Hans Werner Henze
Hans Werner Henze was a prolific composer over a career spanning more than six decades, writing extensively in all the standard genres such as symphony, concerto, opera, and song, in a remarkable variety of styles. As he said, "I am bored by the idea of employing approaches which I have already tried." At times in his career, his controversial political views attracted almost as much attention as his music.
Henze started composing at age 12, even before his formal music education began at the Braunschweig State Music School, which he attended from 1942-1944. From an early age, he was interested in political and social issues. His rejection of the bourgeois values of his upbringing and the Nazism that he encountered first hand probably had a large influence on his later political thinking. He served for a time in the German army in World War II and was briefly held as a prisoner of war. After the war, he continued his musical studies at the Institute for Church Music in Heidelberg, where he worked with Wolfgang Fortner, and at Darmstadt, where he studied with Schoenberg disciple René Leibowitz. His earliest acknowledged compositions date from this time, like the Chamber Concerto (1946), which was Henze's first publicly performed work. His first full-length opera, Boulevard Solitude, was completed in 1951. Despite the hints of jazz and neo-Classicism in some of that early music, Henze was strongly identified with the post-Arnold Schoenberg serial composers for several years. With his move to Italy in 1953, he sought to change that perception and brought to his music a new lyricism. One can hear this in his second opera, König Hirsch, premiered in 1956, and the Symphony No. 4 (1955), which makes use of music from that opera's second act finale. W.H. Auden and Chester Kallman, Stravinsky's librettists for The Rake's Progress, provided the words for Henze's fourth and sixth operas, Elegy for Young Lovers (1961) and The Bassarids (1965-1966). It was around this time that Henze took his first teaching post, director of master classes in composition at the Salzburg Mozarteum. The notorious premiere of the oratorio Das Floss der Medusa (The Raft of Medusa, a requiem for Che Guevara) in Hamburg in 1968, at which the work's librettist and others were arrested, brought Henze further notoriety. Interactions with German students and Italian intellectuals had motivated him to bring an increasing political consciousness to his work. Socialism and the New Left were very appealing to him, even more so after a year of teaching in Cuba in 1969-1970, during which he led the Cuban National Symphony in the premiere of his Symphony No. 6 for two chamber orchestras. Voices (1973), a song cycle with texts by Ho Chi Minh, Bertolt Brecht, and others, reflects Henze's political commitment and his musical eclecticism. In his later works, Henze incorporated such disparate elements as rock and popular music, electronics, taped sounds, microtones, and extended vocal and instrumental techniques. His harrowing Symphony No. 9, premiered in 1997, tells the story of prisoners who escape from a German concentration camp; the Symphony is dedicated to "the heroes and martyrs of German anti-fascism." Many of his works were memorials, often to people he had known. One of his late works, 2008's Elogium Musicum, was to honor his life partner, Fausto Moroni, who had died in 2007. Henze wrote for many of the great performers of his time, such as Dietrich Fischer-Dieskau, Peter Pears, Julian Bream, Heinz and Ursula Holliger, and Christoph Eschenbach. He also actively championed his own music, traveling the world to conduct and record his compositions. Henze was 86 years old when he died in 2012 in Dresden.
© Chris Morrison /TiVo
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Discography
17 album(s) • Sorted by Bestseller
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Henze: Violin Concerto No. 2 & Il Vitalino raddoppiato
Peter Sheppard Skærved, Longbow, Omar Ebrahim, Parnassus Ensemble of London, Hans Werner Henze
Chamber Music - Released by Naxos on 3 Mar 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: Symphonies Nos.1 - 6
London Symphony Orchestra, Berliner Philharmoniker, Hans Werner Henze
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1996
16-Bit CD Quality 44.1 kHz - Stereo -
George Vassilev, Guitar
Classical - Released by Soundset on 1 May 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Hans Werner Henze Great Recordings
Classical - Released by UME - Global Clearing House on 15 Aug 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: Violin Concerto No.1; Ode to West Wind; Double Bass Concerto
Wolfgang Schneiderhan, Siegfried Palm, Gary Karr, Hans Werner Henze
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: Concerto No. 2; Tristan; 2 Ballet Variations; 3 Tientos
Christoph Eschenbach, Homero Francesch, Siegfried Behrend, Hans Werner Henze, Ferenc Fricsay
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: Scenes from "Elegy for Young Lovers"
Radio-Symphonie-Orchester Berlin, Orchestra of the Deutsche Oper Berlin, Hans Werner Henze
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1963
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: The Raft of the Medusa
NDR Elbphilharmonie Orchester, Hans Werner Henze
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: Whispers from Heavenly Death; 5 Neapolitan Songs; Being Beauteous; Essay on Pigs
Berliner Philharmoniker, Richard Kraus, Instrumentalists of the Berlin Philharmonic Chamber Orchestra, Philip Jones Brass Ensemble, English Chamber Orchestra, Hans Werner Henze
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: The Tedious Way to Natasha Ungeheuer's Apartment Show for 17 performers
William Pearson, Fires Of London, Philip Jones Brass Ensemble, Gunter Hampel Free Jazz Ensemble, Hans Werner Henze
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Hans Werner Henze Essential Recordings
Classical - Released by UME - Global Clearing House on 26 Oct 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: Voices
Hans Werner Henze, Sarah Walker, Paul Sperry, London Sinfonietta
Classical - Released by Decca Music Group Ltd. on 3 Dec 1978
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: El Cimarrón
William Pearson, Karlheinz Zoeller, Leo Brouwer, Stomu Yamash’ta, Hans Werner Henze
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: Compases; Violin Concerto No.2 etc
Hirofumi Fukai, Brenton Langbein, London Sinfonietta, Hans Werner Henze, Anna Reynolds, John Constable
Classical - Released by Decca Music Group Ltd. on 1 Jan 1991
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: El Cimarrón
William Pearson, Karlheinz Zoeller, Leo Brouwer, Stomu Yamash’ta, Hans Werner Henze
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Royal Winter Music
Classical - Released by Soundset on 1 Jun 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Henze: Highlights from Ondine, Ballet (Digitally Remastered)
Classical - Released by EMG Classical on 24 Sep 2013
16-Bit CD Quality 44.1 kHz - Stereo