Georg Kulenkampff
Georg Kulenkampff was one of Germany's most beloved violin virtuosos of the first half of the twentieth century, and a teacher to many younger stars of the violin. Kulenkampff gave the premiere performance of Robert Schumann's Violin Concerto, and made the first recording of the piece; additionally, his performances of the violin concertos of Beethoven, Mendelssohn, Glazunov, and Bruch are considered among the finest on record, despite their having been recorded during the 1930's and the beginning of the 1940's. Only the fact that his recording career coincided with the Nazi era, coupled with his tragically early death from encephalitis, has prevented his name from being better known to modern listeners.
Georg Kulenkampff was born into a family of very successful Bremen merchants, and raised in happy, well-to-do circumstances. He showed an interest in music very early in his life, and at age six was given his first violin. Soon after, he began studying with Hans Kolkmeyer, the concertmaster of the Bremen Orchestra, and later with the orchestra's conductor, Ernst Wendel. He later studied with Von Auer in Dresden, and in response to Von Auer's encouragement, Kulenkampff's parents presented the 12-year-old prodigee with a Stradivarius violin and sent him to the Berlin Conservatory.
Kulenkampff spent the years immediately after World War I recovering from serious health problems, and became concertmaster of the Philharmonic Society of Bremen. His concert and recital career grew by leaps and bounds, and a few years later he moved to Berlin, becoming a professor at that city's conservatory. From the mid-1920's onward, Kulenkampff was Germany's leading violin virtuoso, concertizing all over the country and throughout Europe, and he also made regular appearances on the radio.
In 1935, Kulenkampff formed a trio with Edwin Fischer and Enrico Mainardi, with whom he performed for the next 13 years. Additionally, Kulenkampff was one of the most respected teachers of his era, and his students included the young Yehudi Menuhin, among many others. His master classes and lectures were unique for their passion, depth, and intensity.
One of the top recording artists of his era, Kulenkampff left behind many examples of his work from the 1930's and 1940's, including the first recording (done shortly after the premiere performance) of Robert Schumann's long-suppressed Violin Concerto, in 1935. The story of the Violin Concerto's premiere is a fascinating one, and illustrates the esteem with which Kulenkampff was held during Germany. Schumann's intent of conducting the piece in Dusseldorf in 1853, in a performance by Joseph Joachim, had never been realized, owing to insufficient rehearsal time and Schumann's own failing health, and the Beethoven Violin Concerto (itself not a popular piece until then) was played instead. After several failed attempts to secure performances of the work, Joachim decided with Schumann's family that the piece should be suppressed as unworthy of the composer's memory. Joachim arranged that the concerto should not be published until 100 years after Schumann's death in 1856. In the 1930's, however, two of Joachim's grandnieces began making attempts to have the work performed.
Their efforts culminated with Kulenkampff's performance of the concerto in November of 1937. With help from Paul Hindemith (whose own work had already been banned by the Hitler government), Kulenkampff and Georg Schunemann undertook a series of alterations--which Schumann himself had begun--to make the concerto more playable.
Ironically, the world premiere was to have been played in San Francisco by Kulenkampff's one-time pupil Yehudi Menuhin, under the aegis of the publisher, but the Nazi-controlled government insisted that the work had to receive its first performance in Germany in the hands of Kulenkampff, as Germany's greatest violinist and an "Aryan." For his part, Kulenkampff--despite his having remained in Germany for most of the Hitler era--took none of these racial concerns seriously, insisting on using the cadenza by the Jewish virtuoso Fritz Kreisler in his performances and recordings of violin concertos of Beethoven, and the otherwise banned Felix Mendelssohn in 1935.
Kulenkampff moved to Potsdam in 1940, and continued to play concerts--among his more important recordings from this era are the Max Bruch Violin Concerto and, from a live performance, the Sibelius Violin Concerto conducted by Wilhelm Furtwangler. In 1944 he left Germany for Switzerland, for reasons of health and the impending collapse of Germany. He made his career in Lucerne, and immediately following the end of the war began concertizing in Germany again a well. Among his more notable postwar recordings was the Glazunov Violin Concerto, done with the Swedish Radio Symphony Orchestra in March of 1948. Kulenkampff also played and recorded chamber music, including the Beethoven Violin Sonata No. 9 ("Kreutzer") and the Mozart Violin Sonata No. 40, both with future superstar conductor Sir Georg Solti as accompanist. Kulenkampff contracted encephalitis in 1948, and died very suddenly just a few days after playing what proved to be his final concert.
Kulenkampff's playing was very clean and unpretentious yet expressive, with rich intonation. His performance of the Schumann concerto is, arguably, still the best ever recorded, and his Beethoven Violin Concerto is one of the finest available.
© Bruce Eder
Beethoven Violin Concerto Teldec [8]
Sonata No. 9 Decca [8]
Brahms Violin Concerto Lys [7]
Bruch Violin Concerto Teldec [7]
Glazunov Violin Concerto Bluebell [6]
Mendelssohn Violin Concerto Teldec [7]
Schumann Violin Concerto Teldec [8]
Sibelius Violin Concerto Lys/M&A [7] /TiVo
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Wagner: Albumblatt, WWV 64
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1935
16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven: Sonata for Cello and Piano No. 1; Sonata for Cello and Piano No. 3; Violin Sonata No. 9 'Kreutzer' (Wilhelm Kempff: Complete Decca Recordings, Vol. 13)
Wilhelm Kempff, Pablo Casals, Paul Grümmer, Georg Kulenkampff
Classical - Released by Universal Music Australia Pty. Ltd. on 13 May 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven, Mozart, Brahms : Violin Sonatas
Georg Kulenkampff, Sir Georg Solti
Duets - Released by Decca on 12 Aug 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Concertos for Violin and Orchestra by Sibelius & Beethoven
Wilhelm Furtwängler, Georg Kulenkampff, Erich Röhn, Violine Berlin Philharmonic
Classical - Released by OperaPrima-Carillon on 23 Apr 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Schumann: Violin Concerto in D Minor, Woo 23
Georg Kulenkampff, Berliner Philharmoniker
Classical - Released by Altair on 2 Feb 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Schumann: Violin Concerto
Georg Kulenkampff, Hans Schmidt-Isserstedt, Berliner Philharmoniker
Classical - Released by Infinity on 4 Feb 2021
16-Bit CD Quality 44.1 kHz - Stereo -
The Great Violin Concertos Recorded in Berlin
Classical - Released by Andromeda on 1 Sep 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Kulenkampff Plays Tchaikovsky, Mendelssohn, Bach & Schumann
Classical - Released by Dutton Epoch on 9 Jan 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Brahms: Violin Sonata No. 1- No. 2 - No. 3
Georg Kulenkampff, Sir Georg Solti
Chamber Music - Released by Infinity on 3 Jul 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven & Brahms: Orchestral Works
Paris Conservatoire Orchestra, Georg Kulenkampff, Carl Schuricht, Enrico Mainardi, Ernest Ansermet, Orchestre de la Suisse Romande
Classical - Released by Archipel on 5 Mar 2021
16-Bit CD Quality 44.1 kHz - Stereo -
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Debussy: Petite Suite, L. 65: 3. Menuet
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1935
16-Bit CD Quality 44.1 kHz - Stereo -
The Art of Georg Kulenlampff
Classical - Released by Editions Audiovisuel Beulah on 10 Jan 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Glazunov: Violin Concerto, Op. 82 - Aulin: Violin Concerto No. 3
Georg Kulenkampff, Charles Barkel, Swedish Radio Symphony Orchestra, Natanael Broman, Tor Mann
Classical - Released by Bluebell on 1 Apr 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Johannes Brahms
Georg Kulenkampff, Sir Georg Solti
Classical - Released by Altair on 16 Aug 2023
16-Bit CD Quality 44.1 kHz - Stereo -
Kulenkampff Plays Brahms
Classical - Released by Dutton Epoch on 17 Nov 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Kulenkampff Plays Mozart, Spohr & Bruch
Classical - Released by Dutton Epoch on 24 May 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Schumann: Violin Concerto in D Minor, WoO 23 (Opus Post.)
Georg Kulenkampff, Berliner Philharmoniker, Hans Schmidt-Isserstedt
Classical - Released by Ibis on 4 Feb 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Master of Classic Music, Schumann - Violin Concerto
Georg Kulenkampff, Hans Schmidt-Isserstedt, Berliner Philharmoniker
Classical - Released by Oscardigital on 18 Aug 1988
16-Bit CD Quality 44.1 kHz - Stereo -
Johannes Brahms: Violin Sonata NO. 1, OP. 78 - Violin Sonata NO. 2, OP.100 - Violin Sonata NO. 3, OP. 108 (Live)
Georg Kulenkampff, Sir Georg Solti
Classical - Released by Altair on 11 Nov 2020
24-Bit 48.0 kHz - Stereo -
Beethoven: Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": 1. Adagio sostenuto - Presto
Georg Kulenkampff, Wilhelm Kempff
Classical - Released by Deutsche Grammophon (DG) on 1 May 1935
16-Bit CD Quality 44.1 kHz - Stereo