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Safe Home|You Can't Undo What's Already Undid

You Can't Undo What's Already Undid

Safe Home

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Comprised of two former members of the Nightblooms holed up at home with their instruments and an ADAT, Safe Home sound like some odd but appealing amalgamation of electronic minimalist baroque folk-pop for shoegazers. Or at least that's what comes to mind after giving their first full-length album, You Can't Undo What's Already Undid, a spin; Esther Sprikkelman's ethereal and airy vocals ride over the top of the spectral, bare-bones melodies created by Sprikkelman and Harry Otten, which are mostly built from suspended keyboard patches, electronic loops, and subdued acoustic and clean electric guitars (with the sharp tone of a distorted electric adding the occasional bit of punctuation). Sprikkelman's impressionistic lyrics are as much about mood as they are about literal meaning (especially given her breathy vocal style, which gives sound and feeling and edge over enunciation), but they certainly communicate well enough, and it's hard to argue with the shimmering beauty of the final product. You Can't Undo What's Already Undid is hardly recommended for long drives late at night, but anyone looking for a quality smart pop chillout would be well-advised to put Safe Home on their shopping list.
© Mark Deming /TiVo

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You Can't Undo What's Already Undid

Safe Home

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1
Travel In Time
00:02:18

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

2
Moortown Bluebay
00:02:46

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

3
Next Time On The Back Of A Goose
00:02:37

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

4
Umble Wumble
00:00:57

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

5
Thin Tiny Kind
00:03:48

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

6
Slow Girl
00:02:28

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

7
Birthday
00:02:58

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

8
Salior's Choice
00:01:40

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

9
Boots
00:02:03

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

10
After All These Years
00:03:05

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

11
Dear Dusty
00:03:17

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

12
Star Of A Holiday
00:01:02

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

13
Bloemen
00:01:31

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

14
As She Was
00:02:24

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

15
Aries
00:02:48

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

16
Rickett's Revenge
00:03:01

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

17
Three Steps Closer
00:03:15

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

18
Strangers
00:02:13

Safe Home, MainArtist - Esther Sprikkelman, Harry Otten, Composer

2002 Sunday Records 2002 Sunday Records

Album review

Comprised of two former members of the Nightblooms holed up at home with their instruments and an ADAT, Safe Home sound like some odd but appealing amalgamation of electronic minimalist baroque folk-pop for shoegazers. Or at least that's what comes to mind after giving their first full-length album, You Can't Undo What's Already Undid, a spin; Esther Sprikkelman's ethereal and airy vocals ride over the top of the spectral, bare-bones melodies created by Sprikkelman and Harry Otten, which are mostly built from suspended keyboard patches, electronic loops, and subdued acoustic and clean electric guitars (with the sharp tone of a distorted electric adding the occasional bit of punctuation). Sprikkelman's impressionistic lyrics are as much about mood as they are about literal meaning (especially given her breathy vocal style, which gives sound and feeling and edge over enunciation), but they certainly communicate well enough, and it's hard to argue with the shimmering beauty of the final product. You Can't Undo What's Already Undid is hardly recommended for long drives late at night, but anyone looking for a quality smart pop chillout would be well-advised to put Safe Home on their shopping list.
© Mark Deming /TiVo

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