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Mark Ronson|Here Comes The Fuzz

Here Comes The Fuzz

Mark Ronson

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Loaded with guest artists and packed with danceable beats, DJ Mark Ronson's first record, Here Comes the Fuzz, is less a showcase for the New York-based artist's turntable skills and more of a radio-friendly pop-rap party album. A rising star on the NYC club scene since the late '90s, the occasional Tommy Hilfiger model previously produced tracks for other hip downtown scenesters, including Saturday Night Live regular Jimmy Fallon as well as singer Nikka Costa and rapper Sean Paul -- both of whom return the favor here. Much in the same way as DJ Shadow's Endtroducing... or the Avalanches' Since I Left You used the Beastie Boys' Paul's Boutique as their template to display an eclectic and voracious record-collecting habit, Ronson's Here Comes the Fuzz mixes funk, hip-hop, soul, and rock into an "everything goes when you're having fun" cocktail. While never displaying the innovative vision or giddy melody-mixing heights of either of those albums, Here Comes the Fuzz does still resonate with the pulse of youthful ego driven by libido and hot wax. To these ends, rappers Ghostface Killah and Nate Dogg take the mic over a funky cowbell and the string section of Dennis Coffey's "Scorpio" on "Ooh Wee." Similarly, Mos Def and M.O.P. add Brooklyn street cred to Ronson's catchy if a bit obvious co-opting of Lenny Kravitz's hit "On the Run." Perhaps most interesting though, are Ronson's attempts at actual songwriting such as on the cosmopolitan disco plea "High," featuring vocalist Aya, and the punk à gogo of "I Suck" with Rivers Cuomo, which finds the Weezer frontman doing his best "Let's Go to Bed"-era Robert Smith warble against a sample from Labi Siffre's "Too Late."

© Matt Collar /TiVo

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Here Comes The Fuzz

Mark Ronson

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1
Intro (LP Version) Explicit
00:01:25

Josh Deutsch, A&R Manager - Mark Ronson, Beats, Guitar, Scratching, Vocals, Writer, MainArtist, ExecutiveProducer - John Hanes, Pro Tools - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Sylvia Rhone, A&R Manager - Vaughan Merrick, Recorded by - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

2
Bluegrass Stain'd (feat. Nappy Roots & Anthony Hamilton)
00:04:11

J. Chambers, Writer - B. Scott, Writer - Josh Deutsch, A&R Manager - Mark Ronson, Beats, Guitar, Vocals, Writer, Bass, MainArtist, ExecutiveProducer - John Hanes, Pro Tools - Anthony Hamilton, FeaturedArtist - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Sylvia Rhone, A&R Manager - Vaughan Merrick, Recorded by - A. HAMILTON, Writer - R. Hughes, Writer - Nappy Roots, FeaturedArtist - V. Tisdale, Writer - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer - ?uestlove, Drums - G. Katz, Writer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

3
Ooh Wee (feat. Ghostface Killah, Nate Dogg, Trife & Saigon) (LP Version) Explicit
00:03:29

Trife, FeaturedArtist - Nate Dogg, FeaturedArtist - N. Hale, Writer - Mark Ronson, Producer, Writer, MainArtist - John Hanes, Pro Tools - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Ghostface Killah, FeaturedArtist - Bobby Hebb, Writer - Saigon, FeaturedArtist - B. Carenard, Writer - D. Coles, Writer - T. Theobailey, Writer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

4
High (feat. Aya) (LP Version)
00:04:06

Josh Deutsch, A&R Manager - Larry Gold, Conductor, Horn, Strings - Mark Ronson, Guitar, Percussion, Writer, MainArtist, ExecutiveProducer - John Hanes, Pro Tools - AYA, FeaturedArtist - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Sylvia Rhone, A&R Manager - Vaughan Merrick, Recorded by - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer - ?uestlove, Percussion - B. Chang, Writer - Bill Chang, Guitar, Bass - G. Saleh, Writer - L.A. Jayne, Writer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

5
I Suck (feat. Rivers Cuomo) (LP Version) Explicit
00:02:54

Josh Deutsch, A&R Manager - Mark Ronson, Beats, Guitar, Percussion, Writer, MainArtist, ExecutiveProducer - John Hanes, Pro Tools - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Rivers Cuomo, FeaturedArtist - Sylvia Rhone, A&R Manager - Vaughan Merrick, Recorded by - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer - R.Cuomo, Writer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

6
International Affair (feat. Sean Paul & Tweet) (LP Version)
00:03:24

Josh Deutsch, A&R Manager - Mark Ronson, Beats, Scratching, Writer, MainArtist, ExecutiveProducer - Tweet, FeaturedArtist - John Hanes, Pro Tools - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Sean Paul, FeaturedArtist - Sylvia Rhone, A&R Manager - Vaughan Merrick, Recorded by - Debi Nova, Additional Vocals - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer - D. Nowalski, Writer - S.P. Henriques, Writer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

7
Diduntdidunt (feat. Saigon) (LP Version) Explicit
00:03:58

Josh Deutsch, A&R Manager - Mark Ronson, Beats, Piano, Writer, MainArtist, ExecutiveProducer - John Hanes, Pro Tools - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Sylvia Rhone, A&R Manager - Vaughan Merrick, Recorded by - Saigon, FeaturedArtist - B. Carenard, Writer - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

8
On the Run (feat. Mos Def & M.O.P.) (LP Version) Explicit
00:02:37

D. Smith, Writer - J. Grinnage, Writer - E. Murray, Writer - Josh Deutsch, A&R Manager - Mark Ronson, Writer, MainArtist, ExecutiveProducer - Mos Def, FeaturedArtist - John Hanes, Pro Tools - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Sylvia Rhone, A&R Manager - M.O.P., FeaturedArtist - Vaughan Merrick, Recorded by - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

9
Here Comes the Fuzz (feat. Freeway & Nikka Costa) (LP Version)
00:03:09

Josh Deutsch, A&R Manager - Justin Stanley, Producer - Mark Ronson, Beats, Percussion, Writer, Bass, MainArtist, ExecutiveProducer - N. Costa, Writer - John Hanes, Pro Tools - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Sylvia Rhone, A&R Manager - Jack White, Guitar - Nikka Costa, FeaturedArtist - Vaughan Merrick, Recorded by - Freeway, FeaturedArtist - L. Pridgen, Writer - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

10
Bout to Get Ugly (feat. Rhymefest & Anthony Hamilton) (LP Version) Explicit
00:03:33

C. Smith, Writer - Josh Deutsch, A&R Manager - Mark Ronson, Beats, Guitar, Writer, Bass, MainArtist, ExecutiveProducer - Rhymefest, Vocals, FeaturedArtist - John Hanes, Pro Tools - Anthony Hamilton, Vocals, FeaturedArtist - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Sylvia Rhone, A&R Manager - Vaughan Merrick, Recorded by - A. HAMILTON, Writer - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer - Hazar, Writer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

11
She's Got Me (feat. Daniel Merriweather) (LP Version)
00:03:49

Daniel Merriweather, Guitar, FeaturedArtist - Josh Deutsch, A&R Manager - Printz Board, Horn, Trumpet - Mark Ronson, Beats, Guitar, Horn, Writer, Bass, MainArtist, ExecutiveProducer - John Hanes, Pro Tools - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - R. Smith, Writer - Sylvia Rhone, A&R Manager - Vaughan Merrick, Recorded by - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer - ?uestlove, Drums - D Merriweather, Writer - Tim Izzo, Saxophone

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

12
Tomorrow (feat. Q-Tip & Debi Nova) (LP Version)
00:03:55

K. Fareed, Writer - Josh Deutsch, A&R Manager - Printz Board, Horn, Trumpet - Mark Ronson, Beats, Guitar, Writer, MainArtist, ExecutiveProducer - John Hanes, Pro Tools - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Sylvia Rhone, A&R Manager - Vaughan Merrick, Recorded by - Q-Tip, FeaturedArtist - Debi Nova, Vocals, FeaturedArtist - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer - D. Nowalski, Writer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

13
Rashi (Outro) (LP Version)
00:02:01

Josh Deutsch, A&R Manager - Mark Ronson, Guitar, Vocals, Writer, Bass, MainArtist, ExecutiveProducer - John Hanes, Pro Tools - Serban Ghenea, Mixer - Tim Roberts, Assistant Mix Engineer - Sylvia Rhone, A&R Manager - Vaughan Merrick, Recorded by - Amanda Scheer-Demme, Manager - Dominique Trenier, Manager, ExecutiveProducer

© 2003 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2003 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

Album review

Loaded with guest artists and packed with danceable beats, DJ Mark Ronson's first record, Here Comes the Fuzz, is less a showcase for the New York-based artist's turntable skills and more of a radio-friendly pop-rap party album. A rising star on the NYC club scene since the late '90s, the occasional Tommy Hilfiger model previously produced tracks for other hip downtown scenesters, including Saturday Night Live regular Jimmy Fallon as well as singer Nikka Costa and rapper Sean Paul -- both of whom return the favor here. Much in the same way as DJ Shadow's Endtroducing... or the Avalanches' Since I Left You used the Beastie Boys' Paul's Boutique as their template to display an eclectic and voracious record-collecting habit, Ronson's Here Comes the Fuzz mixes funk, hip-hop, soul, and rock into an "everything goes when you're having fun" cocktail. While never displaying the innovative vision or giddy melody-mixing heights of either of those albums, Here Comes the Fuzz does still resonate with the pulse of youthful ego driven by libido and hot wax. To these ends, rappers Ghostface Killah and Nate Dogg take the mic over a funky cowbell and the string section of Dennis Coffey's "Scorpio" on "Ooh Wee." Similarly, Mos Def and M.O.P. add Brooklyn street cred to Ronson's catchy if a bit obvious co-opting of Lenny Kravitz's hit "On the Run." Perhaps most interesting though, are Ronson's attempts at actual songwriting such as on the cosmopolitan disco plea "High," featuring vocalist Aya, and the punk à gogo of "I Suck" with Rivers Cuomo, which finds the Weezer frontman doing his best "Let's Go to Bed"-era Robert Smith warble against a sample from Labi Siffre's "Too Late."

© Matt Collar /TiVo

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