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Various Artists - The Irishman (Original Motion Picture Soundtrack)

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The Irishman (Original Motion Picture Soundtrack)

Various Artists

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As a co-founder of the group The Band (who featured in Martin Scorsese’s The Last Waltz in 1976) and the director’s official musical collaborator since the early eighties, Robbie Robertson is, unsurprisingly, the musical backbone of The Irishman. The 3h30min Netflix-produced epic is a brilliant adaptation of a biography on the American trade unionist and mafia leader Frank Sheeran, played here by Robert de Niro. The film features an almost omnipresent soundtrack, offering a glimpse into the popular music from the 40s, 50s and 60s. Weaving between romantic songs (like In the Still of the Night which opens the film), “light music” (with Delicado by the Percy Faith Orchestra, one of the highlights of the film) and mambo (Qué Rico el Mambo, which introduces the character Tony Pro), the soundtrack of The Irishman is as rich and colourful as Scorsese’s shots are inventive, funny and (with regards to the film’s final part) moving.
There are also a few surprises, such as the music from a classic French gangster film: Jacques Becker’s Touchez pas au grisbi (written by Jean Wiener with harmonica by Jean Wetzel). The choice not only exemplifies Scorsese’s love for cinema, but also his constant desire to bridge the gap between American and European film. The Irishman is punctuated by a timeless leitmotif, composed by Robbie Robertson for his solo album Sinematic (released in 2019, the same year as Scorsese’s film). The idea was to avoid systematically pairing periodic music with images that correspond with that period. Theme of The Irishman is a piece that recalls the westerns of yesteryear (featuring a very Morricone-esque harmonica) while revealing a contemporary melancholy-drenched sound, reflected in the cello part which is at once composed, solid and “scowly” – a perfect personification of Robert De Niro’s character. © Nicolas Magenham/Qobuz

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The Irishman (Original Motion Picture Soundtrack)

Various Artists

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1
In the Still of the Night 00:03:05

Fred Parris, Composer, Lyricist, Producer - The Five Satins, MainArtist, AssociatedPerformer

Originally released 1956. All rights reserved by RCA Records, a division of Sony Music Entertainment

2
Tuxedo Junction 00:03:26

Jerry Gray, Arranger - BUDDY FEYNE, Composer - Erskine Hawkins, Composer - Julian Dash, Composer - William Johnson, Composer - Glenn Miller & His Orchestra, MainArtist, AssociatedPerformer - Doug Pomeroy, Re-Mastering Engineer - Barry Feldman, Reissue Producer

Originally recorded 1940. All rights reserved by Sony Music Entertainment

3
I Hear You Knockin' 00:02:45

Dave Bartholomew, Composer - Smiley Lewis, MainArtist, AssociatedPerformer

(P) 2002 Capitol Records, LLC

4
The Fat Man 00:02:36

Dave Bartholomew, Composer - Fats Domino, Composer, MainArtist, AssociatedPerformer

(P) 2002 Capitol Records, LLC

5
El Negro Zumbon 00:02:29

Armando Trovajoli, Composer - Franco Giordano, Composer - Flo Sandon's, MainArtist, AssociatedPerformer

Originally released 1951

6
Le Grisbi 00:03:26

MARC LANJEAN, Lyricist - Jean Wiener, Composer - Jean Wetzel, MainArtist, AssociatedPerformer

Originally released 1954 Mercury Records

7
Delicado 00:02:53

Waldir Azevedo, Composer - STAN FREEMAN, Harpsichord, AssociatedPerformer - Percy Faith & His Orchestra, MainArtist, AssociatedPerformer

Originally released 1952. All rights reserved by Columbia Records, a division of Sony Music Entertainment

8
Have I Sinned 00:02:59

Donnie Elbert, Composer, MainArtist, AssociatedPerformer - Fred Mendelsohn, Composer

(P) Originally Recorded 1957

9
Theme for The Irishman 00:04:36

Reggie Hamilton, Bass - Jim Keltner, Drums - ROBBIE ROBERTSON, Composer, Producer, MainArtist, AssociatedPerformer - George Doering, Mandolin - Frédéric Yonnet, Harmonica

Compilation (P) 2019 Maisie Music Publishing, LLC., under exclusive license to Sony Music Entertainment

10
Song Of The Barefoot Contessa 00:02:39

Mario Nascimbene, Composer, Lyricist - Hugo Winterhalter & His Orchestra, MainArtist, AssociatedPerformer

Originally released 1954. All rights reserved by RCA Records, a division of Sony Music Entertainment

11
A White Sport Coat (And a Pink Carnation) 00:02:31

DENNY PURCELL, Mastering Engineer - Marty Robbins, Composer, Lyricist, MainArtist, AssociatedPerformer - Carlos Grier, Editor - Ray Conniff, AssociatedPerformer, with - Mitch Miller, Producer - Don Law, Editor - Margie Hunt, Executive Producer - Marty Robbins with Ray Conniff, AssociatedPerformer

Originally released 1957. All rights reserved by Sony Music Entertainment

12
Canadian Sunset (Single Version) 00:02:55

Norman Gimbel, Composer - Eddie Heywood, Composer, Piano, MainArtist - Hugo Winterhalter and His Orchestra, AssociatedPerformer

(P) 1957 RCA Records, a division of Sony Music Entertainment

13
Honky Tonk, Pt. 1 00:03:05

Billy Butler, Composer - Shep Shepherd, Composer - Bill Doggett, Composer, MainArtist, AssociatedPerformer - Clifford Scott, Composer

(P) Originally Recorded 1956

14
Melancholy Serenade 00:03:15

Jackie Gleason, Composer, MainArtist, AssociatedPerformer

(P) 1997 Capitol Records, LLC

15
Qué Rico el Mambo 00:03:58

Pérez Prado, Composer - Perez Prado Orchestra, MainArtist, AssociatedPerformer

(P) 2008 Goldenlane Records

16
Cry 00:03:04

Churchill Kohlman, Composer, Lyricist - Johnnie Ray & The Four Lads, AssociatedPerformer - Ed Shaughnessy, Drums - Mundell Lowe, Guitar - Chris Athens, Mastering Engineer, Mixing Engineer - Andy Schwartz, Executive Producer - Buddy Weed, Piano - Johnnie Ray, MainArtist, AssociatedPerformer - Eddie Safranski, Bass - The Four Lads, MainArtist, AssociatedPerformer - Al Quaglieri, Producer

Originally released 1951. All rights reserved by Sony Music Entertainment

17
Sleep Walk 00:02:27

Johnny Farina, Composer - Santo Farina, Composer - Santo & Johnny, MainArtist, AssociatedPerformer

Originally released 1959. All rights reserved by Aniraf Inc.

18
The Time Is Now 00:02:03

Geoffrey Clarkson, Composer, Lyricist - The Golddiggers, MainArtist, AssociatedPerformer - Lee Hale, Composer, Lyricist, Producer

Originally released 1971. All rights reserved by RCA Records, a division of Sony Music Entertainment

19
Al Di La 00:03:18

L. C. Donida, Composer, Lyricist - Mogol, Composer, Lyricist - E.M. Drake, Composer, Lyricist - Stewart Lerman, Producer - Jerry Vale, MainArtist, AssociatedPerformer - The Latin Casino All Stars, FeaturedArtist, AssociatedPerformer - Jerry Vale featuring The Latin Casino All Stars, AssociatedPerformer

(P) 2019 Sony Music Entertainment

20
Pretend You Don't See Her 00:02:42

Steve Allen, Composer, Lyricist - Stewart Lerman, Producer - The Latin Casino All Stars, MainArtist, AssociatedPerformer

(P) 2019 Maisie Music Publishing, LLC, under exclusive license to Sony Music Entertainment

Album Description

As a co-founder of the group The Band (who featured in Martin Scorsese’s The Last Waltz in 1976) and the director’s official musical collaborator since the early eighties, Robbie Robertson is, unsurprisingly, the musical backbone of The Irishman. The 3h30min Netflix-produced epic is a brilliant adaptation of a biography on the American trade unionist and mafia leader Frank Sheeran, played here by Robert de Niro. The film features an almost omnipresent soundtrack, offering a glimpse into the popular music from the 40s, 50s and 60s. Weaving between romantic songs (like In the Still of the Night which opens the film), “light music” (with Delicado by the Percy Faith Orchestra, one of the highlights of the film) and mambo (Qué Rico el Mambo, which introduces the character Tony Pro), the soundtrack of The Irishman is as rich and colourful as Scorsese’s shots are inventive, funny and (with regards to the film’s final part) moving.
There are also a few surprises, such as the music from a classic French gangster film: Jacques Becker’s Touchez pas au grisbi (written by Jean Wiener with harmonica by Jean Wetzel). The choice not only exemplifies Scorsese’s love for cinema, but also his constant desire to bridge the gap between American and European film. The Irishman is punctuated by a timeless leitmotif, composed by Robbie Robertson for his solo album Sinematic (released in 2019, the same year as Scorsese’s film). The idea was to avoid systematically pairing periodic music with images that correspond with that period. Theme of The Irishman is a piece that recalls the westerns of yesteryear (featuring a very Morricone-esque harmonica) while revealing a contemporary melancholy-drenched sound, reflected in the cello part which is at once composed, solid and “scowly” – a perfect personification of Robert De Niro’s character. © Nicolas Magenham/Qobuz

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