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Ella Fitzgerald|Ella In Hollywood (Live At The Crescendo, 1961)

Ella In Hollywood (Live At The Crescendo, 1961)

Ella Fitzgerald

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An appearance in Hollywood for a first-rate jazz vocalist was not necessarily an opportunity to broadcast the singer's visage and pander to everyone from Tacoma to Tallahassee. It could also include a date at the Crescendo. The Sunset Strip's best chance to find premier jazz, Gene Norman's nightclub hosted dozens of jazz legends (and a comic or two), and produced more than its share of excellent LPs recorded on location. Better even than Mel Tormé's 1954 classic, the Ella Fitzgerald LP that resulted from her May 1961 appearances generated one of the best (and certainly most underrated) live records in her discography. All of her hallmarks -- technical wizardry, breakneck scatting, irrepressible humor and warmth -- are on full display, with a small but expressive quartet backing her performance (including pianist Lou Levy, guitarist Herb Ellis, drummer Gus Johnson, and bassist Wilfred Middlebrooks). Although it's full of brilliance, the highlights are clear: a nine-minute scat masterpiece of "Take the 'A' Train," with chorus after chorus of variations, and the shorter but still excellent "Mr. Paganini." (The latter is one of the nods to her early career, along with a set-closing "Air Mail Special.") The balladry is masterful as well, with "Baby, Won't You Please Come Home" and "Satin Doll" high on the list. Rarely given a spot on the best LPs of her career, Ella in Hollywood is nonetheless a classic glimpse of Ella at her on-stage best.

© John Bush /TiVo

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Ella In Hollywood (Live At The Crescendo, 1961)

Ella Fitzgerald

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1
This Could Be The Start Of Something Big (Live At The Crescendo, 1961)
00:02:32

Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Lou Levy, Piano, AssociatedPerformer - Steve Allen, ComposerLyricist - Herb Ellis, Guitar, AssociatedPerformer - Gus Johnson, Drums, AssociatedPerformer - Norman Granz, Producer - Seth Foster, Mastering Engineer, StudioPersonnel - Wilfred Middlebrooks, Double Bass, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

2
I've Got The World On A String (Live At The Crescendo, 1961)
00:03:44

Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Harold Arlen, Composer - Ted Koehler, Author - Lou Levy, Piano, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Gus Johnson, Drums, AssociatedPerformer - Norman Granz, Producer - Seth Foster, Mastering Engineer, StudioPersonnel - Wilfred Middlebrooks, Double Bass, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

3
You're Driving Me Crazy (Live At The Crescendo, 1961)
00:03:26

Walter Donaldson, ComposerLyricist - Ella Fitzgerald, MainArtist - Jim Hall, Guitar, AssociatedPerformer - Lou Levy, Piano, AssociatedPerformer - Gus Johnson, Drums, AssociatedPerformer - Wilfred Middlebrooks, Bass Guitar, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

4
Just In Time (Live At The Crescendo, 1961)
00:01:59

Jule Styne, ComposerLyricist - Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Lou Levy, Piano, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Adolph Green, ComposerLyricist - Betty Comden, ComposerLyricist - Gus Johnson, Drums, AssociatedPerformer - Norman Granz, Producer - Seth Foster, Mastering Engineer, StudioPersonnel - Wilfred Middlebrooks, Double Bass, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

5
It Might As Well Be Spring (Live At The Crescendo, 1961)
00:03:08

Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Richard Rodgers, Composer - Oscar Hammerstein II , Author - Lou Levy, Piano, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Gus Johnson, Drums, AssociatedPerformer - Norman Granz, Producer - Seth Foster, Mastering Engineer, StudioPersonnel - Wilfred Middlebrooks, Double Bass, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

6
Take The "A" Train (Live At The Crescendo, 1961)
00:08:58

Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Billy Strayhorn, ComposerLyricist - Lou Levy, Piano, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Gus Johnson, Drums, AssociatedPerformer - Norman Granz, Producer - Seth Foster, Mastering Engineer, StudioPersonnel - Wilfred Middlebrooks, Double Bass, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

7
Stairway To The Stars (Live At The Crescendo, 1961)
00:03:55

Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Mitchell Parish, ComposerLyricist - Lou Levy, Piano, AssociatedPerformer - Frank Signorelli, ComposerLyricist - Herb Ellis, Guitar, AssociatedPerformer - Gus Johnson, Drums, AssociatedPerformer - Matty Malneck, ComposerLyricist - Norman Granz, Producer - Gene Norman, Producer - Seth Foster, Mastering Engineer, StudioPersonnel - Wilfred Middlebrooks, Double Bass, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

8
(You'll Have To Swing It) Mr. Paganini (Live At The Crescendo, 1961)
00:04:05

Sam Coslow, ComposerLyricist - Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Lou Levy, Piano, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Gus Johnson, Drums, AssociatedPerformer - Norman Granz, Producer - Seth Foster, Mastering Engineer, StudioPersonnel - Wilfred Middlebrooks, Double Bass, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

9
Satin Doll (Live At The Crescendo, 1961)
00:02:52

Duke Ellington, Composer - Johnny Mercer, ComposerLyricist - Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Billy Strayhorn, Composer - Lou Levy, Piano, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Gus Johnson, Drums, AssociatedPerformer - Norman Granz, Producer - Seth Foster, Mastering Engineer, StudioPersonnel - Wilfred Middlebrooks, Double Bass, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

10
Blue Moon (Live At The Crescendo, 1961)
00:03:22

Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Richard Rodgers, Composer - Lorenz Hart, Author - Lou Levy, Piano, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Gus Johnson, Drums, AssociatedPerformer - Norman Granz, Producer - Seth Foster, Mastering Engineer, StudioPersonnel - Wilfred Middlebrooks, Double Bass, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

11
Baby, Won't You Please Come Home (Live At The Crescendo, 1961)
00:03:43

Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Clarence Williams, ComposerLyricist - Lou Levy, Piano, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Gus Johnson, Drums, AssociatedPerformer - Charles Warfield , ComposerLyricist - Norman Granz, Producer - Seth Foster, Mastering Engineer, StudioPersonnel - Wilfred Middlebrooks, Double Bass, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

12
Airmail Special (Live At The Crescendo, 1961)
00:05:23

Charlie Christian, ComposerLyricist - Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Benny Goodman, ComposerLyricist - Lou Levy, Piano, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Gus Johnson, Drums, AssociatedPerformer - Jim Mundy, ComposerLyricist - Norman Granz, Producer - Seth Foster, Mastering Engineer, StudioPersonnel - Wilfred Middlebrooks, Double Bass, AssociatedPerformer

℗ 1961 UMG Recordings, Inc.

Album review

An appearance in Hollywood for a first-rate jazz vocalist was not necessarily an opportunity to broadcast the singer's visage and pander to everyone from Tacoma to Tallahassee. It could also include a date at the Crescendo. The Sunset Strip's best chance to find premier jazz, Gene Norman's nightclub hosted dozens of jazz legends (and a comic or two), and produced more than its share of excellent LPs recorded on location. Better even than Mel Tormé's 1954 classic, the Ella Fitzgerald LP that resulted from her May 1961 appearances generated one of the best (and certainly most underrated) live records in her discography. All of her hallmarks -- technical wizardry, breakneck scatting, irrepressible humor and warmth -- are on full display, with a small but expressive quartet backing her performance (including pianist Lou Levy, guitarist Herb Ellis, drummer Gus Johnson, and bassist Wilfred Middlebrooks). Although it's full of brilliance, the highlights are clear: a nine-minute scat masterpiece of "Take the 'A' Train," with chorus after chorus of variations, and the shorter but still excellent "Mr. Paganini." (The latter is one of the nods to her early career, along with a set-closing "Air Mail Special.") The balladry is masterful as well, with "Baby, Won't You Please Come Home" and "Satin Doll" high on the list. Rarely given a spot on the best LPs of her career, Ella in Hollywood is nonetheless a classic glimpse of Ella at her on-stage best.

© John Bush /TiVo

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