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Ensemble Domus Artis|Madrigali al tavolino

Madrigali al tavolino

Ensemble Domus Artis, Johannes Keller

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The thirty-two polyphonic madrigals by Michelangelo Rossi, which are preserved only in manuscript in a score and a set of partbooks, have only recently become known. These pieces are unusual in anumber of ways: on the one hand, for music from the second quarter of the seventeenth century, they seem “conservative”, composed in five parts with two tenor voices instead of two sopranos. On the other hand, they appear to be avant-garde in their vertiginous harmony (chromaticism andmodulations), which lead them, in spite of the traditional counterpoint, far beyond the borders ofharmonic tonality. And they are strikingly “vieltönig”, as this was especially cultivated in Rome of thoseyears. The term “vieltönig” can perhaps be translated as “multitonal” in the literal sense of using many pitches and refers to a conscious use of more than twelve notated pitches per octave.

This recording tries to reproduce the intimate setting in which such madrigals were sung in their time, with the singers sitting around a big table, studying, discussing and singing. Thus the term "madrigali al tavolino" that was chosen to title the album. A crucial aspect of this project is the use of an arciorgano, which has 36 pitches per octave (instead on the usual 12) and provides the background to the performance of these highly sophisticated vocalpieces. The specialist Johannes Keller leads the Ensemble Domus Artis, a group especially created for the study and interpretation of madrigals intended originally to be performed in tavolino conditions. © Glossa

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Madrigali al tavolino

Ensemble Domus Artis

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O miseria d'amante (Michelangelo Rossi)

1
O miseria d'amante
Ensemble Domus Artis
00:03:55

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

O prodighi di fiamme (Michelangelo Rossi)

2
O prodighi di fiamme
Ensemble Domus Artis
00:04:05

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Improvisation (1) (Johannes Keller)

3
Improvisation (1)
Johannes Keller
00:01:02

Johannes Keller, Composer, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Con che soavità (Michelangelo Rossi)

4
Con che soavità
Ensemble Domus Artis
00:02:52

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Occhi, un tempo mia vita (Michelangelo Rossi)

5
Occhi, un tempo mia vita
Ensemble Domus Artis
00:03:38

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Alma afflitta (Arr. for Harpsichord) (Michelangelo Rossi)

6
Alma afflitta (Arr. for Harpsichord)
Johannes Keller
00:02:54

Michelangelo Rossi, Composer - Johannes Keller, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Pallida gelosia (Michelangelo Rossi)

7
Pallida gelosia
Ensemble Domus Artis
00:05:04

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

O donna troppo cruda (Michelangelo Rossi)

8
O donna troppo cruda
Ensemble Domus Artis
00:01:59

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Improvisation (2) (Johannes Keller)

9
Improvisation (2)
Johannes Keller
00:00:58

Johannes Keller, Composer, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Credete voi (Michelangelo Rossi)

10
Credete voi
Ensemble Domus Artis
00:03:04

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Voi volete (Arr. for Harpsichord) (Michelangelo Rossi)

11
Voi volete (Arr. for Harpsichord)
Johannes Keller
00:03:28

Michelangelo Rossi, Composer - Johannes Keller, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Improvisation (3) (Johannes Keller)

12
Improvisation (3)
Johannes Keller
00:00:42

Johannes Keller, Composer, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Or che la notte (Michelangelo Rossi)

13
Or che la notte
Ensemble Domus Artis
00:05:43

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Langue al vostro languir (Michelangelo Rossi)

14
Langue al vostro languir
Ensemble Domus Artis
00:03:14

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Come sian dolorose (Michelangelo Rossi)

15
Come sian dolorose
Ensemble Domus Artis
00:03:33

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Cura gelata e ria (Michelangelo Rossi)

16
Cura gelata e ria
Ensemble Domus Artis
00:02:38

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Per non mi dir (Michelangelo Rossi)

17
Per non mi dir
Ensemble Domus Artis
00:04:04

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Improvisation (4) (Johannes Keller)

18
Improvisation (4)
Johannes Keller
00:00:49

Johannes Keller, Composer, Artist, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Ohime, se tanto amate (Michelangelo Rossi)

19
Ohimè, se tanto amate
Ensemble Domus Artis
00:02:33

Michelangelo Rossi, Composer - Johannes Keller, MainArtist, - Ensemble Domus Artis, Ensemble, MainArtist

(C) 2021 Glossa (P) 2021 Glossa

Album review

The thirty-two polyphonic madrigals by Michelangelo Rossi, which are preserved only in manuscript in a score and a set of partbooks, have only recently become known. These pieces are unusual in anumber of ways: on the one hand, for music from the second quarter of the seventeenth century, they seem “conservative”, composed in five parts with two tenor voices instead of two sopranos. On the other hand, they appear to be avant-garde in their vertiginous harmony (chromaticism andmodulations), which lead them, in spite of the traditional counterpoint, far beyond the borders ofharmonic tonality. And they are strikingly “vieltönig”, as this was especially cultivated in Rome of thoseyears. The term “vieltönig” can perhaps be translated as “multitonal” in the literal sense of using many pitches and refers to a conscious use of more than twelve notated pitches per octave.

This recording tries to reproduce the intimate setting in which such madrigals were sung in their time, with the singers sitting around a big table, studying, discussing and singing. Thus the term "madrigali al tavolino" that was chosen to title the album. A crucial aspect of this project is the use of an arciorgano, which has 36 pitches per octave (instead on the usual 12) and provides the background to the performance of these highly sophisticated vocalpieces. The specialist Johannes Keller leads the Ensemble Domus Artis, a group especially created for the study and interpretation of madrigals intended originally to be performed in tavolino conditions. © Glossa

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