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The Choir of the Queen's College Oxford|The House of the Mind

The House of the Mind

The Choir of The Queen's College, Oxford & Owen Rees

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The English cathedral style is a tradition in the deepest sense of the word, which accounts in part for its greater durability than music in styles motivated by the quaint Victorian idea of inevitable progress. Go back 500 years, and you can step in at any point and take a cross-section that traces clear lines of influence over several generations. That's what's been done here by the Choir of Queen's College, Cambridge, under director Owen Rees. They place at the center of the program by Herbert Howells, with the most substantial work being one that's not often sung: 1954's The House of the Mind, a setting of a work by the 17th-century metaphysical poet Joseph Beaumont, about the mind as the refuge of God in the human organism, that plays to the sense of ecstasy and mystery at the heart of his best music, with Howells deliberately unfolding the meanings of its four stanzas over nine-and-a-half minutes. Sample this piece and note the ease with which the singers approach it. The program goes backward and forward from Howells, touching on his teacher, Charles Villiers Stanford, and perhaps his primary inspiration, Vaughan Williams, as well as several of Howells' contemporaries, and contemporary composers who have followed him in one way or another including Nico Muhly, the American who is at last showing signs of having cracked this very British club. He sets the Like as a hart text also set by Howells. The end result is a collection of sacred music that beautifully conveys the meditative quality of the texts involved.

© James Manheim /TiVo

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The House of the Mind

The Choir of the Queen's College Oxford

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1
Behold O God our Defender
00:04:08

Herbert Howells, Composer - Owen Rees, Conductor - Novello & Co Ltd, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

2
A Hymn for St Cecilia
00:03:17

Herbert Howells, Composer - Owen Rees, Conductor - Novello & Co Ltd, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

3
O Lord, I am not Haughty
00:05:25

Owen Rees, Conductor - David Bednall, Composer, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

4
God Be in My Head
00:01:34

Herbert Howells, Composer - Owen Rees, Conductor - Novello & Co Ltd, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

5
The Souls of the Righteous
00:03:13

Ralph Vaughan Williams, Composer - Owen Rees, Conductor - Oxford University Press, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

6
The House of the Mind
00:09:22

Herbert Howells, Composer - Owen Rees, Conductor - Novello & Co Ltd, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

7
Lighten our Darkness
00:03:55

Owen Rees, Conductor - Charles Stanford, Composer - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

8
Like as the Hart
00:05:58

Herbert Howells, Composer - Owen Rees, Conductor - Oxford University Press, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

9
Like as the Hart
00:05:37

Owen Rees, Conductor - Nico Muhly, Composer - Chester Music, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

10
Behold O God our Defender
00:02:28

John Scott, Composer - Owen Rees, Conductor - Stainer & Bell, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

11
My Beloved Spake
00:03:28

Patrick Hadley, Composer - Owen Rees, Conductor - Novello & Co Ltd, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

12
Regina caeli
00:03:14

Herbert Howells, Composer - Owen Rees, Conductor - Novello & Co Ltd, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

13
Alma redemptoris mater
00:05:20

Owen Rees, Conductor - David Bednall, Composer, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

14
Salve regina
00:04:31

Herbert Howells, Composer - Owen Rees, Conductor - Novello & Co Ltd, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

15
Ave regina caelorum
00:04:20

Owen Rees, Conductor - David Bednall, Composer, MusicPublisher - The Choir of The Queen's College, Oxford, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

Album review

The English cathedral style is a tradition in the deepest sense of the word, which accounts in part for its greater durability than music in styles motivated by the quaint Victorian idea of inevitable progress. Go back 500 years, and you can step in at any point and take a cross-section that traces clear lines of influence over several generations. That's what's been done here by the Choir of Queen's College, Cambridge, under director Owen Rees. They place at the center of the program by Herbert Howells, with the most substantial work being one that's not often sung: 1954's The House of the Mind, a setting of a work by the 17th-century metaphysical poet Joseph Beaumont, about the mind as the refuge of God in the human organism, that plays to the sense of ecstasy and mystery at the heart of his best music, with Howells deliberately unfolding the meanings of its four stanzas over nine-and-a-half minutes. Sample this piece and note the ease with which the singers approach it. The program goes backward and forward from Howells, touching on his teacher, Charles Villiers Stanford, and perhaps his primary inspiration, Vaughan Williams, as well as several of Howells' contemporaries, and contemporary composers who have followed him in one way or another including Nico Muhly, the American who is at last showing signs of having cracked this very British club. He sets the Like as a hart text also set by Howells. The end result is a collection of sacred music that beautifully conveys the meditative quality of the texts involved.

© James Manheim /TiVo

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