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Classical - Released March 24, 2017 | Signum Records

Hi-Res Booklet Distinctions Gramophone Award - Gramophone Editor's Choice - 4 étoiles Classica
The Gabrieli Consort continue their series of award-winning collaborations with the National Forum of Music, Wrocław, Poland with a new recording of Haydn’s great oratorio The Seasons. Using a new performing edition by Paul McCreesh this recording is the first to feature the large orchestral forces that Haydn originally called for, including a string section of 60, 8 horns and a choir of 70. The disc features solo performances from British singers Carolyn Sampson, Jeremy Ovenden and Andrew Foster-Williams.
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Sacred Oratorios - Released October 2, 2015 | Phi

Hi-Res Booklet Distinctions 4 étoiles Classica
The entire creation of the world in an hour a quarter… it had to be through Haydn’s extraordinary powers of concentration that this insane wager could possibly succeed; others would not even dare attempt it. The Creation, dating from 1798, is one of the most ultimate and powerful of Haydn’s masterpieces. The great composer was always a master of surprise, and his invention of the Big Bang in musical form – including an introduction proclaiming ‘And then there was light’ – is chorally orchestrated to phenomenal effect. The work also retains a wonderful description of the various creations of the Lord; the extravagant evocation of whales remains an intense moment of orchestral invention, and the score is full of a genius which Beethoven had merely tapped into… Philippe Herreweghe has chosen to focus on a certain transparency of place, rather than perpetuating the traditional, bombastic dramatic gestures of orchestras within the German sphere. And, thus, the score gains greater clarity.
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Classical - Released April 8, 2014 | Zig-Zag Territoires

Hi-Res Booklet Distinctions 5 de Diapason - 4 étoiles Classica - Hi-Res Audio
Although it is played on a period instrument, no one is arguing that this recording of Haydn's The Seven Last Words of Christ is historically authentic. The work, exceptionally in Haydn's output, exists in multiple versions, for orchestra, string quartet, chorus, and keyboard (either fortepiano or harpsichord). But surely Haydn did not have the instrument heard here, the rare tangent piano, in his head. This was, speaking roughly, a piano-harpsichord hybrid that never really found its footing in the late 18th century. As long as listeners are down with the idea of a fairly speculative recording, the effect of the tangent piano in this particular work is electrifying. Lubimov gets the best of both worlds: the intimacy of the keyboard version and the dynamic contrasts and timbral shadings of the orchestral original. The keyboard transcription is not by Haydn himself but was made in his own time, and he approved it. Lubimov works from this, tweaking it and adding contrasts that break up the seven consecutive slow movements and give them an extraordinarily expressive quality. Even when listeners know it's coming, the final Terremoto movement, depicting the earthquake following Christ's crucifixion, comes as a shock. Listeners will never hear the work quite the same way again after experiencing this recording, and even if Haydn didn't intend it this way, most may well end up wishing he had.
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Classical - Released January 1, 2015 | Decca Music Group Ltd.

Booklet Distinctions 4 étoiles Classica
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Classical - Released August 7, 2012 | Ars Produktion

Booklet Distinctions 5 de Diapason - 4 étoiles Classica
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Quartets - Released March 1, 2009 | Brilliant Classics

Distinctions 4 étoiles Classica
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Quartets - Released April 14, 2009 | Brilliant Classics

Distinctions 4 étoiles Classica
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Quartets - Released May 12, 2009 | Brilliant Classics

Distinctions 4 étoiles Classica
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Chamber Music - Released July 27, 2010 | Chandos

Booklet Distinctions 5 de Diapason - 4 étoiles Classica