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Vocal Jazz - Released November 13, 2020 | ECM

Hi-Res Booklet Distinctions 4F de Télérama
In 2018, Elina Duni went solo. Well, she put her name on an album cover and no one else’s. After leading a jazz-based quartet for two albums, the Tirana singer brought out Partir on ECM. The magnificent folklore and popular pieces were played on piano, guitar and percussion and evoked love as well as loss and bereavement. With Lost Ships, Duni continues her collaboration with the young British guitarist Rob Luft which began in 2017. The duo brings together songs of love, exile and suffering. They explore the world’s ills - from migration conflicts to ecological concerns - through truly moving melodies. It’s like a chamber symphony that mixes Mediterranean textures with jazz arrangements. Sometimes, the duo is joined by English pianist and percussionist Fred Thomas and Swiss trumpeter Matthieu Michel. Whether it’s a jazz ballad, an Italian song (Bella Ci Dormi), an Albanian folk tune (Kur Më Del Në Derë and N'at Zaman), a standard made popular by Frank Sinatra (I'm a Fool to Want You) or Charles Aznavour (Hier encore), these diverse sources are brought together by Elina Duni’s expressive voice. Sitting somewhere between a Balkans fado and European blues, it’s a voice that brings hope. © Marc Zisman/Qobuz
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Vocal Jazz - Released April 27, 2018 | ECM

Hi-Res Booklet Distinctions Indispensable JAZZ NEWS
After two albums at the head of a rather jazzy quartet, Elina Duni is now releasing a collection of songs under her own name that evoke love as well as loss and departure. Recorded in the studios La Buissonne in the south of France in July 2017 under the artistic direction of Manfred Eicher from ECM, Partir is undeniably her most personal opus. Her most intimate too. In this album entirely written and produced on her own, the singer from Tirana plays on the piano, on the guitar and on percussions in tunes drawing from a multitude of sources, from folk to popular music: traditional songs from Albania, Kosovo, Armenia, Macedonia, Switzerland and Arabic Andalusia, but also Jacques Brel’s Je ne sais pas, Alain Oulman’s Meu Amor, Domenico Modugno’s Amara Terra Mia or even Let Us Dive In by Duni herself. To highlight her voice’s expressiveness, she has logically opted for sleek arrangements. In this context, her singing is beautifully emphasised and becomes the common theme throughout her electric repertoire. An organ that can be poignant at times, particularly when she sings about suffering, in a sort of Balkan fado, like a European blues following in the footsteps of Billie Holiday − the ultimate ambassador of human flaws, whom she admires above everything else! The listener comes out dazed by the captivating beauty of what turns out to be Elina Duni’s most stunning album so far… © Marc Zisman/Qobuz
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Vocal Jazz - Released February 1, 2019 | Nome

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Pop - Released March 29, 2015 | iMusician Digital

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Jazz - Released November 13, 2020 | ECM

Booklet
In 2018, Elina Duni went solo. Well, she put her name on an album cover and no one else’s. After leading a jazz-based quartet for two albums, the Tirana singer brought out Partir on ECM. The magnificent folklore and popular pieces were played on piano, guitar and percussion and evoked love as well as loss and bereavement. With Lost Ships, Duni continues her collaboration with the young British guitarist Rob Luft which began in 2017. The duo brings together songs of love, exile and suffering. They explore the world’s ills - from migration conflicts to ecological concerns - through truly moving melodies. It’s like a chamber symphony that mixes Mediterranean textures with jazz arrangements. Sometimes, the duo is joined by English pianist and percussionist Fred Thomas and Swiss trumpeter Matthieu Michel. Whether it’s a jazz ballad, an Italian song (Bella Ci Dormi), an Albanian folk tune (Kur Më Del Në Derë and N'at Zaman), a standard made popular by Frank Sinatra (I'm a Fool to Want You) or Charles Aznavour (Hier encore), these diverse sources are brought together by Elina Duni’s expressive voice. Sitting somewhere between a Balkans fado and European blues, it’s a voice that brings hope. © Marc Zisman/Qobuz
From
CD£13.49

Vocal Jazz - Released April 27, 2018 | ECM

Booklet
After two albums at the head of a rather jazzy quartet, Elina Duni is now releasing a collection of songs under her own name that evoke love as well as loss and departure. Recorded in the studios La Buissonne in the south of France in July 2017 under the artistic direction of Manfred Eicher from ECM, Partir is undeniably her most personal opus. Her most intimate too. In this album entirely written and produced on her own, the singer from Tirana plays on the piano, on the guitar and on percussions in tunes drawing from a multitude of sources, from folk to popular music: traditional songs from Albania, Kosovo, Armenia, Macedonia, Switzerland and Arabic Andalusia, but also Jacques Brel’s Je ne sais pas, Alain Oulman’s Meu Amor, Domenico Modugno’s Amara Terra Mia or even Let Us Dive In by Duni herself. To highlight her voice’s expressiveness, she has logically opted for sleek arrangements. In this context, her singing is beautifully emphasised and becomes the common theme throughout her electric repertoire. An organ that can be poignant at times, particularly when she sings about suffering, in a sort of Balkan fado, like a European blues following in the footsteps of Billie Holiday − the ultimate ambassador of human flaws, whom she admires above everything else! The listener comes out dazed by the captivating beauty of what turns out to be Elina Duni’s most stunning album so far… © Marc Zisman/Qobuz
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Jazz - Released April 13, 2018 | ECM

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Jazz - Released March 30, 2018 | ECM