Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Odhecaton - A. Scarlatti: Missa defunctorum, Magnificat, Miserere...

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

A. Scarlatti: Missa defunctorum, Magnificat, Miserere...

Odhecaton - Paolo Da Col

Digital booklet

Available in
logo Hi-Res
24-Bit 88.2 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

This recording is a discovery of Alessandro Scarlatti’s heretofore unknown sacred music, where Renaissance tradition meets Baroque sensibility for a unique and compelling recording. At the core of Odhecaton’s latest offering is the Missa defunctorum for four voices and basso continuo. It is in this magnificent score – recorded for the first time using the critical edition of Luca Della Libera – that primarily contrapuntal writing gives way to Scarlatti’s stylistic choices of great expressivity and rhetorical force, such as in the case of the astonishing Lacrimosa. The Miserere is also recorded for the first time. Written for nine voices for the Sistine Chapel, the score follows Allegri’s model only outwardly; Scarlatti, in fact, moves steadily away from it through his harmonic originality, formal richness, and expressivity. The Magnificat displays a unique synthesis of the Palestrinian model and the expressive language of the eighteenth century. In this score, Scarlatti exploits the great wealth and variety of the Marian text, particularly in the relationship between words and the emotional and descriptive spheres.

More info

A. Scarlatti: Missa defunctorum, Magnificat, Miserere...

Odhecaton

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

Copy the following link to share it

You are currently listening to samples.

Listen to over 70 million songs with an unlimited streaming plan.

Listen to this album and more than 70 million songs with your unlimited streaming plans.

1
Missa defunctorum: Introitus
00:05:01

Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

2
Missa defunctorum: Kyrie
00:01:36

Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

3
Missa defunctorum: Graduale
00:03:43

Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

4
Missa defunctorum: Sequentia (Dies irae)
00:05:36

Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

5
Missa defunctorum: Sequentia (Lacrimosa)
00:03:34

Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

6
Missa defunctorum: Offertorium
00:06:18

Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

7
Missa defunctorum: Sanctus
00:03:30

Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

8
Missa defunctorum: Agnus Dei
00:03:06

Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

9
Missa defunctorum: Communio
00:03:13

Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

10
Salve Regina
00:09:16

Odhecaton, Performer - Paolo da Col, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Vincenzo Di Donato, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

11
Miserere
00:09:37

Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

12
Magnificat: Magnificat
00:02:42

Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

13
Magnificat: Quia respexit
00:01:25

Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

14
Magnificat: Quia fecit
00:02:13

Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

15
Magnificat: Fecit potentiam
00:01:40

Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

16
Magnificat: Deposuit potentes
00:02:03

Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

17
Magnificat: Esurientes implevit bonis
00:05:34

Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

18
Magnificat: Sicut locutus est
00:00:49

Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

19
Magnificat: Gloria patri
00:05:27

Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer

Outhere Music France Outhere Music France

Album Description

This recording is a discovery of Alessandro Scarlatti’s heretofore unknown sacred music, where Renaissance tradition meets Baroque sensibility for a unique and compelling recording. At the core of Odhecaton’s latest offering is the Missa defunctorum for four voices and basso continuo. It is in this magnificent score – recorded for the first time using the critical edition of Luca Della Libera – that primarily contrapuntal writing gives way to Scarlatti’s stylistic choices of great expressivity and rhetorical force, such as in the case of the astonishing Lacrimosa. The Miserere is also recorded for the first time. Written for nine voices for the Sistine Chapel, the score follows Allegri’s model only outwardly; Scarlatti, in fact, moves steadily away from it through his harmonic originality, formal richness, and expressivity. The Magnificat displays a unique synthesis of the Palestrinian model and the expressive language of the eighteenth century. In this score, Scarlatti exploits the great wealth and variety of the Marian text, particularly in the relationship between words and the emotional and descriptive spheres.

About the album

Distinctions:

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...

Crime Of The Century [2014 - HD Remaster]

Supertramp

Aqualung

Jethro Tull

Aqualung Jethro Tull

Thick as a Brick

Jethro Tull

Thick as a Brick Jethro Tull

Misplaced Childhood

Marillion

More on Qobuz
By Odhecaton

Giosquino: Josquin Desprez in Italia

Odhecaton

Loyset Compère: Missa Galeazescha, Music for the Duke of Milan

Odhecaton

Palestrina: Missa Papae Marcelli

Odhecaton

Monteverdi: In San Marco

Odhecaton

Monteverdi: In San Marco

Odhecaton

You may also like...

Reine du Ciel : Missa Ave Regina Celorum

Ensemble Diabolus In Musica

Reine du Ciel : Missa Ave Regina Celorum Ensemble Diabolus In Musica

Haydn: Stabat Mater - Symphonies 84 & 86

Julien Chauvin

Buxtehude : Abendmusiken

Vox Luminis

Septem Verba & Membra Jesu Nostri

Ensemble Correspondances

Septem Verba & Membra Jesu Nostri Ensemble Correspondances

Georg Friedrich Händel : Messiah

Emmanuelle Haïm

In your panoramas...
Jordi Savall: Music, life and recording

It was a rainy October night in the Bugey. On October nights, it's always raining in the Bugey. It was around midnight. There were fifty of us, waiting in the cold, the wet and the rapt silence at the Ambronay Festival. All of a sudden, and without a sound, Jordi Savall was there, sopping wet in a white raincoat, like Bogart in Casablanca, holding onto a hard case shaped like a human body. Moving slowly, he drew out not a person but a viola de gamba, which he started tuning and stringing with the greatest care. And then the miracle descended upon the auditorium.

History of Labels: 5 questions to Klaus Heymann, Founder of Naxos

A resident of Hong Kong for several years, from where he has built Naxos into a global success story, Klaus Heymann, the most anti-conformist player in the world of classical records, is proudly celebrating his business's 30th birthday. We spoke to him!

Strauss & Kempe: Elective Affinities

The name of conductor Rudolf Kempe (1910-1976) is indissociable from those of composer Richard Strauss and the Dresden Staatskapelle orchestra. As Warner is now re-releasing the recordings made between 1970 and 1975, Qobuz is putting the spotlight on the Straussian legacy of a precise, often incisive conductor, who always paid the greatest attention to the text and its charms.

In the news...