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Edmund Rubbra|Edmund Rubbra

Edmund Rubbra

The Sixteen & Harry Christophers

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The choral music of mid-20th century British composer Edmund Rubbra, who, like Arvo Pärt, was influenced by the sound of bells, is not exactly unknown, and the large work here, the Missa Cantuariensis, Op. 59, had been previously recorded by the Choir of St. John's College, Cambridge, and by St. Margaret's Westminster Singers when this album by The Sixteen and its leader Harry Christophers appeared in 2016. That double-choir work was composed for Canterbury Cathedral in 1945, prior to Rubbra's conversion to Catholicism in 1947, and it has a wider, less personal scope than most of the smaller works on the program. Yet even in this work there is an inward quality to Rubbra's music, evident not only in its overall tone but in its neither-tonal-nor-atonal harmonic procedures, which give each piece its own set of rules and sonorities. The Sixteen (here bulked up to between 18 and 25 singers) are ideal for this music, even if some of it may have originally been written with larger choirs in mind. Sample some of the serious Tenebrae motets, where Christophers captures the devotional quality of the music in a way that one of the collegiate chapel choirs might not. Another advantage of the program is that it spans almost three decades, thus making a good introduction to Rubbra's choral pieces and the increasingly introverted quality they took on as the modernist diktat forced listeners to choose between serial and tonal, and Rubbra was largely, except for periodic performances of his 11 symphonies, left by the wayside. This music is not exactly The Sixteen's bread and butter, but they do it proud and make a case for a forgotten repertory.
© TiVo

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Edmund Rubbra

Edmund Rubbra

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1
Nine Tenebrae Motets, Op. 72 First Nocturne: I. In monte Oliveti
Harry Christophers
00:02:52

Edmund RUBBRA, Composer - The Sixteen, Ensemble - Harry Christophers, Conductor - Mark Dobell, MainArtist - Kim Porter, MainArtist - Kirsty Hopkins, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

2
Nine Tenebrae Motets, Op. 72 First Nocturne: II. Tristis est anima mea
Harry Christophers
00:03:39

Edmund RUBBRA, Composer - The Sixteen, Ensemble - Harry Christophers, Conductor - Kirsty Hopkins, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

3
Nine Tenebrae Motets, Op. 72 First Nocturne: III. Ecce vidimus eum
The Sixteen
00:04:56

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

4
Three Motets, Op. 76: I. Let Us Now Praise Famous Men
Robert Quinney
00:02:10

Edmund RUBBRA, Composer - The Sixteen, Ensemble - Harry Christophers, Conductor - Robert Quinney, MainArtist - Daniel Collins, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

5
Three Motets, Op. 76: II. There is a Spirit
Harry Christophers
00:05:34

Edmund RUBBRA, Composer - The Sixteen, Ensemble - Harry Christophers, Conductor - Julie Cooper, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

6
Three Motets, Op. 76: III. Except the Lord Build the House
The Sixteen
00:01:42

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

7
Nine Tenebrae Motets, Op. 72 Second Nocturne: I. Amicus meus
The Sixteen
00:02:35

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

8
Nine Tenebrae Motets, Op. 72 Second Nocturne: II. Judas mercator pessimus
Harry Christophers
00:02:10

Edmund RUBBRA, Composer - The Sixteen, Ensemble - Harry Christophers, Conductor - Mark Dobell, MainArtist - Ben Davies, MainArtist - Kim Porter, MainArtist - Kirsty Hopkins, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

9
Nine Tenebrae Motets, Op. 72 Second Nocturne: III. Unus ex discipulis
The Sixteen
00:03:17

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

10
Five Motets, Op. 37: I. Eternitie
The Sixteen
00:02:44

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

11
Five Motets, Op. 37: II. Vain Wits and Eyes
The Sixteen
00:01:24

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

12
Five Motets, Op. 37: III. A Hymn to God the Father
The Sixteen
00:03:46

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

13
Five Motets, Op. 37: IV. The Search
The Sixteen
00:02:02

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

14
Five Motets, Op. 37: V. A Song
The Sixteen
00:03:42

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

15
Nine Tenebrae Motets, Op. 72 Third Nocturne: I. Eram quasi agnus innocens
The Sixteen
00:03:25

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

16
Nine Tenebrae Motets, Op. 72 Third Nocturne: II. Una hora non potuistis
The Sixteen
00:03:02

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

17
Nine Tenebrae Motets, Op. 72 Third Nocturne: III. Seniores populi
The Sixteen
00:02:36

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

18
Missa Cantuariensis, Op. 59: I. Kyrie
The Sixteen
00:03:58

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

19
Missa Cantuariensis, Op. 59: II. Responses
The Sixteen
00:01:54

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

20
Missa Cantuariensis, Op. 59: III. Credo
Harry Christophers
00:07:08

Edmund RUBBRA, Composer - Eamonn Dougan, MainArtist - The Sixteen, Ensemble - Harry Christophers, Conductor - Jeremy Budd, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

21
Missa Cantuariensis, Op. 59: IV. Sanctus
The Sixteen
00:01:32

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

22
Missa Cantuariensis, Op. 59: V. Benedictus
The Sixteen
00:01:36

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

23
Missa Cantuariensis, Op. 59: VI. Agnus Dei
The Sixteen
00:02:04

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

24
Missa Cantuariensis Op. 59: VII. Gloria in excelsis
The Sixteen
00:03:10

Edmund RUBBRA, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Alfred Lengnick & Co. Ltd, MusicPublisher

(C) 2016 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

Album review

The choral music of mid-20th century British composer Edmund Rubbra, who, like Arvo Pärt, was influenced by the sound of bells, is not exactly unknown, and the large work here, the Missa Cantuariensis, Op. 59, had been previously recorded by the Choir of St. John's College, Cambridge, and by St. Margaret's Westminster Singers when this album by The Sixteen and its leader Harry Christophers appeared in 2016. That double-choir work was composed for Canterbury Cathedral in 1945, prior to Rubbra's conversion to Catholicism in 1947, and it has a wider, less personal scope than most of the smaller works on the program. Yet even in this work there is an inward quality to Rubbra's music, evident not only in its overall tone but in its neither-tonal-nor-atonal harmonic procedures, which give each piece its own set of rules and sonorities. The Sixteen (here bulked up to between 18 and 25 singers) are ideal for this music, even if some of it may have originally been written with larger choirs in mind. Sample some of the serious Tenebrae motets, where Christophers captures the devotional quality of the music in a way that one of the collegiate chapel choirs might not. Another advantage of the program is that it spans almost three decades, thus making a good introduction to Rubbra's choral pieces and the increasingly introverted quality they took on as the modernist diktat forced listeners to choose between serial and tonal, and Rubbra was largely, except for periodic performances of his 11 symphonies, left by the wayside. This music is not exactly The Sixteen's bread and butter, but they do it proud and make a case for a forgotten repertory.
© TiVo

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