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Britpop revival: the heritage

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Playlist: Britpop revival: the heritage

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Britpop is dead, long live Britpop! After the ephemeral success of a multitude of British rock bands in the mid-90s for whom anything seemed so possible, the phenomenon died out as quickly as it appeared. It took a few years, at the beginning of the new millennium, to see new bands nostalgic of this golden decade emerge again, ready to take up the torch of t...

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Britpop revival: the heritage

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Title Artist Album Duration
1
Yellow
Coldplay Parachutes 00:04:26

Ken Nelson, Producer, MixingEngineer - Chris Martin, Producer, Guitar, Piano, Lead Vocals, Writer, Guitarra - George Marino, MasteringEngineer - Mark Phythian, Producer - Coldplay, MainArtist - Guy Berryman, Producer, Bass Guitar, Backing Vocals, Writer - Will Champion, Producer, Drums, Percussion, Backing Vocals, Writer - Jonny Buckland, Producer, Electric Guitar, Backing Vocals, Writer, Guitarra - Michael H. Brauer, MixingEngineer - Chris Allison, Producer, MixingEngineer, RecordingEngineer - Barny, Engineer - Morton Lund, MasteringEngineer - Andrea Wright, AssistantEngineer - Inger Kvalvik, Engineer - Nikki Rosetti, Producer, Engineer - Erik Lloyd Wolkoff, Producer - Paul Read, AssistantEngineer - Øystein Halvorsen, Engineer - Jon Coles, AssistantEngineer

© 2000 Parlophone Records Ltd, a Warner Music Group Company ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

2
I Predict A Riot
Kaiser Chiefs Employment 00:03:52

Nick Hodgson, Drums, Vocals, AssociatedPerformer, ComposerLyricist - Cenzo Townshend, Engineer, Mix Engineer, StudioPersonnel - STEPHEN STREET, Producer, Mixer, StudioPersonnel - Simon Francis, Mastering Engineer, StudioPersonnel - Tom Stanley, Engineer, StudioPersonnel - Ricky Wilson, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Nick Baines, Keyboards, AssociatedPerformer, ComposerLyricist - Kaiser Chiefs, MainArtist - Andrew White, Guitar, AssociatedPerformer, ComposerLyricist - Simon Rix,, Bass Guitar, AssociatedPerformer, ComposerLyricist

℗ 2004 B-Unique Records

3
Weekend Without Makeup
The Long Blondes Someone To Drive You Home 00:04:11

Serge Krebs, Engineer - Richard Flack, Engineer - Ben Mason, Engineer - Steve Mackey, Producer, Mixer - Kate Jackson, Composer, AssociatedPerformer - The Long Blondes, MainArtist - Dorian Cox, AssociatedPerformer, ComposerLyricist - Emma Chaplin, Composer, AssociatedPerformer - Mark Turvey, Composer, AssociatedPerformer - Reenie Hollis, Composer, AssociatedPerformer

2006 Rough Trade Records Ltd 2006 Rough Trade Records Ltd

4
One Hand Holding (Album Version)
The Maccabees Wall Of Arms 00:03:01

Ruadhri Cushnan, Mixer, StudioPersonnel - Bob Ludwig, Mastering Engineer, StudioPersonnel - Markus Dravs, Producer, Mixer, StudioPersonnel - Ewan Davies, Engineer, StudioPersonnel - Francois Chevallier, Engineer, StudioPersonnel - Orlando Weeks, Vocals, AssociatedPerformer, ComposerLyricist - Hugo White, Guitar, AssociatedPerformer, ComposerLyricist - Rupert Jarvis, Bass Guitar, AssociatedPerformer, ComposerLyricist - The Maccabees, MainArtist - Felix White, Guitar, AssociatedPerformer, ComposerLyricist - Sam Doyle, Drums, AssociatedPerformer

℗ 2009 Polydor Ltd. (UK)

5
You Can't Fool Me Dennis (Album version)
Mystery Jets Making Dens [Standard Edition CD] 00:03:32

Cenzo Townshend, Mixer - Joe Fields, Engineer - Kai Fish, Composer - Mystery Jets, MainArtist - James Ford, Producer - William Rees, Composer - Blaine Harrison, Composer - Kapil Trivedi, Composer - Henry Harrison, Composer

© 2006 Good and Evil / 679 Recordings Ltd. ℗ 2006 679 Recordings Ltd.

6
Decent Days and Nights
The Futureheads The Futureheads (new version) 00:02:32

Richard Williams, Additional Engineer - The Futureheads, Writer, MainArtist - Barry Hyde, Composer, Guitar, Vocals - David Hyde, Composer - Paul Epworth, Producer - Al O'Connell, Additional Engineer - Dave Hyde, Drums, Vocals - Craig David, Composer - Jaff, Vocals, Bass - Ross Millard, Composer, Guitar, Vocals

© 2005 679 Recordings Ltd ℗ 2004 679 Recordings Ltd

7
Do You Want To
Franz Ferdinand You Could Have It So Much Better 00:03:35

Franz Ferdinand, interprète

2005 Domino Recording Co Ltd 2005 Domino Recording Co Ltd

8
The Pioneers
Bloc Party Silent Alarm 00:03:35

Kele Okereke, Guitar, Vocalist, AssociatedPerformer - Matt Tong, Drums, AssociatedPerformer - Rich Costey, Mixer, StudioPersonnel - Paul Epworth, Producer - Bloc Party, MainArtist, ComposerLyricist - Gordon Moakes, Bass Guitar, AssociatedPerformer - Russell Lissack, Guitar, AssociatedPerformer

℗ 2004 Bloc Party

9
Apply Some Pressure
Maximo Park Apply Some Pressure 00:03:20

Maximo Park, MainArtist

2004 Warp Records 2004 Warp Records

10
Cash Machine (Album Version)
Hard-Fi Stars Of CCTV 00:03:42

Richard Archer, Composer, Writer - Necessary records under exclusive licence to Warner Music UK Ltd, Producer - Hard-FI, Vocals, MainArtist

© 2006 Necessary Records under exclusive licence to Warner Music UK Ltd ℗ 2005 Necessary Records under exclusive licence to Warner Music UK Ltd

11
Club Foot
Kasabian Club Foot 00:03:35

Barny, Mixing Engineer - Chris Karloff, Composer - Chris Karloff, Guitar - Chris Karloff, Acoustic Bass - Chris Karloff, Synthesizer - Tom Meighan, Vocal - Jim Abbiss, Misc. Prod. - Kasabian, Performer - Kasabian, Producer - Sergio Pizzorno, Composer - Sergio Pizzorno, Lyricist - Sergio Pizzorno, Background Vocal - Sergio Pizzorno, Guitar - Sergio Pizzorno, Synthesizer

(P) 2004 Sony Music Entertainment UK Limited

12
Open Book
The Rakes Capture / Release 00:02:17

Alan Donohoe, Composer - Copyright Control, MusicPublisher - The Rakes, Artist, MainArtist - Matthew Swinnerton, Composer - Jamie Hornsmith, Composer - Lasse Petersen, Composer

2005 V2 Music Limited 2005 V2 Music Limited

13
Race To The City
The Cinematics A Strange Education 00:03:52

The Cinematics, MainArtist

(C) 2007 The Orchard (P) 2007 The Orchard

14
Gilt Complex
Sons And Daughters This Gift 00:03:40

Sons And Daughters, interprète

2008 Domino Recording Co Ltd 2008 Domino Recording Co Ltd

15
Snowden
Doves Some Cities 00:04:12

Richard Morris, Engineer, Programmer, StudioPersonnel - John Metcalfe, Viola, AssociatedPerformer - Ben Hillier, Producer, Mixer, Engineer, Glockenspiel, Programmer, AssociatedPerformer, StudioPersonnel - Chris Worsey, Cello, AssociatedPerformer - Ian Burdge, String Arranger, Cello, AssociatedPerformer - Guy Garvey, Vocals, AssociatedPerformer - Everton Nelson, Violin, AssociatedPerformer - Bunt Stafford-Clark, Mastering Engineer, StudioPersonnel - ANDY WILLIAMS, Composer, Drums, Percussion, Background Vocalist, AssociatedPerformer - Sally Herbert, Violin, AssociatedPerformer - Tom Pigott-Smith, Violin, AssociatedPerformer - Nick Barr, Violin, AssociatedPerformer - Lucy Shaw, Double Bass, AssociatedPerformer - Jimi Goodwin, Composer, Bass Guitar, Background Vocalist, Vocalist, AssociatedPerformer - Jez Williams, Composer, Electric Guitar, Synthesizer, Background Vocalist, AssociatedPerformer - Gillon Cameron, Violin, AssociatedPerformer - Doves, Producer, Mixer, MainArtist, StudioPersonnel - Vince Greene, Viola, AssociatedPerformer - Lucy Wilkins, Violin, AssociatedPerformer - Reiad Chibah, Viola, AssociatedPerformer - Stephen Hussey, Violin, AssociatedPerformer - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Anna Giddey, Violin, AssociatedPerformer - Frances Dewer, Violin, AssociatedPerformer - Chris Fish, Cello, AssociatedPerformer - Claire O'Connell, Cello, AssociatedPerformer - Millennia Strings, Strings, AssociatedPerformer - Helena Wood, Violin, AssociatedPerformer

(C) 2005 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2005 Virgin Records Limited

Duels, MainArtist, ComposerLyricist

℗ 2006 Nude Records under exclusive licence to V2 Music Limited

17
Not Nineteen Forever (Album Version)
The Courteeners St. Jude 00:04:03

Cenzo Townshend, Mixer, StudioPersonnel - STEPHEN STREET, Producer - Neil Comber, Assistant Mixer, StudioPersonnel - Tom Stanley, Engineer, StudioPersonnel - Michael Campbell, Drums, AssociatedPerformer - Liam Fray, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - The Courteeners, MainArtist - Daniel Moores, Guitar, AssociatedPerformer - Mark Cuppello, Bass Guitar, AssociatedPerformer

A Polydor Records Recording; ℗ 2008 Universal Music Operations Limited

18
Don't Forget Who You Are
Miles Kane Don't Forget Who You Are 00:03:21

Miles Kane, Composer - Miles Kane, Guitar - Miles Kane, Lyricist - Miles Kane, Performer - Miles Kane, Vocal - Ian Broudie, Background Vocal - Ian Broudie, Composer - Ian Broudie, Keyboards - Ian Broudie, Lyricist - Ian Broudie, Mixing Engineer - Ian Broudie, Producer - Sean Payne, Drums - Martyn Campbell, Bass - Sylvia Mason-James, Background Vocal - Chris Balin, Background Vocal - Juliet Roberts, Background Vocal - Stephen Harris, Engineer - Stephen Harris, Mixing Engineer - John Davis, Mastering Engineer

(P) 2013 Sony Music Entertainment UK Limited

19
Fluorescent Adolescent
Arctic Monkeys Favourite Worst Nightmare 00:03:03

Arctic Monkeys, interprète

2007 Domino Recording Co Ltd 2007 Domino Recording Co Ltd

20
Unconditional (Michael Brauer Mix)
The Bravery Unconditional 00:03:20

Michael Brauer, Mixer, StudioPersonnel - Sam Endicott, Producer, Guitar, Programmer, Vocalist, AssociatedPerformer, ComposerLyricist - Brian Gardner, Mastering Engineer, StudioPersonnel - The Bravery, Recording Engineer, MainArtist, StudioPersonnel - Michael Zakarin, Guitar, Background Vocalist, AssociatedPerformer - John Conway, Programmer, Synthesizer, Background Vocalist, AssociatedPerformer - Nic Hard, Recording Engineer, StudioPersonnel - Mike 'Dirt' Hindert, Bass Guitar, Background Vocalist, AssociatedPerformer - Anthony Burulcich, Drums, Background Vocalist, AssociatedPerformer

℗ 2005 The Island Def Jam Music Group

21
Golden Skans
Klaxons Myths Of The Near Future 00:02:44

Nick Terry, Co-Mixer, StudioPersonnel - James Ford, Producer, Drums, Co-Mixer, AssociatedPerformer, StudioPersonnel - Jimmy Robertson, Engineer, StudioPersonnel - Klaxons, MainArtist - Jamie Reynolds, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - James Righton, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Simon Taylor-Davies, Guitar, AssociatedPerformer, ComposerLyricist

℗ 2006 Klaxons, Under exclusive license to Polydor Records Ltd. (UK)

22
Naive
The Kooks Inside In / Inside Out 00:03:22

Brian "Big Bass" Gardner, Mastering Engineer, StudioPersonnel - Will Hensley, Assistant Mixer, StudioPersonnel - Keith Gary, Engineer, Assistant Mixer, StudioPersonnel - Michael H. Brauer, Mixer, StudioPersonnel - The Kooks, MainArtist - Luke Pritchard, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Max Rafferty, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Paul Garred, Drums, Background Vocalist, AssociatedPerformer, ComposerLyricist - Tony Hoffer, Producer, Recording Engineer, StudioPersonnel - Todd Burke, Recording Engineer, StudioPersonnel - Ben Mason, Asst. Recording Engineer, StudioPersonnel - Ian Dowling, Asst. Recording Engineer, StudioPersonnel - Hugh Harris, Background Vocalist, AssociatedPerformer, ComposerLyricist

(C) 2006 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2006 EMI Records Ltd ℗ 2006 Virgin Records Limited

23
I Found Out
The Pigeon Detectives Wait For Me 00:02:07

The Pigeon Detectives, MainArtist - BMG / Universal Music Publishing, MusicPublisher

(C) 2007 Dance to the Radio (P) 2007 Dance to the Radio

24
Into The Fire (Album Version)
Thirteen Senses The Invitation 00:03:38

Tim Roe, Engineer, Asst. Recording Engineer, StudioPersonnel - Will South, Guitar, Keyboards, Piano, Vocals, AssociatedPerformer, ComposerLyricist - Brendon James, Drums, AssociatedPerformer - Adam Wilson, Bass Guitar, AssociatedPerformer - Tom Welham, Guitar, Synthesizer, AssociatedPerformer - Thirteen Senses, Composer, MainArtist - Danton Paul Supple, Producer, Mixer, Engineer, StudioPersonnel

℗ 2004 Mercury Records Limited

25
Up the Bracket
The Libertines Up The Bracket 00:02:38

Mick Jones, Producer - Gary Powell, AssociatedPerformer - Pete Doherty, AssociatedPerformer, ComposerLyricist - Carl Barât, AssociatedPerformer, ComposerLyricist - The Libertines, MainArtist - John Hassall, AssociatedPerformer

2000 Rough Trade Records Ltd 2002 Rough Trade Records Ltd

26
F**k Forever
Babyshambles F**k Forever 00:04:44

Mick Jones, Producer - Bill Price, Mixer, Engineer - Drew McConnell, AssociatedPerformer - Babyshambles, MainArtist - Pete Doherty, AssociatedPerformer, ComposerLyricist - Patrick Walden, AssociatedPerformer, ComposerLyricist - Adam Fieck, AssociatedPerformer

2005 Rough Trade Records Ltd 2005 Rough Trade Records Ltd

27
Chelsea Dagger
The Fratellis Costello Music 00:03:34

Tony Hoffer, Producer, Mixer, Engineer, StudioPersonnel - Todd Burke, Engineer, StudioPersonnel - John Lawler, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - The Fratellis, MainArtist - Gordon McRory, Drums, AssociatedPerformer - Barry Wallace, Bass Guitar, AssociatedPerformer

℗ 2006 Universal Music Operations Limited

28
Sexy In Latin (Album Version)
Little Man Tate About What You Know 00:03:22

Little Man Tate, MainArtist - Edward David James Marriot, ComposerLyricist - Jonathan Cristopher Windle, ComposerLyricist

℗ 2006 V2 Music Limited

29
Mood Bomb
Superfood Mood Bomb 00:03:24

Steve Osborne, Mixing Engineer - Dick Beetham, Mastering Engineer - Al O'Connell, Producer - Ryan Malcolm, Composer, Lead Guitar - Rhys Downing, Engineer - Superfood, MainArtist - Carl Griffin, Drums - Dom Ganderton, Composer, Guitar, Vocals - Emily Baker, Bass Guitar

© 2014 Infectious Music Ltd., a BMG Company ℗ 2014 Infectious Music Ltd., a BMG Company

30
Somewhere Only We Know
Keane Hopes And Fears 00:03:56

Richard Hughes, Drums, AssociatedPerformer - Andy Green, Producer - Tim Rice-Oxley, Bass, Keyboards, AssociatedPerformer - Mark 'Spike' Stent, Mixer, StudioPersonnel - David Treahearn, Assistant Mixer, StudioPersonnel - Ted Jenson, Engineer, StudioPersonnel - Rob Haggett, Assistant Mixer, StudioPersonnel - Keane, Producer, MainArtist, ComposerLyricist - Tom Chaplin, Vocalist, AssociatedPerformer

℗ 2004 Universal Island Records Ltd. A Universal Music Company.

31
Geraldine
Glasvegas Glasvegas 00:03:45

Glasvegas, Associated Performer, Main Artist, Associated Performer - James Allan, Composer, Lyricist, Producer - Rich Costey, Engineer, Mixing Engineer, Producer - Max Dingle, Engineer - Ben Liscio - Kevin Burleigh, Producer - Howie Weinberg, Mastering Engineer - Justin Gerrish, Assistant Engineer

(P) 2008 Sony Music Entertainment UK Limited

32
Chasing Cars (Album Version)
Snow Patrol Eyes Open 00:04:25

Steve Morris, Violin, AssociatedPerformer - Mia Cooper, Violin, AssociatedPerformer - Pauline Lowbury, Violin, AssociatedPerformer - Richard George, Violin, AssociatedPerformer - Ben Russell, Double Bass, AssociatedPerformer - Cenzo Townshend, Mixer, StudioPersonnel - Charles Sewart, Violin, AssociatedPerformer - Gary Lightbody, Vocalist, AssociatedPerformer, ComposerLyricist - Jonny Quinn, Composer, Drums, AssociatedPerformer - Nathan Connolly, Composer, Guitar, AssociatedPerformer - Paul Wilson, Composer, Bass Guitar, AssociatedPerformer - Tom Simpson, Composer, Keyboards, AssociatedPerformer - Caroline Dale, Cello, AssociatedPerformer - Warren Zielinski, Violin, AssociatedPerformer - Paul Willey, Violin, AssociatedPerformer - Timothy Grant, Viola, AssociatedPerformer - Leon Bosch, Double Bass, AssociatedPerformer - Rebecca Hirsch, Violin, AssociatedPerformer - James Banbury, String Arranger, AssociatedPerformer - Tom McFall, Engineer, StudioPersonnel - Sam Bell, Engineer, StudioPersonnel - Adrian Bradbury, Cello, AssociatedPerformer - Garret Lee, Keyboards, Programmer, AssociatedPerformer - Maya Magub, Violin, AssociatedPerformer - Ursula Gough, Violin, AssociatedPerformer - Snow Patrol, MainArtist - Richard Milone, Violin, AssociatedPerformer - Caroline Dearnley, Cello, AssociatedPerformer - Janice Graham, Violin, AssociatedPerformer - William Hawkes, Viola, AssociatedPerformer - Zoe Martlew, Cello, AssociatedPerformer - Maxine Moore, Viola, AssociatedPerformer - Matthew Souter, Viola, AssociatedPerformer - Garrett Lee, Producer - Owen Skinner, Mix Engineer, StudioPersonnel - Beatrix Lovejoy, Violin, AssociatedPerformer - Karin Leishman, Violin, AssociatedPerformer - Steve Pryce, Recording Engineer, StudioPersonnel - Stefano Soffia, Asst. Recording Engineer, StudioPersonnel - Simon Wakeling, Asst. Recording Engineer, StudioPersonnel

℗ 2006 Polydor Ltd. (UK), Mit freundlicher Genehmigung: Universal Music Group, Inc.

33
Four to the Floor
Starsailor Silence Is Easy 00:03:50

Barry Westhead, Piano, Synthesizer - James Stelfox, Bass Guitar, Bass - Howard Gott, Violin - Brian Wright, Violin - Ian Burdge, Cello - Greg Calbi, Mastering Engineer, Masterer - Anna Morris, Violin - Gini Ball, Violin - Sally Herbert, Violin - Paul Hicks, Engineer - Arnulf Lindner, Double Bass - Calina de la Mare, Violin - Michael H Brauer, Mixer - Michael H. Brauer, Mixer - Adam Noble, Personal Assistant, Assistant - Danton Supple, Producer, Engineer, Produced by - Ben Byrne, Drums - Starsailor, Composer, Producer, Vocals, Produced by, MainArtist - Nathaniel Chan, Personal Assistant, Assistant - James Walsh, Guitar, Vocals - Leo Abrahams, Conductor, Director - Vince Greene, Viola - Chris Bolster, Personal Assistant, Assistant - Sophie Sirota, Viola - Yvonne Laing, Vocals - Catherine Browning, Violin - Louise Peacock, Violin - Anna Giddey, Violin - Tim Myall, Violin - Wendy De St Paer, Violin - Alison Blunt, Violin - Claire Raybould, Violin - Katherine Watmough, Violin - Luis Jardin, Percussion - Fiona Griffiths, Viola - Lucy Theo, Viola - Emily Frith, Viola - Helen Thomas, Cello - Andy Nice, Cello - Emily Isaac, Cello

© 2004 Parlophone Records Ltd, a Warner Music Group Company ℗ 2003 Parlophone Records Ltd, a Warner Music Group Company

34
Violet Hill
Coldplay Viva La Vida or Death and All His Friends 00:03:43

Bob Ludwig, MasteringEngineer - Vanessa Parr, AssistantEngineer - Olga Fitzroy, Technician - Chris Martin, Guitar, Acoustic Guitar, Keyboards, Piano, Lead Vocals, Writer - Brian Eno, Producer, Sound Effects (SFX) - Coldplay, MainArtist - Guy Berryman, Bass Guitar, Backing Vocals, Writer, Synthesizer - Will Champion, Drums, Percussion, Piano, Backing Vocals, Writer - Jonny Buckland, Guitar, Writer - ANDY WALLACE, MixingEngineer - Davide Rossi, Strings - Andy Rugg, AssistantEngineer - Daniel Green, AssistantEngineer - Rik Simpson, Producer - Jon Hopkins, Synthesizer - Markus Dravs, Producer, MixingEngineer - Michael H. Brauer, MixingEngineer - Brian Thorn, AssistantEngineer - Francois Chevallier, Programmer - Matt McGinn, Guitar - Mike Kezner, Sitar - William "Will" Hensley, Assistant Mixing Engineer

© 2008 Parlophone Records Ltd, a Warner Music Group Company ℗ 2008 Parlophone Records Ltd, a Warner Music Group Company

35
Walk The River
Guillemots Walk The River 00:05:08

David Kosten, Producer, Mixer, Recording Engineer, StudioPersonnel - Joe Lambert, Mastering Engineer, StudioPersonnel - Aristazabal Hawkes, AssociatedPerformer, Bass (Vocal) - Ricardo Pimentel, Guitar, AssociatedPerformer - Greig Stewart, Drums, Percussion, AssociatedPerformer - Guillemots, MainArtist, ComposerLyricist - Fyfe Dangerfield, Guitar, Keyboards, Percussion, Vibraphone, Vocals, Wind Controller, AssociatedPerformer

℗ 2010 Polydor Ltd. (UK)

36
America
Razorlight Razorlight 00:04:10

Jeremy Wheatley, Mixer, StudioPersonnel - CHRIS THOMAS, Engineer, StudioPersonnel - Sam Miller, Engineer, StudioPersonnel - Bjorn Agren, Guitar, Piano, Mellotron, Unknown, Violin, Piano, Other, AssociatedPerformer - Razorlight, Producer, MainArtist - Johnny Borrell, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Andy Burrows, Drums, Background Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, Guitar, Bass Guitar, Piano, AssociatedPerformer

℗ 2006 Mercury Records Limited, Mit freundlicher Genehmigung: Universal Music Group, Inc.

37
Last of the English Roses
Peter Doherty Grace/Wastelands 00:04:59

Dave Emery, Engineer - STEPHEN STREET, Producer, Mixer, Drums, Guitar, Percussion, Programmer, Vocals, Produced by - Tom Stanley, Mixer, Recorder, Recording Engineer, Engineer & Mixer - Mo Hausler, Engineer - Drew McConnell, Bass - Graham Coxon, Guitar - Peter Doherty, Composer, Guitar, Vocals, MainArtist - Pete Doherty, Acoustic Guitar, Vocals

© 2009 Parlophone Records Ltd, a Warner Music Group Company ℗ 2009 Parlophone Records Ltd, a Warner Music Group Company

38
Local Boy
The Rifles Singles Collection 00:02:51

The Rifles, MainArtist

(C) 2017 The Rifles under exclusive licence to Cooking Vinyl Limited (P) 2017 The Rifles under exclusive licence to Cooking Vinyl Limited

39
I Want To Hear What You Have Got To Say
The Subways Young For Eternity - Japanese Version 00:03:25

Ian Broudie, Producer, Mixer - The Subways, MainArtist - Billy Lunn, Composer, Guitar, Vocals, Writer - Charlotte Cooper, Composer, Guitar, Bass Guitar, Vocals, Writer - Josh Morgan, Composer, Drums, Writer - Simon Francis, Engineer - Jon Gray, Mixer, Engineer - MATT HYDE, Mixer - Mike Silverston, Recorded by

© 2005 The Echo Label Limited, a BMG Company trading as ECHO ℗ 2005 The Echo Label Limited, a BMG Company trading as ECHO

40
Bang Bang You're Dead
Dirty Pretty Things Waterloo To Anywhere 00:03:32

D. Sardy, Producer, Mixer, StudioPersonnel - Ryan Castle, Engineer, StudioPersonnel - Gary Powell, Drum, AssociatedPerformer, ComposerLyricist - Andy Brohard, Editor, Asst. Recording Engineer, StudioPersonnel - Stewart Whitmore, Editor - Graham Hope, Asst. Recording Engineer, StudioPersonnel - Jason Gossman, Asst. Recording Engineer, StudioPersonnel - Didz Hammond, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Dirty Pretty Things, MainArtist - Carl Barât, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Anthony Rossomondo, Guitar, AssociatedPerformer, ComposerLyricist - Steve Marcussen & digitally edited by Stewart Whitmore for Marcussen Mastering, Hollywood, CA, Mastering Engineer, StudioPersonnel

℗ 2006 Mercury Records Limited, Mit freundlicher Genehmigung: Universal Music Group, Inc.

41
Come on, Be a No-One
The Cribs Come on, Be a No-One 00:02:37

Dave Fridmann, Producer, MixingEngineer - Ryan Jarman, Composer - The Cribs, Composer, MainArtist

2012 Wichita Recordings Ltd. 2012 Wichita Recordings Ltd.

42
Forever Lost
The Magic Numbers The Magic Numbers 00:04:17

Bunt Stafford-Clark, Mastering Engineer, Masterer - Richard Wilkinson, Engineer - Michele Stodart, Mixer, Performance - Sean Gannon, Performance - Angela Gannon, Performance - Rich Robson, Pro-Tools Editor, Pro Tools - The Magic Numbers, Featured Vocalist, MainArtist - Romeo Stodart, Composer, Producer, Mixer, Performance - Craig Silvey, Producer, Mixer, Engineer, Recorder

© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2005 Parlophone Records Ltd, a Warner Music Group Company

43
Charlotte
Air Traffic Fractured Life 00:02:24

James Maddock, Composer - Chris Wall, Composer - Tom Pritchard, Composer - David Ryan Jordan, Composer - Air Traffic, Vocals, MainArtist

2007 Parlophone Records Ltd, a Warner Music Group Company 2007 Parlophone Records Ltd, a Warner Music Group Company

44
Monster
Various Artists NME Presents Essential Bands 2006 00:03:42

Richard Jackson, Producer, Engineer, StudioPersonnel - Simon Francis, Mastering Engineer, StudioPersonnel - Stephen Harris, Mixer, StudioPersonnel - James Frost, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Robin Hawkins, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Alex Pennie, Keyboards, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Iwan Griffiths, Drums, AssociatedPerformer, ComposerLyricist - The Automatic, MainArtist

℗ 2006 B-Unique Records

45
Orchestra
The Servant Orchestra 00:03:31

The Servant, Performer - Dan Black, Composer - Chris Burrows, Composer - Trevor Sharpe, Composer - Matt Fisher, Composer

2003 The Servant 2003 The Servant

46
Things I've Done
The Electric Soft Parade American Adventure 00:02:56
47
Always Like This
Bombay Bicycle Club I Had The Blues But I Shook Them Loose 00:04:05

Richard Wilkinson, Engineer, StudioPersonnel - Ian Dowling, Mixer, Engineer, StudioPersonnel - Ewan Davies, Engineer, StudioPersonnel - Bombay Bicycle Club, MainArtist - Jack Steadman, ComposerLyricist - Jeremy Abbiss, Producer, Mixer, StudioPersonnel

℗ 2009 Mmm...Records

48
We'll Live and Die in These Towns
The Enemy We'll Live and Die In These Towns 00:03:54

John Davis, Masterer - Barny, Producer, Mixer - The Enemy, Composer, Writer, MainArtist - John Poole, Engineer

© 2007 Warner Music UK Ltd. ℗ 2007 Warner Music UK Ltd.

49
Goodbye Mr A
The Hoosiers The Trick to Life (10th Anniversary Edition) 00:04:26

Toby Smith, Producer, Keyboards, Recording Engineer, Background Vocal - The Hoosiers, MainArtist, AssociatedPerformer - Alfonso Sharland, Composer, Lyricist, Background Vocal - Martin Skarendahl, Composer, Lyricist - Irwin Sparkes, Composer, Lyricist, Background Vocal - Chris Storr, Trumpet - Fayyaz Virji, Trombone - Sam Miller, Engineer, Recording Engineer, Whistles - Mike Smith, Saxophone

(P) 2007 Sony Music Entertainment UK Limited

50
Ali In The Jungle
The Hours Narcissus Road 00:04:38

Jack Ashford, Tambourine, AssociatedPerformer - Richard Flack, Mixer, StudioPersonnel - JAMES GADSON, Drums, AssociatedPerformer - Cameron Craig, Engineer, Recording Engineer, StudioPersonnel - Antony Genn, Vocals, Strings, AssociatedPerformer, ComposerLyricist - Martin Slattery, Engineer, Piano, AssociatedPerformer, StudioPersonnel, ComposerLyricist - The Hours, Producer, MainArtist - Ross Orton, Drums, AssociatedPerformer

℗ 2006 Polydor Ltd. (UK)

About Playlist

Britpop is dead, long live Britpop! After the ephemeral success of a multitude of British rock bands in the mid-90s for whom anything seemed so possible, the phenomenon died out as quickly as it appeared. It took a few years, at the beginning of the new millennium, to see new bands nostalgic of this golden decade emerge again, ready to take up the torch of their elders. After a short and intense parenthesis with the Libertines, the new generation comes in around 2005 and everything takes shape in a Post Punk revival marked by the arrival of Bloc Party, Franz Ferdinand, The Futureheads, The Rakes, before seeing groups focused on lighter melodies (Peace, Blossoms, The Pigeon Detectives), always under the benevolent eye of the survivors of the 90s (Sweden, Blur, Jarvis Cocker, Noel Gallagher ...).

Photo: The Futureheads

Britpop in 10 Albums

by Charlotte Saintoin, Translated by Jack Butler

“If punk was about getting rid of hippies, then I'm getting rid of grunge.” It was with this sentence from Damon Albarn in 1993 that England invaded the stage previously dominated by Nirvana and Seattle grunge. Britpop is deeply linked to politics and local identity and emerged just as Tony Blair and New Labour were entering the scene. English romanticism was once again becoming attractive compared to the American identity, which was considered too hollow in the UK. Make way for “Cool Britannia”.

Supergrass - I Should Coco (1995)
I Should Coco didn’t sound like anything else that was going on – Oasis sounded like they were on Mogadon compared with it. We soon got lumped in with Britpop though.” This is the view that Gaz Coombesonly 19 at the release of Supergrass’ debut album, holds today. Behind this striking album cover lied one of the greatest albums of the decade, selling over 1 million copies worldwide, half of which were sold in the UK. The trio, comprised of Gaz Coombes, Danny Goffey on drums and Mick Quinn on the bass, caught the eye of Parlophone following the release of their single Caught by the Fuzz on the independent label Backbeat, and in 40 minutes their debut album encapsulated the punk pop spirit inherited from The Kinks, The Rolling Stones, The Jam and Buzzcocks. Alright serves as the anthem of this album from which a candid and incandescent freshness emerges. "We are young, we run green / Keep our teeth nice and clean / See our friends, see the sights / Feel Alright", Gaz repeats. In contrast to Radiohead's sunken melancholy, Supergrass brought us some electric rejuvenation.

Oasis - (What’s the Story) Morning Glory? (1995)
Liam got a Rolex. I got a Rolls Royce. Which is brilliant, cos I can't drive and Liam can't tell the time.” Sitting at the top of the charts and on the glossy pages of magazines, the megalomaniacal Gallagher brothers continued their rise with (What’s the Story) Morning Glory? after having achieved their rock-star status as promised in Definitely Maybe (Rock’n’roll star). Alan White replaced Tony McCaroll on drums while Owen Morris was sent to production. Despite a serious altercation between Noel and Liam, the recording was quickly completed. Beginning with Hello, this follow-up album contains one rock anthem after another, all written by Noel. It is on this famous record that we find the cult hits Wonderwall, Don't Look Back in Anger, Some Might Say and Champagne Supernova with a solo by Paul Weller. Between saturated rock, pop treasures and bare ballads, Noel – who kept all compositions to himself until 2 weeks before the sessions – outdid himself. (What’s the Story) Morning Glory? is a more refined opus that’s richer and just as loud as the previous, from the piano of Don't Look Back in Anger to the strings of Wonderwall and the harmonica of The Swamp Song. With 15 million albums sold - a result Alan McGee had predicted - Morning Glory gave birth to Oasismania, from which the Gallaghers would never get away.

Pulp - Different Class (1995) 
1995 was the ultimate year for Britpop. It was the year of the release of Different Class and the hit Common People, in which Jarvis Cocker wrote about the unhealthy fascination for the working-class exhibited by the Greek woman he was hitting on. Cocker and Pulp were not born into Britpop and had in fact existed almost twenty years earlier. In Sheffield, 1978, Jarvis and his band were putting out records without any success, missing out on their breakthrough with every meeting. With His "N' Hers (the production of which was hated by Cocker), but especially with Different Class, his fifth effort, Pulp finally started surfing a wave that took them a long way. Taking a stark look at class struggles, the album mixes English pop, protean disco (Disco 2000), 6-minute long synthetic experiments (F.E.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E) and the glam rock of Bowie and Roxy Music to create a perfect formula ready to be gobbled up by the Britpop phenomenon. With Bill Brummond having refused, Chris Thomas was on production, and he made magic, especially on Common People which Cocker had half-heartedly drafted on a small Casio. True outsiders with the world listening, Pulp, with their disorientating pop and raw, sexually charged lyrics, became an unfiltered voice and one of the most sharp and fascinating groups of a strange era.

Suede – Coming Up (1996)
With the competition being dominated by Blur and Oasis, Suede were doing everything they could to stay out of this sphere which they considered too structured. Despite this, Brett Anderson still believes they were very much part of it. After Suede (1993) and Dog Man Star (1994), guitarist Bernard Butler left the South London combo following disagreements in the middle of the recording process, tearing apart the dynamic duo. Regardless, the pale, slender and decadent Brett Anderson shined with the highly successful Coming Up, including the brilliant tracks Trash and Beautiful Ones, as well as Filmstar, Lazy the 7 minutes of romantic pop that is The Chemistry Between Us. Undeniably inspired by Bowie and the glam rock of the 70s, this third opus moves away from the complex darkness of the previous records to an abundance of high-pitched riffs and dramatic touches. This is an album that almost crosses over to punk, with its cult cover being designed by Peter Saville, who, alongside Joy Division, was Anderson’s childhood hero. 

The Verve - Urban Hymns (1997)
Is Bitter Sweet Symphony the very quintessence of The Verve? Inspired by the Stones, this hit didn’t do much for Richard Ashcroft's band other than give them a lawsuit against Allen Klein, founder of ABKCO records which also houses Jagger's music. The Verve had redeemed the rights to use The Stones' The Last Time (which already included the Staples Singers), but Klein felt they had drawn too deep and claimed royalties for the song. But this isn’t the only good song to come out of Urban Hymns, which came about following the trip-hop wave. For this album, Ashcroft and the other members of The Verve lifted their noses off the coke table for a while. The group’s arrangements elegantly paint a picture of English melancholy, punctuated by fluffy mornings (Velvet Morning) that drugs can’t sweeten (The Drugs Don't Work). First shoegaze with A Storm in Heaven, then funk on A Northern Soul, The Verve went whichever way the wind took them. Between the leisurely pop of Oasis (Lucky Man, Weeping Willow) and the heavy pop of Radiohead (Space and Time), The Verve retained their melodic heritage, made of bombastic arrangements and effect pedals (The Rolling People), as testified by the 15-minute long Come On/Deep Freeze. Released at the dusk of Britpop, Urban Hymns rekindled the flame a few moments before it went out for good.

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