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Arthur Weisberg/Contemporary Chamber Ensemble|Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord

Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord

Arthur Weisberg/Contemporary Chamber Ensemble

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More enduring than many other albums of Elliott Carter's music, these Nonesuch recordings have been available for decades and have served as an appealing introduction to Carter's advanced style. In part due to the accessibility of these works and to the exceptional musicianship displayed here, this is a classic recording with only a few flaws worth mentioning. The Sonata for flute, oboe, cello, and harpsichord, frequently performed but seldom recorded, has never received a better reading than this one. Harvey Sollberger, Charles Kuskin, Fred Sherry, and Paul Jacobs were all in their prime when they recorded the piece in 1968, and their sublime playing is accurate without overt effort. The Sonata for cello and piano, also recorded in 1968, is almost as brilliantly executed. With Joel Krosnick on cello and Jacobs on piano, the performance is well structured and dramatic, with only a little harshness in Krosnick's playing in the upper register. The chief difficulty in the virtuosic Double Concerto for harpsichord and piano with two chamber orchestras is a problem of balance because the harpsichord's thin tone is often overwhelmed by the surrounding forces. Even so, Jacobs and Gilbert Kalish give an energetic and skillful performance that rewards attentive listening.

© TiVo

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Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord

Arthur Weisberg/Contemporary Chamber Ensemble

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1
Sonata for Flute, Oboe, Cello & Harpsichord: Risoluto
Harvey Sollberger
00:03:19

Elliott Carter, Composer, MainArtist - Paul Jacobs, Harpsichord - Charles Kuskin, Oboe - Fred Sherry, Cello - Harvey Sollberger, Flute

© 2005 Rhino Entertainment Co. ℗ 1992 Elektra Entertainment

2
Sonata for Flute, Oboe, Cello & Harpsichord: Lento
Harvey Sollberger
00:06:35

Elliott Carter, Composer, MainArtist - Paul Jacobs, Harpsichord - Charles Kuskin, Oboe - Fred Sherry, Cello - Harvey Sollberger, Flute

© 2005 Rhino Entertainment Co. ℗ 1969 Elektra Entertainment

3
Sonata for Flute, Oboe, Cello & Harpsichord: Allegro
Harvey Sollberger
00:05:30

Elliott Carter, Composer, MainArtist - Paul Jacobs, Harpsichord - Charles Kuskin, Oboe - Fred Sherry, Cello - Harvey Sollberger, Flute

© 2005 Rhino Entertainment Co. ℗ 1969 Elektra Entertainment

4
Sonata for Cello & Piano: Moderato
Paul Jacobs
00:05:11

Elliott Carter, Composer, MainArtist - Paul Jacobs, Piano - Joel Krosnick, Cello

© 2005 Rhino Entertainment Co. ℗ 1969 Elektra Entertainment

5
Sonata for Cello & Piano: Vivace, molto leggiero
Paul Jacobs
00:04:34

Elliott Carter, Composer, MainArtist - Paul Jacobs, Piano - Joel Krosnick, Cello

© 2005 Rhino Entertainment Co. ℗ 1969 Elektra Entertainment

6
Sonata for Cello & Piano: Adagio
Paul Jacobs
00:06:12

Elliott Carter, Composer, MainArtist - Paul Jacobs, Piano - Joel Krosnick, Cello

© 2005 Rhino Entertainment Co. ℗ 1969 Elektra Entertainment

7
Sonata for Cello & Piano: Allegro
Paul Jacobs
00:05:35

Elliott Carter, Composer, MainArtist - Paul Jacobs, Piano - Joel Krosnick, Cello

© 2005 Rhino Entertainment Co. ℗ 1969 Elektra Entertainment

8
Double Concerto for Harpsichord & Piano with Two Chamber Orchestras: Introduction
Arthur Weisberg
00:04:08

Elliott Carter, Composer, MainArtist - Paul Jacobs, Harpsichord - Gilbert Kalish, Piano - The Contemporary Chamber Ensemble, Orchestra - Arthur Weisberg, Conductor

© 2005 Rhino Entertainment Co. ℗ 1975 Elektra Entertainment

9
Double Concerto for Harpsichord & Piano with Two Chamber Orchestras: Cadenza for Harpsichord
Arthur Weisberg
00:01:57

Elliott Carter, Composer, MainArtist - Paul Jacobs, Harpsichord - Gilbert Kalish, Piano - The Contemporary Chamber Ensemble, Orchestra - Arthur Weisberg, Conductor

© 2005 Rhino Entertainment Co. ℗ 1975 Elektra Entertainment

10
Double Concerto for Harpsichord & Piano with Two Chamber Orchestras: Allegro scherzando
Arthur Weisberg
00:04:59

Elliott Carter, Composer, MainArtist - Paul Jacobs, Harpsichord - Gilbert Kalish, Piano - The Contemporary Chamber Ensemble, Orchestra - Arthur Weisberg, Conductor

© 2005 Rhino Entertainment Co. ℗ 1975 Elektra Entertainment

11
Double Concerto for Harpsichord & Piano with Two Chamber Orchestras: Adagio
Arthur Weisberg
00:05:04

Elliott Carter, Composer, MainArtist - Paul Jacobs, Harpsichord - Gilbert Kalish, Piano - The Contemporary Chamber Ensemble, Orchestra - Arthur Weisberg, Conductor

© 2005 Rhino Entertainment Co. ℗ 1975 Elektra Entertainment

12
Double Concerto for Harpsichord & Piano with Two Chamber Orchestras: Presto
Arthur Weisberg
00:01:11

Elliott Carter, Composer, MainArtist - Paul Jacobs, Harpsichord - Gilbert Kalish, Piano - The Contemporary Chamber Ensemble, Orchestra - Arthur Weisberg, Conductor

© 2005 Rhino Entertainment Co. ℗ 1975 Elektra Entertainment

13
Double Concerto for Harpsichord & Piano with Two Chamber Orchestras: Cadenzas for Piano
Arthur Weisberg
00:02:40

Elliott Carter, Composer, MainArtist - Paul Jacobs, Harpsichord - Gilbert Kalish, Piano - The Contemporary Chamber Ensemble, Orchestra - Arthur Weisberg, Conductor

© 2005 Rhino Entertainment Co. ℗ 1975 Elektra Entertainment

14
Double Concerto for Harpsichord & Piano with Two Chamber Orchestras: Coda
Arthur Weisberg
00:02:38

Elliott Carter, Composer, MainArtist - Paul Jacobs, Harpsichord - Gilbert Kalish, Piano - The Contemporary Chamber Ensemble, Orchestra - Arthur Weisberg, Conductor

© 2005 Rhino Entertainment Co. ℗ 1975 Elektra Entertainment

Album review

More enduring than many other albums of Elliott Carter's music, these Nonesuch recordings have been available for decades and have served as an appealing introduction to Carter's advanced style. In part due to the accessibility of these works and to the exceptional musicianship displayed here, this is a classic recording with only a few flaws worth mentioning. The Sonata for flute, oboe, cello, and harpsichord, frequently performed but seldom recorded, has never received a better reading than this one. Harvey Sollberger, Charles Kuskin, Fred Sherry, and Paul Jacobs were all in their prime when they recorded the piece in 1968, and their sublime playing is accurate without overt effort. The Sonata for cello and piano, also recorded in 1968, is almost as brilliantly executed. With Joel Krosnick on cello and Jacobs on piano, the performance is well structured and dramatic, with only a little harshness in Krosnick's playing in the upper register. The chief difficulty in the virtuosic Double Concerto for harpsichord and piano with two chamber orchestras is a problem of balance because the harpsichord's thin tone is often overwhelmed by the surrounding forces. Even so, Jacobs and Gilbert Kalish give an energetic and skillful performance that rewards attentive listening.

© TiVo

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