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Orchestre Poly-Rythmo de Cotonou|The Vodoun Effect (Analog Africa No. 4)

The Vodoun Effect (Analog Africa No. 4)

Orchestre Poly-Rythmo de Cotonou

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One of the most important, and prolific, ensembles of the Afrobeat era, the Orchestre Poly-Rhythmo can boast of a catalogue whose stylistic breadth and artistic quality is equaled only by the granddaddy of Afrobeat himself, Fela Kuti. Though Analog Africa is not the first label to put out a compilation of Orchestre Poly-Rhythmo material, they are arguably the most thorough. THE VODOUN EFFECT: FUNK & SAT FROM BENIN’s OBSCURE LABELS is almost laser-like in its intense focus on a particular segment of the Orchestre’s career, namely, the ensemble's early experiments with two vodoun-derived rhythms: sato and sakpata. Though lay listeners may have difficulty distinguishing these two equally frenetic styles from one another, the material collected here is undeniably mesmerizing. First time Orchestre Poly-Rhythmo listeners should sample the hypnotic “Mi Ni Non Kpo” to get a feel for the infectious rhythmic power and joyful exuberance of these seminal recordings.
© TiVo

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The Vodoun Effect (Analog Africa No. 4)

Orchestre Poly-Rythmo de Cotonou

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1
Mi Homlan Dadale
00:05:57

Orchestre Poly-Rythmo de Cotonou, interprète - Melome Clement, compositeur - Melome Clement, auteur

2008 Analog Africa 2008 Analog Africa

2
Assibavi
00:04:42

Orchestre Poly-Rythmo de Cotonou, interprète - Marques Blasiosse, compositeur - Marques Blasiosse, auteur

2008 Analog Africa 2008 Analog Africa

3
Se We Non Nan
00:05:04

Orchestre Poly-Rythmo de Cotonou, interprète - Amenoudji Vicky, compositeur - Amenoudji Vicky, auteur

2008 Analog Africa 2008 Analog Africa

4
Ako Ba Ho
00:03:33

Orchestre Poly-Rythmo de Cotonou, interprète - Bernard Zoudegnon, compositeur - Bernard Zoudegnon, auteur

2008 Analog Africa 2008 Analog Africa

5
Mi Ni Non Kpo
00:04:35

Orchestre Poly-Rythmo de Cotonou, interprète - Lohento Eskill, compositeur - Lohento Eskill, auteur

2008 Analog Africa 2008 Analog Africa

6
Se Tche We Djo Mon
00:04:11

Orchestre Poly-Rythmo de Cotonou, interprète - Vincent Ahehehinnou, compositeur - Vincent Ahehehinnou, auteur

2008 Analog Africa 2008 Analog Africa

7
Dis moi la vérité
00:06:01

Orchestre Poly-Rythmo de Cotonou, interprète - Vincent Ahehehinnou, compositeur - Vincent Ahehehinnou, auteur

2008 Analog Africa 2008 Analog Africa

8
Nouèssénmè
00:03:24

Orchestre Poly-Rythmo de Cotonou, interprète - Lohento Eskill, compositeur - Lohento Eskill, auteur

2008 Analog Africa 2008 Analog Africa

9
Iya Me Dji Ki Bi Ni
00:04:12

Orchestre Poly-Rythmo de Cotonou, interprète - Bentho Gustave, compositeur - Bentho Gustave, auteur

2008 Analog Africa 2008 Analog Africa

10
Akoue Tche We Gni Medjome
00:03:57

Orchestre Poly-Rythmo de Cotonou, interprète - Marques Blasiosse, compositeur - Marques Blasiosse, auteur

2008 Analog Africa 2008 Analog Africa

11
Nou De Ma Do Vo
00:03:32

Orchestre Poly-Rythmo de Cotonou, interprète - Yehouessi Leopold, compositeur - Yehouessi Leopold, auteur

2008 Analog Africa 2008 Analog Africa

12
Koutouilié
00:05:04

Orchestre Poly-Rythmo de Cotonou, interprète - Vincent Ahehehinnou, compositeur - Vincent Ahehehinnou, auteur

2008 Analog Africa 2008 Analog Africa

13
Kourougninda Wende
00:04:36

Orchestre Poly-Rythmo de Cotonou, interprète - Vincent Ahehehinnou, compositeur - Vincent Ahehehinnou, auteur

2008 Analog Africa 2008 Analog Africa

14
Mawa Mon Nou Mio
00:16:29

Orchestre Poly-Rythmo de Cotonou, interprète - Vincent Ahehehinnou, compositeur - Vincent Ahehehinnou, auteur

2008 Analog Africa 2008 Analog Africa

Album review

One of the most important, and prolific, ensembles of the Afrobeat era, the Orchestre Poly-Rhythmo can boast of a catalogue whose stylistic breadth and artistic quality is equaled only by the granddaddy of Afrobeat himself, Fela Kuti. Though Analog Africa is not the first label to put out a compilation of Orchestre Poly-Rhythmo material, they are arguably the most thorough. THE VODOUN EFFECT: FUNK & SAT FROM BENIN’s OBSCURE LABELS is almost laser-like in its intense focus on a particular segment of the Orchestre’s career, namely, the ensemble's early experiments with two vodoun-derived rhythms: sato and sakpata. Though lay listeners may have difficulty distinguishing these two equally frenetic styles from one another, the material collected here is undeniably mesmerizing. First time Orchestre Poly-Rhythmo listeners should sample the hypnotic “Mi Ni Non Kpo” to get a feel for the infectious rhythmic power and joyful exuberance of these seminal recordings.
© TiVo

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