Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Bohemian composer Leopold Kozeluch is sometimes cited as the successor to Mozart at the Viennese court, as he was named to the position on June 12, 1792, by Emperor Francis II. However, "succession" to Mozart is not exactly the way to put it, as Mozart's Emperor Leopold II had died earlier in 1792, and so the court at which Kozeluch served was an entirely different one than had employed Mozart. One thing Kozeluch did have in common with Mozart was composing piano concertos -- Kozeluch wrote 23 such works in comparison to Mozart's 27, though all but two of them date from the 1780s, before his tenure in the Viennese court. Nonetheless, Kozeluch was based in Vienna at the time, and his concertos reflect the same high Viennese classical style Mozart perfected. Although they have been long known and cataloged, Kozeluch's piano concerti have never been recorded before, and the Kozeluch keyboard music that has made it onto recordings in the past have mainly been limited to his solo piano sonatas -- there are 50 of those -- and some of his shorter keyboard works. Swiss pianist Tomas Dratva, who has studied Kozeluch's piano concertos in manuscript and edited them for performance, takes the opportunity to go to the mat for Kozeluch on Oehms Classics' Leopold Kozeluch: Piano Concertos 1, 4 & 5, as accompanied by the Slovak Sinfonietta Zilina.
It's certainly a noble try -- these three concerti do share many of same elements that make Mozart's concerti enjoyable, including a clean sense of line, an attractive and restrained use of virtuosic filigree, and an inevitable sense of formal balance. However, they do lack that added melodic quality that makes Mozart's piano concertos from No. 17 up so immediately memorable even the first time one hears them. While Kozeluch's concertos are attractive to one's ear, once out of the ear they are out of mind. One barrier to enjoying these pieces is the recording, which is rather brittle in the top and sounds at times like something recorded in East Germany in the 1960s, though it was recorded only in 2006. Unless one desires a comprehensive understanding of the piano concerto in the eighteenth century or is devoted to the cause of Bohemian composers, it is probably safe to say that Oehms Classics' Leopold Kozeluch: Piano Concertos 1, 4 & 5 is not an essential choice.
© TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From £10.83/month
Piano Concerto No. 1 in F Major (Leopold Kozeluch)
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Piano Concerto No. 5 in E-Flat Major (Leopold Kozeluch)
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Piano Concerto No. 4 in A Major (Leopold Kozeluch)
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Album review
Bohemian composer Leopold Kozeluch is sometimes cited as the successor to Mozart at the Viennese court, as he was named to the position on June 12, 1792, by Emperor Francis II. However, "succession" to Mozart is not exactly the way to put it, as Mozart's Emperor Leopold II had died earlier in 1792, and so the court at which Kozeluch served was an entirely different one than had employed Mozart. One thing Kozeluch did have in common with Mozart was composing piano concertos -- Kozeluch wrote 23 such works in comparison to Mozart's 27, though all but two of them date from the 1780s, before his tenure in the Viennese court. Nonetheless, Kozeluch was based in Vienna at the time, and his concertos reflect the same high Viennese classical style Mozart perfected. Although they have been long known and cataloged, Kozeluch's piano concerti have never been recorded before, and the Kozeluch keyboard music that has made it onto recordings in the past have mainly been limited to his solo piano sonatas -- there are 50 of those -- and some of his shorter keyboard works. Swiss pianist Tomas Dratva, who has studied Kozeluch's piano concertos in manuscript and edited them for performance, takes the opportunity to go to the mat for Kozeluch on Oehms Classics' Leopold Kozeluch: Piano Concertos 1, 4 & 5, as accompanied by the Slovak Sinfonietta Zilina.
It's certainly a noble try -- these three concerti do share many of same elements that make Mozart's concerti enjoyable, including a clean sense of line, an attractive and restrained use of virtuosic filigree, and an inevitable sense of formal balance. However, they do lack that added melodic quality that makes Mozart's piano concertos from No. 17 up so immediately memorable even the first time one hears them. While Kozeluch's concertos are attractive to one's ear, once out of the ear they are out of mind. One barrier to enjoying these pieces is the recording, which is rather brittle in the top and sounds at times like something recorded in East Germany in the 1960s, though it was recorded only in 2006. Unless one desires a comprehensive understanding of the piano concerto in the eighteenth century or is devoted to the cause of Bohemian composers, it is probably safe to say that Oehms Classics' Leopold Kozeluch: Piano Concertos 1, 4 & 5 is not an essential choice.
© TiVo
About the album
- 1 disc(s) - 9 track(s)
- Total length: 01:19:49
- Main artists: Tomas Dratva Slovak Sinfonietta, Zilina Oliver von Dohnanyi
- Composer: Leopold Kozeluch
- Label: Oehms Classics
- Genre: Classical
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.