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Rose Consort of Viols|Four Gentlemen of the Chapel Royal

Four Gentlemen of the Chapel Royal

Rose Consort of Viols

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English music for a consort of viols presents a unique moment in the slow differentiation of vocal and instrumental genres. Viols played pieces drawn from the repertoire of vocal polyphony. In the Chapel Royal for which the composers represented here worked, such vocal pieces would have been sung unaccompanied. But when the music was performed outside of a church, in England's vigorous amateur musical culture, various things could happen. A singer might take the top line, which tied into stylistic forces already afoot in the late sixteenth and early seventeenth centuries, or an all-instrumental performance could be attempted. Furthermore, sacred and secular music might not be sharply differentiated. These options are explored on this attractive British release, which also offers the listener a chance to contrast the styles of the four "Gentlemen of the Chapel Royal": Thomas Tallis, Christopher Tye, William Byrd, and Thomas Tomkins; settings of the "In Nomine" tune by all four composers are included. Soprano Clare Wilkinson does a very good impersonation of an amateur vocalist, delivering a light, almost vibrato-less tone that makes her sound almost like another viol. The moods of the music are unusually varied thanks to the range of composition types included; there are madrigals, dances, dense Latin polyphony, simpler Anglican works, and the abstract In Nomines. The result is quite a lively disc of viol music in which something new is always happening, a bit of a surprise, perhaps, for those who love the "pure" viol consort sound, but just the thing for those who prefer concentrated melancholy in small doses. The album was recorded in a monastery, Forde Abbey, with superior results.

© TiVo

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Four Gentlemen of the Chapel Royal

Rose Consort of Viols

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1
Salvator mundi: Salvator mundi
00:02:36

Clare Wilkinson, Soloist - Thomas Tallis, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

2
O sacrum convivium: O sacrum convivium
00:03:11

Clare Wilkinson, Soloist - Thomas Tallis, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

3
Derelinquit impius: Derelinquit impius
00:03:18

Clare Wilkinson, Soloist - Thomas Tallis, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

4
Rubum quem: Rubum quem
00:01:15

Clare Wilkinson, Soloist - Christopher Tye, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

5
In Nomine - "Beleeve me": In Nomine - "Beleeve me"
00:02:50

Clare Wilkinson, Soloist - Christopher Tye, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

6
In Nomine - "Re la re": In Nomine - "Re la re"
00:01:14

Clare Wilkinson, Soloist - Christopher Tye, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

7
Plorans ploravit: Plorans ploravit
00:04:36

Clare Wilkinson, Soloist - William BYRD, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

8
In Nomine No. 3 a 5: In Nomine No. 3 a 5
00:02:53

Clare Wilkinson, Soloist - William BYRD, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

9
I Lift My Heart to Thee: I Lift My Heart to Thee
00:03:24

Clare Wilkinson, Soloist - Christopher Tye, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

10
In Nomine a 6: In Nomine a 6
00:02:15

Clare Wilkinson, Soloist - Christopher Tye, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

11
Christ Rising Again from the Dead: Christ Rising Again from the Dead
00:03:45

Clare Wilkinson, Soloist - Christopher Tye, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

12
When Shall My Sorrowful Sighing Slake: When Shall My Sorrowful Sighing Slake
00:03:39

Clare Wilkinson, Soloist - Thomas Tallis, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

13
In Nomine No. 2: In Nomine No. 2
00:01:45

Clare Wilkinson, Soloist - Thomas Tallis, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

14
Oyez! Has Any Found a Lad?: Oyez! Has Any Found a Lad?
00:01:45

Clare Wilkinson, Soloist - Thomas Tomkins, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

15
Fantasia No. 1 a 6: Fantasia No. 1 a 6
00:03:02

Clare Wilkinson, Soloist - William BYRD, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

16
This Sweet and Merry Month of May: This Sweet and Merry Month of May
00:02:26

Clare Wilkinson, Soloist - William BYRD, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

17
Pavan a 6: Pavan a 6
00:03:35

Clare Wilkinson, Soloist - Thomas Tomkins, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

18
Galliard a 6: Galliard a 6
00:01:51

Clare Wilkinson, Soloist - Thomas Tomkins, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

19
Suscipe quaeso: Suscipe quaeso
00:07:02

Clare Wilkinson, Soloist - Thomas Tallis, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

20
In Nomine - "Rounde": In Nomine - "Rounde"
00:02:21

Clare Wilkinson, Soloist - Christopher Tye, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

21
In Nomine - "Saye so": In Nomine - "Saye so"
00:01:10

Clare Wilkinson, Soloist - Christopher Tye, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

22
Turn Unto the Lord: Turn Unto the Lord
00:02:22

Clare Wilkinson, Soloist - Thomas Tomkins, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

23
In Nomine No. 1: In Nomine No. 1
00:02:18

Clare Wilkinson, Soloist - Thomas Tomkins, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

24
Woe Is Me: Woe Is Me
00:03:29

Clare Wilkinson, Soloist - Thomas Tomkins, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

25
Praise Our Lord: Praise Our Lord
00:02:36

Clare Wilkinson, Soloist - William BYRD, Composer - Rose Consort of Viols, MainArtist

(C) 2008 Deux-Elles Limited (P) 2008 Deux-Elles Limited

Album review

English music for a consort of viols presents a unique moment in the slow differentiation of vocal and instrumental genres. Viols played pieces drawn from the repertoire of vocal polyphony. In the Chapel Royal for which the composers represented here worked, such vocal pieces would have been sung unaccompanied. But when the music was performed outside of a church, in England's vigorous amateur musical culture, various things could happen. A singer might take the top line, which tied into stylistic forces already afoot in the late sixteenth and early seventeenth centuries, or an all-instrumental performance could be attempted. Furthermore, sacred and secular music might not be sharply differentiated. These options are explored on this attractive British release, which also offers the listener a chance to contrast the styles of the four "Gentlemen of the Chapel Royal": Thomas Tallis, Christopher Tye, William Byrd, and Thomas Tomkins; settings of the "In Nomine" tune by all four composers are included. Soprano Clare Wilkinson does a very good impersonation of an amateur vocalist, delivering a light, almost vibrato-less tone that makes her sound almost like another viol. The moods of the music are unusually varied thanks to the range of composition types included; there are madrigals, dances, dense Latin polyphony, simpler Anglican works, and the abstract In Nomines. The result is quite a lively disc of viol music in which something new is always happening, a bit of a surprise, perhaps, for those who love the "pure" viol consort sound, but just the thing for those who prefer concentrated melancholy in small doses. The album was recorded in a monastery, Forde Abbey, with superior results.

© TiVo

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