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The Undertones|The Undertones

The Undertones

The Undertones

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What is a perfect album? One could make an argument that a perfect album is one that sets out a specific set of artistic criteria and then fulfills them flawlessly. In that respect, and many others, the Undertones' 1979 debut is a perfect album. The Northern Ireland quintet's brief story is no different than that of literally dozens of other bands to form in the wake of the Clash and, more importantly, the Buzzcocks, but the group infuses so much unabashed joy in their two-minute three-chord pop songs, and there's so little pretension in their unapologetically teenage worldview, that even the darker hints of life in songs like the suicide-themed "Jimmy Jimmy" are delivered with a sense of optimism at odds with so many of their contemporaries. There's no fewer than three all-time punk-pop classics here; besides that song, the singles "Teenage Kicks" and "Get Over You" are simple declarations of teenage hormonal lust that somehow manage to be cute instead of Neanderthal; perhaps it's Feargal Sharkey's endearingly adenoidal whine, or the chipper way the O'Neill brothers pitch in on schoolboy harmonies, like a teenage Irish Kinks. All of the other 13 songs, even the 47-second blip "Casbah Rock," are nearly to that level of brilliance, with the frenetic "Girls Don't Like It" a particular standout. The Rykodisc CD adds seven demos and single sides, and also includes an entirely different, punkier version of "True Confessions" than the nervous, new wave-influenced throb of the version on the original U.K. vinyl.

© Stewart Mason /TiVo

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The Undertones

The Undertones

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1
Family Entertainment
00:02:37

Michael Bradley, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Composer, Guitar, Keyboards, Backing Vocals - Damien O'Neill, Composer - D O'Neill, Composer, Writer - Billy Doherty, Drums

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

2
Girls Don't Like It
00:02:16

Michael Bradley, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Composer, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Guitar, Keyboards, Backing Vocals - Billy Doherty, Drums

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

3
Male Model
00:01:52

Michael Bradley, Composer, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Composer, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Composer, Guitar, Keyboards, Backing Vocals - Damien O'Neill, Composer - Billy Doherty, Drums

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

4
I Gotta Getta
00:01:55

Roger Bechirian, Producer - John O'Neill, Composer - The Undertones, MainArtist

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

5
Teenage Kicks
00:02:24

Michael Bradley, Bass Guitar, Keyboards, Backing Vocals - John O'Neill, Composer, Guitar, Writer - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Guitar, Keyboards, Backing Vocals - Billy Doherty, Drums

© 2004 BMG Rights Management (UK) Limited ℗ 1978 An Undertones Recording / The Undertones Ltd.

6
Wrong Way
00:01:27

Roger Bechirian, Producer - John O'Neill, Composer - The Undertones, MainArtist - William Doherty, Composer

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

7
Jump Boys
00:02:40

Michael Bradley, Bass Guitar, Keyboards, Backing Vocals - John O'Neill, Composer, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Guitar, Keyboards, Backing Vocals - Billy Doherty, Drums

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

8
Here Comes the Summer (Single Version)
00:01:44

Michael Bradley, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Composer, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Guitar, Keyboards, Backing Vocals - Billy Doherty, Drums - Jj O'Neill, Composer, Writer

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

9
Get Over You
00:02:45

John O'Neill, Composer, Writer - The Undertones, Performance, MainArtist

© 2004 BMG Rights Management (UK) Limited ℗ 1978 The copyright in this sound recording is owned by Sanctuary Records Group

10
Billy's Third
00:01:56

Michael Bradley, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Guitar, Keyboards, Backing Vocals - Billy Doherty, Drums - William Doherty, Composer

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

11
Jimmy Jimmy
00:02:41

Michael Bradley, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Composer, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Guitar, Keyboards, Backing Vocals - Billy Doherty, Drums

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

12
True Confessions (Keyboard Version)
00:02:23

Michael Bradley, Composer - John O'Neill, Composer - The Undertones, MainArtist - Damian O'Neill, Composer - Damien O'Neill, Composer

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited., a BMG Company

13
(She's a) Runaround
00:01:48

Michael Bradley, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Composer, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Guitar, Keyboards, Backing Vocals - Billy Doherty, Drums

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

14
I Know a Girl
00:02:36

Michael Bradley, Composer, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Composer, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Composer, Guitar, Keyboards, Backing Vocals - Damien O'Neill, Composer - Billy Doherty, Drums

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

15
Listening In
00:02:27

Michael Bradley, Composer, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Composer, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Composer, Guitar, Keyboards, Backing Vocals - Damien O'Neill, Composer - D O'Neill, Composer, Writer - M Bradley, Composer, Writer - Billy Doherty, Drums - Jj O'Neill, Composer, Writer

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

16
Casbah Rock
00:00:50

John O'Neill, Composer - The Undertones, MainArtist

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited., a BMG Company

17
Smarter Than You
00:01:36

The Undertones, Producer, MainArtist

© 2004 BMG Rights Management (UK) Limited ℗ 1978 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

18
True Confessions
00:01:52

Michael Bradley, Composer - John O'Neill, Composer - The Undertones, Producer, Performance, MainArtist - Damian O'Neill, Composer - Damien O'Neill, Composer

© 2004 BMG Rights Management (UK) Limited ℗ 1978 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

19
Emergency Cases
00:01:53

The Undertones, Composer, Producer, MainArtist

© 2004 BMG Rights Management (UK) Limited ℗ 1978 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

20
Really Really
00:01:51

The Undertones, Performance, MainArtist

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited., a BMG Company

21
She Can Only Say No
00:00:54

The Undertones, Composer, Performance, MainArtist

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited., a BMG Company

22
Mars Bars
00:02:10

Michael Bradley, Composer, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Guitar - The Undertones, Composer, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Composer, Guitar, Keyboards, Backing Vocals - Billy Doherty, Drums

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

23
One Way Love
00:02:16

The Undertones, Composer, Performance, MainArtist

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

24
Top Twenty
00:02:12

Michael Bradley, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Guitar, Keyboards, Backing Vocals - Billy Doherty, Drums

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

25
You've Got My Number (Why Don't You Use It!)
00:02:37

Michael Bradley, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Guitar - The Undertones, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Guitar, Keyboards, Backing Vocals

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Ltd. under exclusive licence to Sanctuary Records Group Ltd.

26
Let's Talk About Girls
00:03:39

Michael Bradley, Bass Guitar, Keyboards, Backing Vocals - Roger Bechirian, Producer - John O'Neill, Guitar - The Undertones, Composer, MainArtist - Feargal Sharkey, Vocals - Damian O'Neill, Guitar, Keyboards, Backing Vocals - Billy Doherty, Drums

© 2004 BMG Rights Management (UK) Limited ℗ 1979 The Undertones Limited under exclusive license to Union Square Music Limited, a BMG Company

Album review

What is a perfect album? One could make an argument that a perfect album is one that sets out a specific set of artistic criteria and then fulfills them flawlessly. In that respect, and many others, the Undertones' 1979 debut is a perfect album. The Northern Ireland quintet's brief story is no different than that of literally dozens of other bands to form in the wake of the Clash and, more importantly, the Buzzcocks, but the group infuses so much unabashed joy in their two-minute three-chord pop songs, and there's so little pretension in their unapologetically teenage worldview, that even the darker hints of life in songs like the suicide-themed "Jimmy Jimmy" are delivered with a sense of optimism at odds with so many of their contemporaries. There's no fewer than three all-time punk-pop classics here; besides that song, the singles "Teenage Kicks" and "Get Over You" are simple declarations of teenage hormonal lust that somehow manage to be cute instead of Neanderthal; perhaps it's Feargal Sharkey's endearingly adenoidal whine, or the chipper way the O'Neill brothers pitch in on schoolboy harmonies, like a teenage Irish Kinks. All of the other 13 songs, even the 47-second blip "Casbah Rock," are nearly to that level of brilliance, with the frenetic "Girls Don't Like It" a particular standout. The Rykodisc CD adds seven demos and single sides, and also includes an entirely different, punkier version of "True Confessions" than the nervous, new wave-influenced throb of the version on the original U.K. vinyl.

© Stewart Mason /TiVo

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