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Rasputina|Sister Kinderhook

Sister Kinderhook

Rasputina

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On Rasputina's seventh album, bandleader Melora Creager reconstitutes a new lineup -- including a new male member, cellist/singer Daniel DeJesus -- to continue her exploration of the string trio/pop song approach she has made her own over the course of nearly two decades. Released in a year when Joanna Newsom made her own most sprawling artistic statement to date, it's become all the easier to see how Creager and Rasputina served as a touchstone for many who followed. The lyrical focus of Sister Kinderhook is clear enough from the title and art alone -- the early decades of America and numerous features and story from a more rural existence. Framing the album with a song about "Sweet Sister Temperance" and using lyrics from "My Porcelain Life," Emily Dickinson is as much of a signal as anything, and not surprising given Rasputina's fairly consistent vision regarding a female-centric continuum of artistic inspiration. Elsewhere, there's explicit references to New York history ("Calico Indians," describing the Anti-Rent War of 1844) as well as more imaginative stories of the darker fairy tale variety ("Holocaust of Giants," "Snow-Hen of Austerlitz"). Yet it's the sonic variety of the album that stands out all the clearer, ranging from the high notes and closely sung words of "The 2 Miss Leavens" to the contrasting vocals and slowly descending chords of "My Night Sky" to the rumbling music box percussion and chimes of "Olde Dance" -- and those are just three songs in order out of 14.
© Ned Raggett /TiVo

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Sister Kinderhook

Rasputina

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1
Sweet Sister Temperance
00:04:48

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

2
Holocaust of Giants
00:02:59

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

3
The 2 Miss Leavens
00:03:43

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

4
My Night Sky
00:04:21

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

5
Olde Dance
00:02:01

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

6
Humankind, as the Sailor
00:02:38

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

7
Calico Indians
00:05:55

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

8
Snow-Hen of Austerlitz
00:03:50

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

9
Dark February
00:03:52

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

10
Utopian Society
00:01:27

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

11
Afternoon of the Faun
00:03:20

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

12
Kinderhook Hoopskirt Works
00:04:20

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

13
Meant to Be Dutch
00:04:30

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

14
This, My Porcelain Life
00:03:22

Rasputina, Artist, MainArtist - Melora Creager, Composer - Administered by Songs of Virtual (ASCAP), MusicPublisher - Filthy Bonnet (ASCAP), MusicPublisher

2010 Filthy Bonnet Recording Co. 2010 Filthy Bonnet Recording Co.

Album review

On Rasputina's seventh album, bandleader Melora Creager reconstitutes a new lineup -- including a new male member, cellist/singer Daniel DeJesus -- to continue her exploration of the string trio/pop song approach she has made her own over the course of nearly two decades. Released in a year when Joanna Newsom made her own most sprawling artistic statement to date, it's become all the easier to see how Creager and Rasputina served as a touchstone for many who followed. The lyrical focus of Sister Kinderhook is clear enough from the title and art alone -- the early decades of America and numerous features and story from a more rural existence. Framing the album with a song about "Sweet Sister Temperance" and using lyrics from "My Porcelain Life," Emily Dickinson is as much of a signal as anything, and not surprising given Rasputina's fairly consistent vision regarding a female-centric continuum of artistic inspiration. Elsewhere, there's explicit references to New York history ("Calico Indians," describing the Anti-Rent War of 1844) as well as more imaginative stories of the darker fairy tale variety ("Holocaust of Giants," "Snow-Hen of Austerlitz"). Yet it's the sonic variety of the album that stands out all the clearer, ranging from the high notes and closely sung words of "The 2 Miss Leavens" to the contrasting vocals and slowly descending chords of "My Night Sky" to the rumbling music box percussion and chimes of "Olde Dance" -- and those are just three songs in order out of 14.
© Ned Raggett /TiVo

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