Beginning as a scrappy, lo-fi side project and growing into one of the more creative acts mixing rock and electronic music, Metronomy is the project of London-based multi-instrumentalist and producer Joseph Mount. Named after the musical term for the measurement of time by an instrument, Mount started Metronomy in 1999 as a side project to the other bands he played with, using an old computer that his father gave him to record songs. Metronomy's first full-band lineup also included keyboardist/saxophonist Oscar Cash and keyboardist/bassist Gabriel Stebbing. Prior to Metronomy, Mount and Stebbing played together in bands such as the Upsides, a pop group the pair described as "the original Busted," and the Customers, with whom they played in university. When his cousin Cash joined Metronomy, it became the trio's main project. With a sound inspired by influences from Devo and David Bowie to N.E.R.D. and Pavement, Metronomy earned buzz for their engaging live shows as well as official and unofficial remixes of tracks by Gorillaz, Architecture in Helsinki, Sebastien Tellier, Kate Nash, U2, and Britney Spears. Their debut single, "You Could Easily Have Me," arrived in spring 2005 on the Holiphonic imprint, and the full-length Pip Paine (Pay the £5000 You Owe) was released that summer. In 2006, Metronomy signed to Because Music; the following year, the single Radio Ladio became their first and only release on its Need Now Future imprint. The label also issued 2008's Nights Out, which introduced their eclectic sound to a wider audience thanks to singles such as Heartbreaker and My Heart Rate Rapid. In 2009, Stebbing left Metronomy to focus on his other project, Your Twenties. Bassist Gbenga Adelekan and former Lightspeed Champion drummer Anna Prior joined the fold for 2011's The English Riviera, which boasted a sleeker sound than the band's previous work. It was their most commercially successful album to date, reaching number 28 on the U.K. charts, selling more than 60,000 copies, and earning them a Mercury Prize nomination. The album's popularity led to a sold-out show at Royal Albert Hall as well as comprehensive tours of both Europe and North America. Mount and crew went in a very different direction for Metronomy's fourth album, Love Letters. Taking inspiration from acts such as the Supremes, the Zombies, and Sly & the Family Stone, the band recorded at Toe Rag, an all-analog London studio frequented by indie rock bands such as the White Stripes and the Cribs. The singles I'm Aquarius and Love Letters -- which boasted a video directed by Michel Gondry -- signaled the album's mix of vintage warmth and cutting-edge pop ahead of its March 2014 release. The album peaked at number seven on the U.K. albums chart, their highest position on the chart yet. For Metronomy's next album, Mount changed course again, booking a studio just outside Paris and writing and recording a set of songs by himself within two weeks. The funky Summer 08, which reflected on the exuberance of the Nights Out era and featured collaborations with Mix Master Mike, Erol Alkan, and Robyn, arrived in July 2016. ~ Heather Phares
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Electro - Released February 8, 2019 | Because Music Ltd.
The years fly by. Ten already! Nights Out is a golden nugget of synth pop from 2008 packed full of brooding hits such as Heartbreaker (with its squeaky door sample), A Thing For Me and Radio Ladio. With three synthesizers, a guitar, a nonchalant bass and falsetto choirs, the formula fed into the electro pop wave of the time, placing the group alongside the likes of Hot Chip. While much of the work from this genre remained in rather exclusive circles, Nights Out provoked a groundswell that affected a huge audience, despite its eccentric sound. Mr Mount, who was already an experienced producer and mixer, was at the helm of this record. After releasing Pip Pain (Pay The £5000 You Owe) alone in 2016, he joined forces with Oscar Cash and Gabriel Stebbing for this second album, though Joseph still produced almost all of it himself. It’s a concept album about having a bad time on a night out, with songs that are sometimes gloomy (Night Out), sometimes playful (On Dancefloors), but always brilliant. Metronomy plays with delays, dissonances and ever-so-catchy melodies, which still sound just as good one decade on. And what better an opportunity to revisit this wonderful record than with this anniversary edition which includes unreleased tracks, B-sides and rare recordings. © Charlotte Saintoin/Qobuz
Alternative & Indie - Released July 1, 2016 | Because Music Ltd.
The Bat for Lashes universe is one that is all its own. When seeking inspiration for the album, the British singer and producer Natasha Khan wrote and directed a short film. Put together between LA, London, her native Brighton, and Woodstock in New Jersey (where she has a home studio), the whole of The Bride will be performed in a very particular way, like the first singles, which were first performed live in churches. The album itself narrates the story of a woman who watches her husband die en route to their marriage, a theme that is sometimes particularly melancholy (Joe’s Dream). Between the overuse of reverb and lilting vocals, the album is nevertheless pretty and destabilising, which showcases the genuine artistic method that is at work. The producer Dan Carey (Nick Mulvey) and musician Ben Christophers have both supported Natasha Khan, to iron out the creases in this otherwise well-conceived whole.
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00:05 Qobuz | The Unification of Son Voltyesterday Qobuz | Weyes Blood, holy waterSun Qobuz | New Order, post-Joy Division
Sat Qobuz | C Duncan, no longer aloneFri Qobuz | Back from the brink of death
Thu Qobuz | J.J. Cale, live from heavenWed Qobuz | Contemporary Symphony of Sorrowful SongsTue Qobuz | Norah Jones with a little bit of everything
Mon Qobuz | Pop LullabiesSun Qobuz | A celebration of independent thoughtSat Qobuz | The graceful Maverick
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