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Stan Getz Quartet|Getz Au Go Go

Getz Au Go Go

Stan Getz Quartet, Astrud Gilberto

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Although the name Stan Getz (tenor sax) was initially synonymous with the West Coast cool scene during the mid-to-late 1950s, he likewise became a key component in the Bossa Nova craze of the early 1960s. Along with Astrud Gilberto (vocals), Getz scored a genre-defining hit with the "Girl From Ipanema," extracted from the equally lauded Getz/Gilberto (1963). While that platter primarily consists of duets between Getz and João Gilberto (guitar/vocals), it was truly serendipity that teamed Getz with João's wife Astrud, who claims to have never sung a note outside of her own home prior to the session that launched her career. Getz Au Go Go Featuring Astrud Gilberto (1964) was the second-to-last album that he would issue during his self-proclaimed "Bossa Nova Era" -- the final being Getz/Gilberto #2 [Live] (1964) concert title from Carnegie Hall. In many ways, that is a logical successor to this one, as both include the "New Stan Getz Quartet." The band features a young Gary Burton (vibraphone), Kenny Burrell (guitar), Gene Cherico (bass), and Joe Hunt (drums). As is typical with jazz, there are a few personnel substitutions, with Helcio Milito (drums) and Chuck Israels (bass), respectively, filling in on nearly half the effort. As the name of the disc intimates, this recording hails from the venerable Greenwich Village venue, the Café Au Go Go, in mid-August of 1964 -- two months after "Girl From Ipanema" became a Top Five pop single. However, the focus of Getz Au Go Go steers away from the Brazilian flavored fare, bringing Astrud Gilberto into the realm of a decidedly more North American style. That said, there are a few Antonio Carlos Jobim compositions -- "Corcovado (Quiet Nights of Quiet Stars)" and "One Note Samba" -- both of which would be considered as jazz standards in years to follow -- as well as the lesser-circulated "Eu E Voce." Getz and crew gather behind Richard Rodgers and Oscar Hammerstein's "It Might as Well Be Spring," and the scintillating instrumental "Summertime," from Porgy & Bess. Other equally engaging cuts include affective vocal readings of "Only Trust Your Heart," and the diminutive, yet catchy "Telephone Song." There is also some great interaction between Getz and Burton on "Here's to That Rainy Day." Getz Au Go Go is highly recommended for all dimensions of jazz enthusiasts.

© Lindsay Planer /TiVo

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Getz Au Go Go

Stan Getz Quartet

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1
Corcovado (Quiet Nights Of Quiet Stars) (Live At Café Au Go-Go/1964)
The New Stan Getz Quartet
00:02:53

Gene Cherico, Upright Bass, AssociatedPerformer - Astrud Gilberto, FeaturedArtist - António Carlos Jobim, ComposerLyricist - Rudy Van Gelder, Engineer, StudioPersonnel - Kenny Burrell, Guitar, AssociatedPerformer - Gary Burton, Vibraphone, AssociatedPerformer - The New Stan Getz Quartet, MainArtist - Helcio Milito, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 The Verve Music Group, a Division of UMG Recordings, Inc.

2
It Might As Well Be Spring (Live At Café Au Go-Go / 1964)
The New Stan Getz Quartet
00:04:27

Richard Rodgers, Composer - Astrud Gilberto, Vocals, FeaturedArtist, AssociatedPerformer - Oscar Hammerstein II , Author - Stan Getz, Tenor Saxophone, AssociatedPerformer - Kenny Burrell, Guitar, AssociatedPerformer - Gary Burton, Vibraphone, AssociatedPerformer - The New Stan Getz Quartet, MainArtist - Helcio Milito, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

3
Eu E Voco (Live At Café Au Go-Go,1964)
The New Stan Getz Quartet
00:02:32

Astrud Gilberto, Vocals, FeaturedArtist, AssociatedPerformer - Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, ComposerLyricist - Stan Getz, Tenor Saxophone, AssociatedPerformer - Kenny Burrell, Guitar, AssociatedPerformer - Gary Burton, Vibraphone, AssociatedPerformer - The New Stan Getz Quartet, MainArtist - Helcio Milito, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

4
Summertime (Live At Café Au Go-Go,1964)
The New Stan Getz Quartet
00:08:12

George Gershwin, Composer - Ira Gershwin, Author - Dorothy Heyward, ComposerLyricist - Stan Getz, Tenor Saxophone, AssociatedPerformer - Joe Hunt, Drums, AssociatedPerformer - Gary Burton, Vibraphone, AssociatedPerformer - The New Stan Getz Quartet, MainArtist - Dubose Edwin Heyward, Author - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

5
Only Trust Your Heart (Live At Café Au Go-Go,1964)
The New Stan Getz Quartet
00:04:34

Sammy Cahn, ComposerLyricist - Astrud Gilberto, Vocals, MainArtist, AssociatedPerformer - Stan Getz, Tenor Saxophone, AssociatedPerformer - Joe Hunt, Drums, AssociatedPerformer - Nikolaus Brodszky, ComposerLyricist - Gary Burton, Vibraphone, AssociatedPerformer - The New Stan Getz Quartet, MainArtist - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

6
The Singing Song (Live At Café Au Go-Go,1964)
The New Stan Getz Quartet
00:03:43

Stan Getz, Tenor Saxophone, AssociatedPerformer - Joe Hunt, Drums, AssociatedPerformer - Gary Burton, Vibraphone, AssociatedPerformer, ComposerLyricist - The New Stan Getz Quartet, MainArtist - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

7
The Telephone Song (Live At Café Au Go-Go,1964)
The New Stan Getz Quartet
00:02:05

Astrud Gilberto, Vocals, FeaturedArtist, AssociatedPerformer - Stan Getz, Tenor Saxophone, AssociatedPerformer - Roberto Menescal, ComposerLyricist - Gary Burton, Vibraphone, AssociatedPerformer - Ronaldo Bôscoli, ComposerLyricist - The New Stan Getz Quartet, MainArtist - Helcio Milito, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

8
One Note Samba (Live At Café Au Go-Go,1964)
The New Stan Getz Quartet
00:03:12

Astrud Gilberto, Vocals, FeaturedArtist, AssociatedPerformer - António Carlos Jobim, ComposerLyricist - Stan Getz, Tenor Saxophone, AssociatedPerformer - Joe Hunt, Drums, AssociatedPerformer - Gary Burton, Vibraphone, AssociatedPerformer - Chuck Israels, Bass Guitar, AssociatedPerformer - The New Stan Getz Quartet, MainArtist - Newton Ferreira de Mendonca, ComposerLyricist - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

9
Here's That Rainy Day (Live At Café Au Go-Go,1964)
The New Stan Getz Quartet
00:06:12

Johnny Burke, ComposerLyricist - Jimmy Van Heusen, ComposerLyricist - Stan Getz, Tenor Saxophone, AssociatedPerformer - Joe Hunt, Drums, AssociatedPerformer - Gary Burton, Vibraphone, AssociatedPerformer - The New Stan Getz Quartet, MainArtist - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

10
6-Nix-Pix-Flix (Live At Café Au Go-Go,1964)
The New Stan Getz Quartet
00:01:06

Astrud Gilberto, FeaturedArtist - Stan Getz, Tenor Saxophone, AssociatedPerformer - Joe Hunt, Drums, AssociatedPerformer - Gary Burton, Vibraphone, AssociatedPerformer, ComposerLyricist - The New Stan Getz Quartet, MainArtist - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

Album review

Although the name Stan Getz (tenor sax) was initially synonymous with the West Coast cool scene during the mid-to-late 1950s, he likewise became a key component in the Bossa Nova craze of the early 1960s. Along with Astrud Gilberto (vocals), Getz scored a genre-defining hit with the "Girl From Ipanema," extracted from the equally lauded Getz/Gilberto (1963). While that platter primarily consists of duets between Getz and João Gilberto (guitar/vocals), it was truly serendipity that teamed Getz with João's wife Astrud, who claims to have never sung a note outside of her own home prior to the session that launched her career. Getz Au Go Go Featuring Astrud Gilberto (1964) was the second-to-last album that he would issue during his self-proclaimed "Bossa Nova Era" -- the final being Getz/Gilberto #2 [Live] (1964) concert title from Carnegie Hall. In many ways, that is a logical successor to this one, as both include the "New Stan Getz Quartet." The band features a young Gary Burton (vibraphone), Kenny Burrell (guitar), Gene Cherico (bass), and Joe Hunt (drums). As is typical with jazz, there are a few personnel substitutions, with Helcio Milito (drums) and Chuck Israels (bass), respectively, filling in on nearly half the effort. As the name of the disc intimates, this recording hails from the venerable Greenwich Village venue, the Café Au Go Go, in mid-August of 1964 -- two months after "Girl From Ipanema" became a Top Five pop single. However, the focus of Getz Au Go Go steers away from the Brazilian flavored fare, bringing Astrud Gilberto into the realm of a decidedly more North American style. That said, there are a few Antonio Carlos Jobim compositions -- "Corcovado (Quiet Nights of Quiet Stars)" and "One Note Samba" -- both of which would be considered as jazz standards in years to follow -- as well as the lesser-circulated "Eu E Voce." Getz and crew gather behind Richard Rodgers and Oscar Hammerstein's "It Might as Well Be Spring," and the scintillating instrumental "Summertime," from Porgy & Bess. Other equally engaging cuts include affective vocal readings of "Only Trust Your Heart," and the diminutive, yet catchy "Telephone Song." There is also some great interaction between Getz and Burton on "Here's to That Rainy Day." Getz Au Go Go is highly recommended for all dimensions of jazz enthusiasts.

© Lindsay Planer /TiVo

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