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Christian Curnyn|Handel: Acis and Galatea

Handel: Acis and Galatea

Christian Curnyn, Early Opera Company, Lucy Crowe, Allan Clayton, Benjamin Hulett, Neal Davies, Jeremy Budd, Rowan Pierce

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This isn't an opera, strictly speaking; this Acis and Galatea by Handel, most likely dating from 1718, is much more a part of the very English genre of the "masque", or pastoral divertimento. That said, its hour-and-a-half running time is redolent of a lot of operas... It seems that Handel wrote it for a rich private patron, in those politically turbulent days when the Royal Theatre had more bad days than good; James Brydge, the count of Carnarvon, had assembled a little troupe of singers and musicians at his manor, as well as a choir, which allowed him to offer purely private musical entertainments of high quality. Of course, the work is sung in English; the orchestration, which is very original, calls for inter alia a soprano recorder for the songbirds; and it unfurls a number of theatrical "tricks" to highlight the personalities of the various characters. Twenty years later, Handel would revise his work for public performances in London, but this is a recording of the 1718 original. Elegance, sensuality, a strong dose of humour in spite of the often-sombre subject matter: this is the best of Handel, and it should be noted that the composer used almost none of his normal "recycling": apart from an aria, all the music here is original, and was not re-used in any other works. Acis and Galatea was one of Handel's most-performed works in his own lifetime, which rather prevented him from re-using any of the tunes too often, as he might have been able to do with a lesser-known piece. The Early Opera Company conducted by Christian Curnyn proves here that private lyrical enterprises, supported by crowdfunding and generous subscriptions from patrons have got a long and happy future ahead of them still. © SM/Qobuz

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Handel: Acis and Galatea

Christian Curnyn

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Acis and Galatea, HWV 49a (Georg Friedrich Händel)

1
No. 1, Sinfonia. Presto
00:03:02

George Frideric Handel, Composer - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

2
No. 2, Oh, the pleasure of the plains! (Chorus)
00:05:07

George Frideric Handel, Composer - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist - Tutti Soloists, Choir, MainArtist

2018 Chandos Records 2018 Chandos Records

3
No. 3, Recitative. Ye verdant plains and woody mountains (Galatea)
00:00:41

George Frideric Handel, Composer - Lucy Crowe, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

4
No. 4, Air. Hush, ye pretty warbling choir! (Galatea)
00:05:57

George Frideric Handel, Composer - Lucy Crowe, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

5
No. 5, Air. Where shall I seek the charming fair? (Acis)
00:02:50

George Frideric Handel, Composer - Allan Clayton, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

6
No. 6, Recitative. Stay, shepherd, stay! (Damon)
00:00:21

George Frideric Handel, Composer - Christian Curnyn, Conductor, MainArtist - Benjamin Hulett, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

7
No. 7, Air. Shepherd, what art thou pursuing? (Damon)
00:04:05

George Frideric Handel, Composer - Christian Curnyn, Conductor, MainArtist - Benjamin Hulett, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

8
No. 8, Recitative. Lo, here my love, turn, Galatea, hither turn thy eye! (Acis)
00:00:21

George Frideric Handel, Composer - Allan Clayton, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

9
No. 9, Air. Love in her eyes sits playing (Acis)
00:06:15

George Frideric Handel, Composer - Allan Clayton, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

10
No. 10, Recitative. Oh, didst thou know the pains of absent love (Galatea)
00:00:13

George Frideric Handel, Composer - Lucy Crowe, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

11
No. 11, Air. As when the dove (Galatea)
00:05:53

George Frideric Handel, Composer - Lucy Crowe, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

12
No. 12, Duet. Happy we! (Acis and Galatea)
00:02:48

George Frideric Handel, Composer - Lucy Crowe, MainArtist - Allan Clayton, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist - Tutti Soloists, Choir, MainArtist

2018 Chandos Records 2018 Chandos Records

DISC 2

1
No. 14, Wretched lovers! Fate has past (Chorus)
00:03:55

George Frideric Handel, Composer - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist - Tutti Soloists, Choir, MainArtist

2018 Chandos Records 2018 Chandos Records

2
No. 15, Recitative. I rage - I melt - I burn! (Polyphemus)
00:01:11

George Frideric Handel, Composer - Neal Davies, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

3
No. 16, Air. O ruddier than the cherry (Polyphemus)
00:02:51

George Frideric Handel, Composer - Neal Davies, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

4
No. 17, Recitative. Whither, fairest, art thou running (Polyphemus, Galatea)
00:01:01

George Frideric Handel, Composer - Neal Davies, MainArtist - Lucy Crowe, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

5
No. 18, Air. Cease to beauty to be suing (Polyphemus)
00:04:55

George Frideric Handel, Composer - Neal Davies, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

6
No. 19, Air. Would you gain the tender creature (Coridon)
00:05:10

George Frideric Handel, Composer - Jeremy Budd, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

7
No. 20, Recitative. His hideous love provokes my rage (Acis)
00:00:19

George Frideric Handel, Composer - Allan Clayton, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

8
No. 21, Air. Love sounds th' alarm (Acis)
00:04:15

George Frideric Handel, Composer - Allan Clayton, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

9
No. 22, Air. Consider, fond shepherd (Damon)
00:06:53

George Frideric Handel, Composer - Christian Curnyn, Conductor, MainArtist - Benjamin Hulett, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

10
No. 23, Recitative. Cease, oh cease, thou gentle youth (Galatea)
00:00:26

George Frideric Handel, Composer - Lucy Crowe, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

11
No. 24, Trio. The flocks shall leave the mountains (Acis and Galatea, Polyphemus)
00:02:13

George Frideric Handel, Composer - Neal Davies, MainArtist - Lucy Crowe, MainArtist - Allan Clayton, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

12
No. 25, Recitative. Help, Galatea! Help, ye parent gods! (Acis)
00:01:17

George Frideric Handel, Composer - Allan Clayton, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

13
No. 26. Mourn, all ye muses! Weep, all ye swains! (Chorus)
00:03:01

George Frideric Handel, Composer - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist - Tutti Soloists, Choir, MainArtist

2018 Chandos Records 2018 Chandos Records

14
No. 27, Solo and Chorus. Must I my Acis still bemoan (Galatea, Chorus)
00:04:25

George Frideric Handel, Composer - Lucy Crowe, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist - Tutti Soloists, Choir, MainArtist

2018 Chandos Records 2018 Chandos Records

15
No. 28, Recitative. Tis done! Thus I exert my pow'r Divine (Galatea)
00:00:25

George Frideric Handel, Composer - Lucy Crowe, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

16
No. 29, Air. Heart, the sea of soft delight (Galatea)
00:03:42

George Frideric Handel, Composer - Lucy Crowe, MainArtist - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist

2018 Chandos Records 2018 Chandos Records

17
No. 30, Galatea, dry thy tears (Chorus)
00:03:04

George Frideric Handel, Composer - Christian Curnyn, Conductor, MainArtist - Early Opera Company, MainArtist - Tutti Soloists, Choir, MainArtist

2018 Chandos Records 2018 Chandos Records

Album review

This isn't an opera, strictly speaking; this Acis and Galatea by Handel, most likely dating from 1718, is much more a part of the very English genre of the "masque", or pastoral divertimento. That said, its hour-and-a-half running time is redolent of a lot of operas... It seems that Handel wrote it for a rich private patron, in those politically turbulent days when the Royal Theatre had more bad days than good; James Brydge, the count of Carnarvon, had assembled a little troupe of singers and musicians at his manor, as well as a choir, which allowed him to offer purely private musical entertainments of high quality. Of course, the work is sung in English; the orchestration, which is very original, calls for inter alia a soprano recorder for the songbirds; and it unfurls a number of theatrical "tricks" to highlight the personalities of the various characters. Twenty years later, Handel would revise his work for public performances in London, but this is a recording of the 1718 original. Elegance, sensuality, a strong dose of humour in spite of the often-sombre subject matter: this is the best of Handel, and it should be noted that the composer used almost none of his normal "recycling": apart from an aria, all the music here is original, and was not re-used in any other works. Acis and Galatea was one of Handel's most-performed works in his own lifetime, which rather prevented him from re-using any of the tunes too often, as he might have been able to do with a lesser-known piece. The Early Opera Company conducted by Christian Curnyn proves here that private lyrical enterprises, supported by crowdfunding and generous subscriptions from patrons have got a long and happy future ahead of them still. © SM/Qobuz

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