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Orquestra Sinfônica Do Estado De São Paulo|Villa-Lobos: Symphonies Nos. 1 & 2

Villa-Lobos: Symphonies Nos. 1 & 2

Orquestra Sinfônica Do Estado De São Paulo, Isaac Karabtchevsky

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Here’s a composer whose work we’d love to hear more often, whether it’d be in concert or recorded: Villa-Lobos. Some may have forgotten he wrote, among other things, a dozen symphonies from his first steps in the music world in 1916 to his mature years in 1957. And recently, arguably the best orchestra in Brazil – Orquestra Sinfônica do Estado de São Paulo (São Paulo Symphony Orchestra), here led by Brazilian maestro Isaac Karabtchevsky – performed and recorded Villa Lobos’ first two symphonies: the First, "O Imprevisto" (The Unforeseen) composed in 1916 and created around 1919-20, and the Second, “Ascenção” (Ascension) composed in 1917, reviewed throughout the years and created only in 1944. The vitality of this formidable and always hungry creator can undeniably be heard in these two masterpieces, although the influence of Brazilian folklore can’t quite yet be heard; indeed these symphonies were written when Villa-Lobos used to immerse himself in Milhaud and Debussy’s work, while drawing from the teachings of d’Indy and his Cours de composition musicale (Musical Composition Course). A composer worth rediscovering without any hesitation! © SM/Qobuz

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Villa-Lobos: Symphonies Nos. 1 & 2

Orquestra Sinfônica Do Estado De São Paulo

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Symphony No. 1, Op. 112, W. 114 "O Imprevisto" (Heitor Villa-Lobos)

1
I. Allegro assai moderato
00:07:26

Heitor Villa-Lobos, Composer - Ulrich Schneider, Producer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Isaac Karabtchevsky, Conductor

(C) 2017 Naxos (P) 2017 Naxos

2
II. Adagio
00:07:54

Heitor Villa-Lobos, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Isaac Karabtchevsky, Conductor

(C) 2017 Naxos (P) 2017 Naxos

3
III. Scherzo: Allegro vivace
00:04:34

Heitor Villa-Lobos, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Isaac Karabtchevsky, Conductor

(C) 2017 Naxos (P) 2017 Naxos

4
IV. Allegro con brio
00:06:59

Heitor Villa-Lobos, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Isaac Karabtchevsky, Conductor

(C) 2017 Naxos (P) 2017 Naxos

Symphony No. 2, Op. 160, W. 132 "Ascenção" (Heitor Villa-Lobos)

5
I. Allegro non troppo
00:17:25

Heitor Villa-Lobos, Composer - Ulrich Schneider, Producer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Isaac Karabtchevsky, Conductor

(C) 2017 Naxos (P) 2017 Naxos

6
II. Allegretto scherzando
00:08:45

Heitor Villa-Lobos, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Isaac Karabtchevsky, Conductor

(C) 2017 Naxos (P) 2017 Naxos

7
III. Andante moderato
00:09:43

Heitor Villa-Lobos, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Isaac Karabtchevsky, Conductor

(C) 2017 Naxos (P) 2017 Naxos

8
IV. Allegro
00:12:37

Heitor Villa-Lobos, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Isaac Karabtchevsky, Conductor

(C) 2017 Naxos (P) 2017 Naxos

Album review

Here’s a composer whose work we’d love to hear more often, whether it’d be in concert or recorded: Villa-Lobos. Some may have forgotten he wrote, among other things, a dozen symphonies from his first steps in the music world in 1916 to his mature years in 1957. And recently, arguably the best orchestra in Brazil – Orquestra Sinfônica do Estado de São Paulo (São Paulo Symphony Orchestra), here led by Brazilian maestro Isaac Karabtchevsky – performed and recorded Villa Lobos’ first two symphonies: the First, "O Imprevisto" (The Unforeseen) composed in 1916 and created around 1919-20, and the Second, “Ascenção” (Ascension) composed in 1917, reviewed throughout the years and created only in 1944. The vitality of this formidable and always hungry creator can undeniably be heard in these two masterpieces, although the influence of Brazilian folklore can’t quite yet be heard; indeed these symphonies were written when Villa-Lobos used to immerse himself in Milhaud and Debussy’s work, while drawing from the teachings of d’Indy and his Cours de composition musicale (Musical Composition Course). A composer worth rediscovering without any hesitation! © SM/Qobuz

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