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MORRIS DAY|Color Of Success

Color Of Success

MORRIS DAY

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After the temporary collapse of the Time, Morris Day went into the recording studio for his first solo excursion. While the trademarked Minneapolis pop-funk sound still remains at the forefront of each composition, the absence of the magic is extremely noticeable in the production booth. That aside, The Color of Success offers to fans what Day does best, funky but accessible dance-pop music in the vein of many of his Minneapolis contemporaries. While the album runs a little bit on the short side, there is no filler and it is surprisingly consistent from start to finish. Fans of Day's work with the Time will enjoy this record, but first-time listeners would be better-served checking out his earlier work first.

© Rob Theakston /TiVo

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Color Of Success

MORRIS DAY

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1
Color of Success (Album Version)
00:05:19

MORRIS DAY, Lyricist, Producer, MainArtist

© 1985 Warner Records Inc. ℗ 2000 v2 Conversion P Credit

2
The Character (Album Version)
00:04:05

MORRIS DAY, Lyricist, Producer, MainArtist

© 1985 Warner Records Inc. ℗ 2000 v2 Conversion P Credit

3
The Oak Tree (Album Version)
00:07:21

MORRIS DAY, Lyricist, Producer, MainArtist

© 1985 Warner Records Inc. ℗ 2000 v2 Conversion P Credit

4
Love Sign (Album Version)
00:06:21

MORRIS DAY, Lyricist, Producer, MainArtist

© 1985 Warner Records Inc. ℗ 2000 v2 Conversion P Credit

5
Don't Wait for Me (Album Version)
00:07:12

MORRIS DAY, Lyricist, Producer, MainArtist

© 1985 Warner Records Inc. ℗ 2000 v2 Conversion P Credit

6
Love / Addiction (Album Version)
00:05:10

MORRIS DAY, Lyricist, Producer, MainArtist

© 1985 Warner Records Inc. ℗ 2000 v2 Conversion P Credit

Album review

After the temporary collapse of the Time, Morris Day went into the recording studio for his first solo excursion. While the trademarked Minneapolis pop-funk sound still remains at the forefront of each composition, the absence of the magic is extremely noticeable in the production booth. That aside, The Color of Success offers to fans what Day does best, funky but accessible dance-pop music in the vein of many of his Minneapolis contemporaries. While the album runs a little bit on the short side, there is no filler and it is surprisingly consistent from start to finish. Fans of Day's work with the Time will enjoy this record, but first-time listeners would be better-served checking out his earlier work first.

© Rob Theakston /TiVo

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