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Pavel Gililov|K. Meyer: Piano Concerto, Op. 46 & Symphony No. 6, Op. 57 "Polish"

K. Meyer: Piano Concerto, Op. 46 & Symphony No. 6, Op. 57 "Polish"

Pavel Gililov, Polish National Radio Symphony Orchestra, Polish Radio Symphony Orchestra, Antoni Wit

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The pieces featured on this album show two faces of Krzysztof Meyer's music from the 1980s. The Piano Concerto was created in the spring of 1979 and performed soon afterwards, but apparently it did not satisfy the composer, since in the autumn of 1989 he once again approached the score and subjected it to thorough modifications. The Symphony No. 6, in turn, was born at the beginning of 1982. Although musically clearly related, which can be stated based on their harmony, the two works are different, because they were motivated by diverse incentives. The Concerto is "music about music", i.e. a game or even a play on sounds that is supposed to capture the attention of the listener with it's aesthetic qualities. At the same time, it provides the soloist with an opportunity to show his or her skills, which is one of the main magnets attracting music lovers to concert halls. The Symphony, on the other hand, is programmatic and emotional. It could be described as "music commenting on the world", referring to political events. © DUX Records

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K. Meyer: Piano Concerto, Op. 46 & Symphony No. 6, Op. 57 "Polish"

Pavel Gililov

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Piano Concerto, Op. 46 (Krzysztof Meyer)

1
I. —
Pavel Gililov
00:12:16

Antoni Wit, Conductor, MainArtist - Krzysztof Meyer, Composer - Polish National Radio Symphony Orchestra, Orchestra, MainArtist - Pavel Gililov, Artist, MainArtist

(C) 2022 DUX (P) 2022 DUX

2
II. —
Pavel Gililov
00:03:48

Antoni Wit, Conductor, MainArtist - Krzysztof Meyer, Composer - Polish National Radio Symphony Orchestra, Orchestra, MainArtist - Pavel Gililov, Artist, MainArtist

(C) 2022 DUX (P) 2022 DUX

3
III. —
Pavel Gililov
00:11:20

Antoni Wit, Conductor, MainArtist - Krzysztof Meyer, Composer - Polish National Radio Symphony Orchestra, Orchestra, MainArtist - Pavel Gililov, Artist, MainArtist

(C) 2022 DUX (P) 2022 DUX

4
IV. —
Pavel Gililov
00:05:03

Antoni Wit, Conductor, MainArtist - Krzysztof Meyer, Composer - Polish National Radio Symphony Orchestra, Orchestra, MainArtist - Pavel Gililov, Artist, MainArtist

(C) 2022 DUX (P) 2022 DUX

Symphony No. 6, Op. 57 "Polish" (Krzysztof Meyer)

5
I. Adagio
Polish Radio Symphony Orchestra
00:18:33

Antoni Wit, Conductor, MainArtist - Krzysztof Meyer, Composer - Polish Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2022 DUX (P) 2022 DUX

6
II. Allegro molto
Polish Radio Symphony Orchestra
00:07:07

Antoni Wit, Conductor, MainArtist - Krzysztof Meyer, Composer - Polish Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2022 DUX (P) 2022 DUX

7
III. Andante con moto
Polish Radio Symphony Orchestra
00:10:16

Antoni Wit, Conductor, MainArtist - Krzysztof Meyer, Composer - Polish Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2022 DUX (P) 2022 DUX

8
IV. Allegro - Largo
Polish Radio Symphony Orchestra
00:10:09

Antoni Wit, Conductor, MainArtist - Krzysztof Meyer, Composer - Polish Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2022 DUX (P) 2022 DUX

Album review

The pieces featured on this album show two faces of Krzysztof Meyer's music from the 1980s. The Piano Concerto was created in the spring of 1979 and performed soon afterwards, but apparently it did not satisfy the composer, since in the autumn of 1989 he once again approached the score and subjected it to thorough modifications. The Symphony No. 6, in turn, was born at the beginning of 1982. Although musically clearly related, which can be stated based on their harmony, the two works are different, because they were motivated by diverse incentives. The Concerto is "music about music", i.e. a game or even a play on sounds that is supposed to capture the attention of the listener with it's aesthetic qualities. At the same time, it provides the soloist with an opportunity to show his or her skills, which is one of the main magnets attracting music lovers to concert halls. The Symphony, on the other hand, is programmatic and emotional. It could be described as "music commenting on the world", referring to political events. © DUX Records

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