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Though labeled as a Cannonball Adderley Quintet session, this is actually a workout with a percussion section loaded with African drums, a big band, and in spots, voices -- all unidentified. Nevertheless, this is one of the best and most overlooked of the Cannonball Adderley Capitols, a rumbling session that bursts with the joy of working in an unfamiliar yet vital rhythmic context. Cannonball turns in one of his swinging-est solos through a Varitone electronic attachment on Caiphus Semenya's "Gumba Gumba" and "Marabi" is a real hip-jiggler; you can't sit still through it. Other highlights include Cannon preaching blue smoke in his own Afro-Cuban-blues-flavored "Hamba Nami," a dignified trip through Wes Montgomery's "Up and At It," and Nat Adderley's commanding work on cornet at all times.
© Richard S. Ginell /TiVo
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David Axelrod, Producer - Josef Zawinul, Composer - Cannonball Adderley Quintet, MainArtist
(C) 1968 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1968 EMI Records Ltd ℗ 1968 Blue Note Records
David Axelrod, Producer - Cannonball Adderley, Composer - Cannonball Adderley Quintet, MainArtist
(C) 1968 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1968 EMI Records Ltd ℗ 1968 Blue Note Records
David Axelrod, Producer - Caiphus Semenya, Composer - Cannonball Adderley Quintet, MainArtist
(C) 1968 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1968 EMI Records Ltd ℗ 1968 Blue Note Records
David Axelrod, Producer - Wes Montgomery, Composer - Cannonball Adderley Quintet, MainArtist
(C) 1968 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1968 EMI Records Ltd ℗ 1968 Blue Note Records
David Axelrod, Producer - Caiphus Semenya, Composer - Cannonball Adderley Quintet, MainArtist
(C) 1968 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1968 EMI Records Ltd ℗ 1968 Blue Note Records
David Axelrod, Producer - Cannonball Adderley, Composer - Cannonball Adderley Quintet, MainArtist
(C) 1968 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1968 EMI Records Ltd ℗ 1968 Blue Note Records
David Axelrod, Composer, Producer - Cannonball Adderley Quintet, MainArtist
(C) 1968 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1968 EMI Records Ltd ℗ 1968 Blue Note Records
H.B. BARNUM, Composer - Rich, Composer - David Axelrod, Producer - Cannonball Adderley Quintet, MainArtist - Rick Holmes, Composer
(C) 1968 Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1968 EMI Records Ltd ℗ 1968 Blue Note Records
Album review
Though labeled as a Cannonball Adderley Quintet session, this is actually a workout with a percussion section loaded with African drums, a big band, and in spots, voices -- all unidentified. Nevertheless, this is one of the best and most overlooked of the Cannonball Adderley Capitols, a rumbling session that bursts with the joy of working in an unfamiliar yet vital rhythmic context. Cannonball turns in one of his swinging-est solos through a Varitone electronic attachment on Caiphus Semenya's "Gumba Gumba" and "Marabi" is a real hip-jiggler; you can't sit still through it. Other highlights include Cannon preaching blue smoke in his own Afro-Cuban-blues-flavored "Hamba Nami," a dignified trip through Wes Montgomery's "Up and At It," and Nat Adderley's commanding work on cornet at all times.
© Richard S. Ginell /TiVo
About the album
- 1 disc(s) - 8 track(s)
- Total length: 00:30:49
- Main artists: Cannonball Adderley Quintet
- Composer: Various Composers
- Label: EMI Catalogue
- Genre: Jazz
© 1968 EMI Records Ltd ℗ 1968 EMI Records Ltd
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