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Abdullah Ibrahim|Solotude

Solotude

ABDULLAH IBRAHIM

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Eighty-six is a more than reasonable age for a wise old man to make an album like this. This is Abdullah Ibrahim's state of mind throughout Solotude, whose title could not be more meaningful. A solo/solitude which, above all, allows us to remember the elegance of the discreet yet fundamental South African pianist. In 1963, when Duke Ellington heard his unique style for the first time, he said: "You are blessed because you come from the source.” This source (Africa) has taken the man who then called himself Dollar Brand, down various paths. Abdullah Ibrahim's playing quickly became distinctive, with some Monk influence and, under the surface, Ellingtonian tradition on some of his compositions. Semantics steeped in his own spirituality, but above all in a deep melancholy that resonates throughout the twenty pieces of Solotude. These themes which are often brief, and which follow one another with impressive fluidity, have the curves of a stripped-down haiku. Not many notes, just the essentials. A lot of space, large spaces even, and a permanent elegance that makes the album wonderful from start to finish. As Nelson Mandela said when he invited the pianist to play at his presidential inauguration: "Bach? Beethoven? We have much better!” © Marc Zisman/Qobuz

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Solotude

Abdullah Ibrahim

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1
Mindiff
00:03:10

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

2
Trieste My Love
00:01:55

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

3
Nisa
00:02:24

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

4
Blue Bolero
00:02:08

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

5
In-Tempo
00:05:04

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

6
Dreamtime
00:02:30

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

7
Blue Bolero (First Reprise)
00:00:38

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

8
Peace
00:01:49

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

9
Blues For A Hip King
00:01:05

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

10
District 6
00:01:02

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

11
Tokai
00:00:39

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

12
District 6 (Reprise)
00:00:14

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

13
Pula
00:00:42

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

14
Sotho Blue
00:03:20

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

15
Blue Bolero (Second Reprise)
00:00:22

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

16
Did You Hear That Sound?
00:01:29

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

17
In The Evening
00:01:33

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

18
Once Upon A Midnight
00:06:27

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

19
The Wedding
00:04:52

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

20
Signal On The Hill
00:01:06

ABDULLAH IBRAHIM, Composer, MainArtist - Caspar Sutton-Jones, MasteringEngineer, MixingEngineer - René Kampka, recording_engineer

2021 Gearbox Records 2021 Gearbox Records

Album review

Eighty-six is a more than reasonable age for a wise old man to make an album like this. This is Abdullah Ibrahim's state of mind throughout Solotude, whose title could not be more meaningful. A solo/solitude which, above all, allows us to remember the elegance of the discreet yet fundamental South African pianist. In 1963, when Duke Ellington heard his unique style for the first time, he said: "You are blessed because you come from the source.” This source (Africa) has taken the man who then called himself Dollar Brand, down various paths. Abdullah Ibrahim's playing quickly became distinctive, with some Monk influence and, under the surface, Ellingtonian tradition on some of his compositions. Semantics steeped in his own spirituality, but above all in a deep melancholy that resonates throughout the twenty pieces of Solotude. These themes which are often brief, and which follow one another with impressive fluidity, have the curves of a stripped-down haiku. Not many notes, just the essentials. A lot of space, large spaces even, and a permanent elegance that makes the album wonderful from start to finish. As Nelson Mandela said when he invited the pianist to play at his presidential inauguration: "Bach? Beethoven? We have much better!” © Marc Zisman/Qobuz

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