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The Derailers|Here Come The Derailers

Here Come The Derailers

The Derailers

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It says a lot about the current state of affairs in Nashville that the Derailers, one of the finest retro-style country acts around, are able to make better and more purely C&W-oriented albums recording for a Texas-based indie label than for one of the Big Boys on Music Row. Here Come the Derailers, the group's fourth studio album, is their first for Lucky Dog, a Sony imprint, and the idea seems to have been to create an album that rides a middle ground between the spunky Buck Owens-style honky tonk of their earlier albums and something that might find airplay on contemporary country radio. Unfortunately, the formula turns out to have been a little off, and producer Kyle Lehning has added enough polish to the Derailers' sound that a large percentage of the group's personality has been buffed away in the process. While Brian Hofeldt's picking is as stellar as always and Tony Villanueva's vocals are in fine form, the energetic snap of the band's best work is considerably muted here, and the glossy keyboard and steel overdubs generally don't add to the songs, but take away from them. While there's some great material on board -- the honky tonkin' wit of "Bar Exam," the spunky "There Goes the Bride," and the Orbison-esque "I See My Baby" -- there's an uncomfortable amount of filler, especially the failed weepers "All the Rage in Paris" and "My Angel's Getting Tired." And while covering "Mohair Sam" sure sounds like a good idea, the results are disappointing, though their take on Arthur Alexander's "If It's Really Got to Be This Way" is terrific. Here Come the Derailers isn't a bad album -- this band is far too talented for their virtues not to shine through -- but it's a far cry from the high-spirited retro-twang of their earlier albums, and while a lot more people are likely to hear this record, it's not an introduction that flatters the group.

© Mark Deming /TiVo

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Here Come The Derailers

The Derailers

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1
More Of Your Love
00:03:01

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Tony Villanueva, Acoustic Guitar - Kostas, Composer, Lyricist - Kay Smith - Brian Hofeldt, Electric Guitar - Wally Wilson, Composer, Lyricist - Michael Hiatt - Liana Manis - Thom Flora - Sandy Williams, Assistant Engineer - Cliff Audretch - John Wesley Ryles - Bekka Bramlett - Chris Scherbak, Assistant Engineer - Dan Dugmore, Guitar, Mandolin - Doug Sax, Mastering Engineer - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - JT Corenflos, Electric Guitar - Ed Adkins, Bass Guitar - Eric Darken, Marimba, Percussion, Timpani - Mark Horn, Drums - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

2
Bar Exam
00:03:28

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Tony O. Villanueva, Composer, Lyricist - Tony Villanueva, Acoustic Guitar - Bill Carter, Composer, Lyricist - Kay Smith - Brian Hofeldt, Electric Guitar - Michael Hiatt - Ruth Ellsworth-Carter, Composer, Lyricist - Thom Flora - Liana Manis - Sandy Williams, Assistant Engineer - Cliff Audretch - John Wesley Ryles - Chris Scherbak, Assistant Engineer - Bekka Bramlett - Doug Sax, Mastering Engineer - Dan Dugmore, Guitar, Mandolin - Robert Hadley, Mastering Engineer - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Jason Lehning, Recording Engineer - Ed Adkins, Bass Guitar - Mark Horn, Drums - Eric Darken, Marimba, Timpani - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

3
You Know What She's Like
00:03:17

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Tony Villanueva, Acoustic Guitar - Tony O. Villanueva, Composer, Lyricist - Kay Smith - Brian Hofeldt, Electric Guitar - Bill Carter, Composer, Lyricist - Michael Hiatt - Thom Flora - Ruth Ellsworth-Carter, Composer, Lyricist - Liana Manis - Sandy Williams, Assistant Engineer - Cliff Audretch - John Wesley Ryles - Chris Scherbak, Assistant Engineer - Bekka Bramlett - Doug Sax, Mastering Engineer - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Robert Hadley, Mastering Engineer - Dan Dugmore, Guitar, Mandolin - Jason Lehning, Recording Engineer - JT Corenflos, Electric Guitar - Ed Adkins, Bass Guitar - Eric Darken, Marimba, Percussion, Timpani - Mark Horn, Drums - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

4
Your Guess Is Good As Mine
00:02:40

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Tony Villanueva, Acoustic Guitar - Jim Lauderdale, Composer, Lyricist - Kay Smith - Brian Hofeldt, Composer, Electric Guitar, Lyricist - Michael Hiatt - Liana Manis - Tony O. Villanueva, Composer, Lyricist - Thom Flora - Sandy Williams, Assistant Engineer - Cliff Audretch - John Wesley Ryles - Bekka Bramlett - Chris Scherbak, Assistant Engineer - Dan Dugmore, Guitar, Mandolin - Doug Sax, Mastering Engineer - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - JT Corenflos, Electric Guitar - Ed Adkins, Bass Guitar - Eric Darken, Marimba, Percussion, Timpani - Mark Horn, Drums - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

5
I See My Baby
00:03:19

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Tony Villanueva, Acoustic Guitar - Brian Hofeldt, Composer, Electric Guitar, Lyricist - Kay Smith - Michael Hiatt - Thom Flora - Liana Manis - Sandy Williams, Assistant Engineer - Cliff Audretch - John Wesley Ryles - Chris Scherbak, Assistant Engineer - Bekka Bramlett - Doug Sax, Mastering Engineer - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Robert Hadley, Mastering Engineer - Dan Dugmore, Guitar, Mandolin - Jason Lehning, Recording Engineer - JT Corenflos, Electric Guitar - Ed Adkins, Bass Guitar - Eric Darken, Marimba, Percussion, Timpani - Mark Horn, Drums - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

6
Country A Go-Go
00:03:10

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Liana Manis - Brian Hofeldt, Composer, Electric Guitar, Lyricist - Kay Smith - Thom Flora - Tony O. Villanueva, Composer, Lyricist - Michael Hiatt - Mark Horn, Composer, Drums, Lyricist - John Wesley Ryles - Bekka Bramlett - Sandy Williams, Assistant Engineer - Ed Adkins, Bass Guitar, Composer, Lyricist - Dan Dugmore, Guitar, Mandolin - Cliff Audretch - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Chris Scherbak, Assistant Engineer - Doug Sax, Mastering Engineer - Robert Hadley, Mastering Engineer - Tony Villanueva, Acoustic Guitar - Jason Lehning, Recording Engineer - Eric Darken, Marimba, Percussion, Timpani - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

7
I'd Follow You Anywhere
00:02:49

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Tony Villanueva, Acoustic Guitar - Jim Lauderdale, Composer, Lyricist - Kay Smith - Brian Hofeldt, Electric Guitar - Melba Montgomery, Composer, Lyricist - Michael Hiatt - Liana Manis - Thom Flora - Sandy Williams, Assistant Engineer - Cliff Audretch - John Wesley Ryles - Bekka Bramlett - Chris Scherbak, Assistant Engineer - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Doug Sax, Mastering Engineer - Dan Dugmore, Guitar, Mandolin - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - Ed Adkins, Bass Guitar - Eric Darken, Marimba, Percussion, Timpani - Mark Horn, Drums - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

8
All The Rage In Paris
00:04:28

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Tony Villanueva, Acoustic Guitar - Jim Lauderdale, Composer, Lyricist - Kay Smith - Brian Hofeldt, Electric Guitar - Daryl Burgess, Composer, Lyricist - Michael Hiatt - Thom Flora - Liana Manis - Sandy Williams, Assistant Engineer - Cliff Audretch - John Wesley Ryles - Chris Scherbak, Assistant Engineer - Bekka Bramlett - Doug Sax, Mastering Engineer - Dan Dugmore, Guitar, Mandolin - Robert Hadley, Mastering Engineer - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Jason Lehning, Recording Engineer - JT Corenflos, Electric Guitar - Ed Adkins, Bass Guitar - Eric Darken, Marimba, Percussion, Timpani - Mark Horn, Drums - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

9
My Angel's Gettin' Tired
00:03:38

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Tony Villanueva, Acoustic Guitar - Tony O. Villanueva, Composer, Lyricist - Kay Smith - Brian Hofeldt, Electric Guitar - Michael Hiatt - Thom Flora - Liana Manis - Sandy Williams, Assistant Engineer - Cliff Audretch - John Wesley Ryles - Chris Scherbak, Assistant Engineer - Bekka Bramlett - Doug Sax, Mastering Engineer - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Robert Hadley, Mastering Engineer - Dan Dugmore, Guitar, Mandolin - Jason Lehning, Recording Engineer - Ed Adkins, Bass Guitar - Eric Darken, Marimba, Percussion, Timpani - Mark Horn, Drums - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

10
Mohair Sam
00:02:57

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Tony Villanueva, Acoustic Guitar - Dallas Frazier, Composer, Lyricist - Kay Smith - Brian Hofeldt, Electric Guitar - Michael Hiatt - Bekka Bramlet - Liana Manis - Sandy Williams, Assistant Engineer - Cliff Audretch - Thom Flora - John Wesley Ryles - Chris Scherbak, Assistant Engineer - Bekka Bramlett - Doug Sax, Mastering Engineer - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Robert Hadley, Mastering Engineer - Dan Dugmore, Guitar, Mandolin - Jason Lehning, Recording Engineer - Ed Adkins, Bass Guitar - Eric Darken, Marimba, Percussion, Timpani - Mark Horn, Drums - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

11
If It's Really Got To Be This Way
00:03:15

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Tony Villanueva, Acoustic Guitar - Gary Nicholson, Composer, Lyricist - Kay Smith - Brian Hofeldt, Electric Guitar - Donnie Fritts, Composer, Lyricist - Michael Hiatt - Thom Flora - Arthur Alexander, Composer, Lyricist - Liana Manis - Sandy Williams, Assistant Engineer - Cliff Audretch - John Wesley Ryles - Chris Scherbak, Assistant Engineer - Bekka Bramlett - Doug Sax, Mastering Engineer - Dan Dugmore, Guitar, Mandolin - Robert Hadley, Mastering Engineer - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Jason Lehning, Recording Engineer - JT Corenflos, Electric Guitar - Ed Adkins, Bass Guitar - Eric Darken, Marimba, Percussion, Timpani - Mark Horn, Drums - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

12
There Goes The Bride
00:03:13

The Derailers, Associated Performer, Main Artist, Associated Performer - KYLE LEHNING, Producer - Tony Villanueva, Acoustic Guitar, Harmonica - Tony O. Villanueva, Composer, Lyricist - Kay Smith - Brian Hofeldt, Composer, Electric Guitar, Lyricist - Michael Hiatt - Liana Manis - Mark Horn, Composer, Drums, Lyricist - Thom Flora - Sandy Williams, Assistant Engineer - Ed Adkins, Bass Guitar, Composer, Lyricist - Cliff Audretch - John Wesley Ryles - Bekka Bramlett - Chris Scherbak, Assistant Engineer - Dan Dugmore, Guitar, Mandolin - Doug Sax, Mastering Engineer - Billy Panda, Acoustic Guitar, Electric Guitar, Guitar, Mandolin - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - Eric Darken, Marimba, Timpani - John Jarvis, Keyboards, Piano - Hank Singer, Fiddle - Delbert McClinton, Harmonica

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

Album review

It says a lot about the current state of affairs in Nashville that the Derailers, one of the finest retro-style country acts around, are able to make better and more purely C&W-oriented albums recording for a Texas-based indie label than for one of the Big Boys on Music Row. Here Come the Derailers, the group's fourth studio album, is their first for Lucky Dog, a Sony imprint, and the idea seems to have been to create an album that rides a middle ground between the spunky Buck Owens-style honky tonk of their earlier albums and something that might find airplay on contemporary country radio. Unfortunately, the formula turns out to have been a little off, and producer Kyle Lehning has added enough polish to the Derailers' sound that a large percentage of the group's personality has been buffed away in the process. While Brian Hofeldt's picking is as stellar as always and Tony Villanueva's vocals are in fine form, the energetic snap of the band's best work is considerably muted here, and the glossy keyboard and steel overdubs generally don't add to the songs, but take away from them. While there's some great material on board -- the honky tonkin' wit of "Bar Exam," the spunky "There Goes the Bride," and the Orbison-esque "I See My Baby" -- there's an uncomfortable amount of filler, especially the failed weepers "All the Rage in Paris" and "My Angel's Getting Tired." And while covering "Mohair Sam" sure sounds like a good idea, the results are disappointing, though their take on Arthur Alexander's "If It's Really Got to Be This Way" is terrific. Here Come the Derailers isn't a bad album -- this band is far too talented for their virtues not to shine through -- but it's a far cry from the high-spirited retro-twang of their earlier albums, and while a lot more people are likely to hear this record, it's not an introduction that flatters the group.

© Mark Deming /TiVo

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