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James Brown|Prisoner Of Love

Prisoner Of Love

JAMES BROWN

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In the wake of James Brown's first substantial pop hit, "Prisoner of Love," King rushed out this LP, as usual drawing upon old singles ("Try Me," "Lost Someone," "Bewildered"), B-sides ("Waiting in Vain," the organ instrumental "[Can You] Feel It [Part 1]"), and Brown's then-current single, "Signed, Sealed, and Delivered" (not the Stevie Wonder song). The idea seemed to be to put together a collection in the medium-tempo, string-filled, lovelorn style of the hit, so there was a lot of pleading on this record. Brown would always be more interested in the dancefloor than the bedroom, but he was a convincing romantic beggar, so the album's loose concept held together.

© William Ruhlmann /TiVo

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Prisoner Of Love

James Brown

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1
Prisoner Of Love
00:02:21

Russ Columbo, Composer - JAMES BROWN, Producer, MainArtist - Leo Robin, Author - Clarence Gaskill, Composer - Sammy Lowe, Recording Arranger, AssociatedPerformer - Hal Neely, Producer

℗ 1962 Universal Records, a Division of UMG Recordings, Inc.

2
Waiting In Vain
00:02:44

JAMES BROWN, MainArtist - Ivy Joe Hunter, ComposerLyricist - Cliff White, Producer - Bill Levenson, Producer - Harry Weinger, Producer - Oscar Yong, Producer

℗ 1962 Universal Records, a Division of UMG Recordings, Inc.

3
Again
00:02:32

Dorcas Cochran, ComposerLyricist - JAMES BROWN, MainArtist - Lionel Newman, ComposerLyricist - Cliff White, Producer - Bill Levenson, Producer - Harry Weinger, Producer - Oscar Yong, Producer

℗ 1962 Universal Records, a Division of UMG Recordings, Inc.

4
Lost Someone (Strings Version)
00:03:22

JAMES BROWN, Producer, MainArtist, ComposerLyricist - Bobby Byrd, ComposerLyricist - Lloyd Eugene Stallworth, ComposerLyricist - Sammy Lowe, Recording Arranger, AssociatedPerformer - Hal Neely, Producer

℗ 1961 UMG Recordings, Inc.

5
Bewildered (Strings Version)
00:02:25

Leonard Whitcup, ComposerLyricist - JAMES BROWN, Producer, MainArtist - Teddy Powell, ComposerLyricist - Sammy Lowe, Recording Arranger, AssociatedPerformer - Hal Neely, Producer

℗ 1959 Universal Records, a Division of UMG Recordings, Inc.

6
So Long (Strings Version)
00:02:44

Irving Melsher, ComposerLyricist - JAMES BROWN, MainArtist - RUSS MORGAN, ComposerLyricist - Remus Harris, ComposerLyricist - Cliff White, Producer - Bill Levenson, Producer - Harry Weinger, Producer - Oscar Yong, Producer

℗ 1962 Universal Records, a Division of UMG Recordings, Inc.

7
Signed, Sealed And Delivered
00:02:41

JAMES BROWN, Producer, MainArtist - Cowboy Copas, ComposerLyricist - Lorene Mann, ComposerLyricist

℗ 1962 Universal Records, a Division of UMG Recordings, Inc.

8
Try Me (Strings Version)
00:02:32

JAMES BROWN, Producer, MainArtist, ComposerLyricist - Sammy Lowe, Recording Arranger, AssociatedPerformer - Hal Neely, Producer

℗ 1958 Universal Records, a Division of UMG Recordings, Inc.

9
(Can You) Feel It (Part 1) (Pt. 1 / 1963 Edit)
00:02:54

JAMES BROWN, Producer, MainArtist, ComposerLyricist

℗ 1963 Universal Records, a Division of UMG Recordings, Inc.

10
How Long Darling
00:02:53

JAMES BROWN, Producer, MainArtist, ComposerLyricist

℗ 1962 Universal Records, a Division of UMG Recordings, Inc.

11
The Thing In "G"
00:06:07

JAMES BROWN, Organ, MainArtist, AssociatedPerformer, ComposerLyricist - Al Brisco Clark & His Orchestra, Baritone Saxophone, AssociatedPerformer - Bernard Odum, Bass Guitar, AssociatedPerformer - Teddy Washington, Trumpet, AssociatedPerformer

℗ 1962 Universal Records, a Division of UMG Recordings, Inc.

Album review

In the wake of James Brown's first substantial pop hit, "Prisoner of Love," King rushed out this LP, as usual drawing upon old singles ("Try Me," "Lost Someone," "Bewildered"), B-sides ("Waiting in Vain," the organ instrumental "[Can You] Feel It [Part 1]"), and Brown's then-current single, "Signed, Sealed, and Delivered" (not the Stevie Wonder song). The idea seemed to be to put together a collection in the medium-tempo, string-filled, lovelorn style of the hit, so there was a lot of pleading on this record. Brown would always be more interested in the dancefloor than the bedroom, but he was a convincing romantic beggar, so the album's loose concept held together.

© William Ruhlmann /TiVo

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