' second time at the movies: he previously co-composed original tracks for Queen of the Damned with Richard Gibbs. Comprised of 31 mostly short synth cues (the longest is four minutes, with the vast majority clocking in between two and three), the music here is as generic as it gets. It's standard video game stuff mostly. That said, some of the editing is laughable. There are radical dynamic shifts on the recording without the benefit of any transitions between sections -- as if one cue were grafted literally onto the end of another just before it ended. The score feels like a series of discontinuous parts rather than a whole. And this may be true because four other cues (actually two, which are variants of one another) were written by Glen Phillips. They employ bells, gongs, cymbals, and other percussion that at least break up the plastic-sounding textural monotony. This is a must-avoid.

© Thom Jurek /TiVo

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After The Dark (The Philosophers) (Original Motion Picture Soundtrack)

Nicholas O'Toole

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1
Morning In Jakarta
00:01:41

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

2
Late For School
00:01:19

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

3
Exploration
00:01:08

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

4
Radiological Landscape
00:01:04

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

5
The Box
00:01:19

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

6
Death Of A Poet
00:00:57

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

7
The Vote
00:03:19

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

8
Twenty Agonies
00:01:41

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

9
Overthrow
00:01:21

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

10
The Exit Code
00:02:28

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

11
Year In The Life
00:06:21

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

12
Bromo
00:02:05

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

13
A Show Of Hands
00:04:43

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

14
A Change Of Chairs
00:00:32

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

15
Rupture
00:01:52

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

16
Adjustments
00:01:54

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

17
Conception
00:02:43

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

18
Reversals Of Fortune
00:02:54

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

19
A Question
00:01:51

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

20
Plato's Cave
00:01:27

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

21
We Made Pictures
00:01:28

Glen Phillips, MainArtist, ComposerLyricist - Jonathan Davis, MainArtist - Nicholas O'Toole, MainArtist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

22
Choosing
00:01:15

Glen Phillips, MainArtist, ComposerLyricist - Jonathan Davis, MainArtist - Nicholas O'Toole, MainArtist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

23
Game Of Wits
00:03:47

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

24
Another Island
00:01:27

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

25
I Like Your Nose
00:04:01

Glen Phillips, MainArtist, ComposerLyricist - Jonathan Davis, MainArtist - Nicholas O'Toole, MainArtist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

26
In Our Quieter Times
00:01:48

Glen Phillips, MainArtist, ComposerLyricist - Jonathan Davis, MainArtist - Nicholas O'Toole, MainArtist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

27
Baroque Reprise
00:01:22

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

28
Transfigurations
00:02:13

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

29
Baroque Fugue
00:01:18

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

30
The Philosophers
00:01:43

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

31
Jakarta
00:02:40

Jonathan Davis, MainArtist, ComposerLyricist - Nicholas O'Toole, MainArtist, ComposerLyricist

℗ 2014 Scoretek Inc., Under Exclusive License to Varèse Sarabande Records LLC.

Album review

Korn frontman Jonathan Davis collaborated with veteran cinema and television composer Nicholas O'Toole on the score for this horror film from John Huddles. Though it's been a while, this is actually Davis' second time at the movies: he previously co-composed original tracks for Queen of the Damned with Richard Gibbs. Comprised of 31 mostly short synth cues (the longest is four minutes, with the vast majority clocking in between two and three), the music here is as generic as it gets. It's standard video game stuff mostly. That said, some of the editing is laughable. There are radical dynamic shifts on the recording without the benefit of any transitions between sections -- as if one cue were grafted literally onto the end of another just before it ended. The score feels like a series of discontinuous parts rather than a whole. And this may be true because four other cues (actually two, which are variants of one another) were written by Glen Phillips. They employ bells, gongs, cymbals, and other percussion that at least break up the plastic-sounding textural monotony. This is a must-avoid.

© Thom Jurek /TiVo

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