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The Weavers|Gospel

Gospel

The Weavers

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Given their reputation for being, well, godless Communists, the concept of a gospel album by the Weavers is curious on its face. In fact, however, much of the group's repertoire derived from folk and spiritual sources, sometimes with specifically religious subject matter, sometimes just with church-based origins. In these tracks, compiled from their 1955-1963 recordings, the Weavers address such familiar inspirational material as "When the Saints Go Marching In," "Sinner Man," and "True Religion," as well as gospel-influenced folk songs like "Follow the Drinking Gourd," which concerns the Underground Railroad that helped slaves to freedom, and their own politically charged "If I Had a Hammer (The Hammer Song)," which bridged religious fervor and social activism. Combining the Pete Seeger and Erik Darling eras of the group, this is an excellent thematic arrangement of Weavers music, the only serious criticism of it being that, at under 38 minutes, it could have been longer.

© William Ruhlmann /TiVo

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Gospel

The Weavers

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1
Michael Row The Boat Ashore
00:03:33

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

2
Follow The Drinking Gourd
00:02:05

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

3
On My Journey
00:03:43

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

4
I've Got A Home In That Rock
00:01:48

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

5
In That New Jerusalem
00:02:54

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

6
When The Stars Begin To Fall
00:03:17

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

7
Run, Come See, Jerusalem
00:02:13

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

8
If I Had A Hammer (The Hammer Song)
00:02:15

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

9
Sinner Man
00:02:22

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

10
You Made Me A Pallet On The Floor
00:02:40

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

11
True Religion
00:03:29

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

12
Twelve Gates To The City
00:02:37

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

13
Go Where I Send Thee (One For The Little Bitty Baby)
00:02:35

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

14
When The Saints Go Marching In
00:02:22

Unknown, Composer - The Weavers, MainArtist

(C) 1997 Vanguard Records, A Welk Music Group Company ℗ 1997 Vanguard Records, a Welk Music Group Company

Album review

Given their reputation for being, well, godless Communists, the concept of a gospel album by the Weavers is curious on its face. In fact, however, much of the group's repertoire derived from folk and spiritual sources, sometimes with specifically religious subject matter, sometimes just with church-based origins. In these tracks, compiled from their 1955-1963 recordings, the Weavers address such familiar inspirational material as "When the Saints Go Marching In," "Sinner Man," and "True Religion," as well as gospel-influenced folk songs like "Follow the Drinking Gourd," which concerns the Underground Railroad that helped slaves to freedom, and their own politically charged "If I Had a Hammer (The Hammer Song)," which bridged religious fervor and social activism. Combining the Pete Seeger and Erik Darling eras of the group, this is an excellent thematic arrangement of Weavers music, the only serious criticism of it being that, at under 38 minutes, it could have been longer.

© William Ruhlmann /TiVo

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