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Tabea Debus|Ohrwurm

Ohrwurm

Tabea Debus, Jonathan Rees & Alex McCartney

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When this album was released in 2020, it signaled the continued rise of a major new recorder talent in Tabea Debus. She coaxes an attractive tone out of a variety of Renaissance and Baroque recorders, keeps a steady pitch, and puts together collaborators, gambist Jonathan Rees and theorbist Alex McCartney, who have a fresh sound and interact with her in a relaxed way. The program concept is also fresh: the idea of the ohrwurm, or earworm in English, although not contemporary with the music involved (the English word was not coined until 1978), brings together a variety of music in a convincing way. Debus' selections hang around the line between concert music and anonymous folk tunes in a way that an 18th century instrumentalist would have recognized, and she ornaments her melodic lines with agile moves that don't call attention to themselves. Some of the pieces here, like Handel's "Lascia ch'io pianga," originally from the opera Rinaldo, are well known as earworms and have been arranged for other forces since they first came on the scene, but what Debus does well is to find other pieces with the same melodic qualities, and these will indeed leave one whistling. Consider Marin Marais' Les folies d'Espagne, for instance, and its basic similarity to Handel's tune. She also throws in some contemporary pieces, which is not a bad idea in itself, but these don't show any connection to the Baroque and Renaissance works, and indeed break the mood. Overall though, the album is solid in its main thrust. Delphian's Edinburgh church sound is clear but a bit chilly.

© TiVo

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Ohrwurm

Tabea Debus

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1
Ciaconna (After Bertali, Merula & Monteverdi)
00:03:59

Tarquinio Merula, Composer - Jonathan Rees, MainArtist - Claudio Monteverdi, Composer - Tabea Debus, Composer, MainArtist - Alex McCartney, Composer, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher - after Antonio Bertali, Composer

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

2
Rinaldo, HWV 7b: Lascia ch’io pianga (Arr. for Voice Flute, Viola da gamba & Theorbo)
00:04:11

George Frideric Handel, Composer - Jonathan Rees, MainArtist - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

3
Sonata in D minor, Op. 1 No.10: Adagio (Excerpts Arr. for Recorder, Viola da gamba & Theorbo)
00:01:47

Jonathan Rees, MainArtist - Pietro Castrucci, Composer - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

4
Sonata in D minor, Op. 1 No.10: Allegro & Adagio (Excerpts Arr. for Recorder, Viola da gamba & Theorbo)
00:03:20

Jonathan Rees, MainArtist - Pietro Castrucci, Composer - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

5
Concerto in D Minor: Adagio (Arr. for Recorder, Viola da gamba & Theorbo)
00:03:24

Jonathan Rees, MainArtist - Alessandro Marcello, Composer - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

6
Les folies d’Espagne (Arr. for Recorder, Viola da gamba & Theorbo)
00:08:47

Jonathan Rees, MainArtist - Marin Marais, Composer - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

7
Vuestros ojos tienen d’amor (Arr. for Recorder, Viola da gamba & Guitar)
00:01:19

Anonymous, Composer - ANON., Composer - Jonathan Rees, MainArtist - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

8
Caffeine
00:04:01

Tabea Debus, MainArtist - Freya Waley-Cohen, Composer - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

9
Fandango in D Minor, R 146 (Arr. for Recorder, Viola da gamba & Guitar)
00:05:48

Jonathan Rees, MainArtist - Antonio Soler, Composer - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

10
The Favourite Gigg in Corelli’s 5th Solo with Divisions by Sig. Valentini (Arr. for Recorder, Viola da gamba & Theorbo)
00:02:05

Jonathan Rees, MainArtist - Arcangelo Corelli, Composer - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

11
La suave melodia, y su Corrente (Arr. for Recorder & Theorbo)
00:03:02

Jonathan Rees, MainArtist - Andrea Falconieri, Composer - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

12
La Monica (Une jeune fillette) (Arr. for Recorder, Viola da gamba, Theorbo & Guitar)
00:05:31

Anonymous, Composer - ANON., Composer - Jonathan Rees, MainArtist - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

13
Spagnoletta (Arr. for Recorder, Viola da gamba & Guitar)
00:01:18

Jonathan Rees, MainArtist - Tabea Debus, MainArtist - Pierre-Francisque Carroubel, Composer - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

14
When Daphne did from Phoebus fly (Arr. for Recorder, Viola da gamba, Theorbo & Guitar)
00:05:53

Anonymous, Composer - ANON., Composer - Jonathan Rees, MainArtist - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

15
King Arthur, Z 628: Fairest Isle (Arr. for Voice Flute, Viola da gamba & Theorbo)
00:02:26

Jonathan Rees, MainArtist - Henry Purcell, Composer - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

16
The Earle of Essex Galiard (Can she excuse my wrongs) (Arr. for Voice Flute, Viola da gamba & Theorbo)
00:01:22

Jonathan Rees, MainArtist - John Dowland, Composer - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

17
Auld Bob Morrice (Arr. for Recorder & Viola da gamba)
00:01:47

Traditional, Composer - Jonathan Rees, MainArtist - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher - trad. (Scots folk-tune), Composer

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

18
Siroe, re di Persia, HWV 24: Jig (Arr. for Recorder, Viola da gamba & Theorbo)
00:02:05

George Frideric Handel, Composer - Jonathan Rees, MainArtist - Tabea Debus, MainArtist - Alex McCartney, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

19
Diaries of the Early Worm
00:05:12

Tabea Debus, MainArtist - Paul Baxter, Producer - Gareth Moorcraft, Composer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

20
Lamento di Tristano – La Rotta
00:02:59

Anonymous, Composer - ANON., Composer - Tabea Debus, MainArtist - Paul Baxter, Producer - Delphian Records Ltd., MusicPublisher

(C) 2020 Delphian Records LTD (P) 2020 Delphian Records LTD

Album review

When this album was released in 2020, it signaled the continued rise of a major new recorder talent in Tabea Debus. She coaxes an attractive tone out of a variety of Renaissance and Baroque recorders, keeps a steady pitch, and puts together collaborators, gambist Jonathan Rees and theorbist Alex McCartney, who have a fresh sound and interact with her in a relaxed way. The program concept is also fresh: the idea of the ohrwurm, or earworm in English, although not contemporary with the music involved (the English word was not coined until 1978), brings together a variety of music in a convincing way. Debus' selections hang around the line between concert music and anonymous folk tunes in a way that an 18th century instrumentalist would have recognized, and she ornaments her melodic lines with agile moves that don't call attention to themselves. Some of the pieces here, like Handel's "Lascia ch'io pianga," originally from the opera Rinaldo, are well known as earworms and have been arranged for other forces since they first came on the scene, but what Debus does well is to find other pieces with the same melodic qualities, and these will indeed leave one whistling. Consider Marin Marais' Les folies d'Espagne, for instance, and its basic similarity to Handel's tune. She also throws in some contemporary pieces, which is not a bad idea in itself, but these don't show any connection to the Baroque and Renaissance works, and indeed break the mood. Overall though, the album is solid in its main thrust. Delphian's Edinburgh church sound is clear but a bit chilly.

© TiVo

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