Performing as a soloist and a member of Café Zimmermann, Frisch has played at various venues in France, as well as around the world.
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Chamber Music - Released March 15, 2019 | Alpha
Hi-Res Booklet Distinctions Diapason d'or - Choc de Classica
Two years after releasing her CD dedicated to Book I of J.S. Bach’s Well-Tempered Clavier, Céline Frisch now presents the second volume of this musical landmark. Bach compiled Book II in 1744, twenty-two years after Book I. It took until 1801 for both volumes to be printed: from then until the present day they have inspired countless composers. After a series of recordings with the Ensemble Zimmermann she helped to found, Céline Frisch returns to the harpsichord recital, for a programme of this, her very favourite music. Through these preludes and fugues, she reminds us that far from being technical exercises, the Well- Tempered Clavier is a work of pure pleasure and constant renewed discovery. As Robert Schumann declared: ‘You should frequently play the fugues of the great masters, particularly those of J.S. Bach. Make the Well-Tempered Clavier your daily bread.’ © Alpha Classics
Chamber Music - Released January 1, 2007 | Alpha
Céline Frisch, the French harpsichordist who had previously turned in superlative recordings of Bach's Goldberg Variations and d'Anglebert's Pièces de clavecin, here delivers a sumptuous disc of Rameau's Pièces de clavecin. Of the three works on the program, one is the fairly traditional Suite in A minor from 1706 with its standard stylized dance forms, while the other two are the more mature Suite in E minor from 1724 and Suite in G minor from 1728 containing its more evocative pieces like Le Rappel des Oiseaux and Les Sauvages. But whatever the piece, Frisch brings a freshness, an originality, and a virtuosity that are positively bracing. There's color in her playing blended with wit and sensitivity, along with a sense of rhythm that carries all before it. Whether in the hearty Musette, the sublime L'Enharmonique, or even the silly Le Poule, Frisch finds the energy and affection that makes Rameau's music instantly appealing even for listeners who may not be fans of French Baroque harpsichord music. As previously, Alpha provides Frisch with sound that is the next best thing to being there. © TiVo