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Alternative & Indie - Released March 1, 2019 | Universal-Island Records Ltd.

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Alternative & Indie - Released March 1, 2019 | Universal-Island Records Ltd.

Hozier's great trick is how he hangs suspended between past and present, drawing upon old forms without sounding traditional. This gift is what fueled "Take Me to Church," a bit of protest neo-gospel that became an unexpected international blockbuster in 2014 -- a success so great, the Irish singer/songwriter was in no need to hurry up with a sequel. He certainly took his time to release Wasteland, Baby!, a sophomore set delivered nearly a half-decade after his debut. Given that lengthy gap, it's appropriate that Wasteland, Baby! feels considered, its every move telegraphing a deliberate decision. That's as true of Hozier's lyrics -- which use Nina Simone and Duke Ellington as signifiers, tying him to a heritage that's not quite his own -- as it is of the ruminative music, which feels contemplative even when the tempo quickens. Hozier may be moody but he doesn't dodge happiness, nor does he avoid modern accouterments. These two trends culminate on "Nobody," a lightly rolling piece of pop-soul that seems nearly ebullient in this context, but even his melancholy moments feel open-hearted. Much of this draws from the same well as "Take Me to Church" -- there's more than a hint of soul and gospel, tempered with arty arena rock that's drawn equally from U2 and Peter Gabriel -- but the overall feeling isn't anguished, it's consoling. It's a subtle but notable shift that lends emotional gravity to a singer/songwriter who already favored weighty topics. © Stephen Thomas Erlewine /TiVo
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Alternative & Indie - Released November 6, 2014 | Universal-Island Records Ltd.

The recipient of much hype and praise for his breakthrough single "Take Me to Church," Ireland's Hozier does plenty to back it up on his self-titled debut LP. A soulful voice and a brooding mystique can get you a long way but fortunately, most of the material here is well-written enough to warrant a deeper look at the young artist many have labeled an old soul. Like fellow Irishman Van Morrison did decades before, Hozier (Andrew Hozier-Byrne) draws on the soul and R&B of Jackie Wilson and runs it through the mystery white-boy filter of Jeff Buckley, adding a touch of Bon Iver's rural indie aesthetic to mix into his own dark cocktail. Moodcraft and vibe are where Hozier is at his most effective and he hits his mark on the eerie, midnight-hour blues of "Angel of Small Death & the Codeine Scene" with its subtle layers of creepy choir boy and gospel vocals. It's the logical sequel to his equally haunting "Take Me to Church," which leads off this set. Coming in at 53 minutes and 13 tracks, the record is probably a bit too lengthy. The album's best tracks, like the warm, laid-back "Someone New" and the grandiose shuffling of "From Eden" are all front loaded in the first half, while side two feels a bit weighed down with a few too many slow, contemplative pieces. When you're dealing with the kind of spells Hozier is casting, it's always best to leave them wanting more. Still, the dirge blues of "It Will Come Back," with its dirty fiddle and electric guitar pairing, manages to rattle the church pews enough to help anchor the back half. In spite of its extra padding and occasional foibles, it's a strong debut and Hozier is far more commanding and convincing than so many other blues-inspired young turks lurking conspicuously in the alleyways of indiedom. © Timothy Monger /TiVo
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Alternative & Indie - Released April 17, 2020 | Rubyworks

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Alternative & Indie - Released July 20, 2014 | Universal-Island Records Ltd.

The recipient of much hype and praise for his breakthrough single "Take Me to Church," Ireland's Hozier does plenty to back it up on his self-titled debut LP. A soulful voice and a brooding mystique can get you a long way but fortunately, most of the material here is well-written enough to warrant a deeper look at the young artist many have labeled an old soul. Like fellow Irishman Van Morrison did decades before, Hozier (Andrew Hozier-Byrne) draws on the soul and R&B of Jackie Wilson and runs it through the mystery white-boy filter of Jeff Buckley, adding a touch of Bon Iver's rural indie aesthetic to mix into his own dark cocktail. Moodcraft and vibe are where Hozier is at his most effective and he hits his mark on the eerie, midnight-hour blues of "Angel of Small Death & the Codeine Scene" with its subtle layers of creepy choir boy and gospel vocals. It's the logical sequel to his equally haunting "Take Me to Church," which leads off this set. Coming in at 53 minutes and 13 tracks, the record is probably a bit too lengthy. The album's best tracks, like the warm, laid-back "Someone New" and the grandiose shuffling of "From Eden" are all front loaded in the first half, while side two feels a bit weighed down with a few too many slow, contemplative pieces. When you're dealing with the kind of spells Hozier is casting, it's always best to leave them wanting more. Still, the dirge blues of "It Will Come Back," with its dirty fiddle and electric guitar pairing, manages to rattle the church pews enough to help anchor the back half. In spite of its extra padding and occasional foibles, it's a strong debut and Hozier is far more commanding and convincing than so many other blues-inspired young turks lurking conspicuously in the alleyways of indiedom. © Timothy Monger /TiVo

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Hozier in the magazine
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