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Sodom|Code Red

Code Red

Sodom

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Code Red is something of an attempt to recapture the frenzied chaos of Sodom's earlier work, and it partially succeeds. Partially, because the band's technique has improved substantially since the mid-'80s, which has made their work more accessible yet tamed a bit of the unbridled fury (some called it sloppiness) that polarized listeners into love-'em-or-hate-'em camps early on. The 1999 version of Sodom sounds strangely out of time, somewhere in between godfathers of contemporary death metal and throwbacks to underground '80s thrash. This means that Code Red isn't a stunning new statement or re-imagining of the band's sound, but it is a solid example of that sound, and at this point, that's probably all that's necessary.
© Steve Huey /TiVo

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Code Red

Sodom

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1
Intro
00:00:48

Sodom, Artist, MainArtist - Thomas Such, Composer - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

2
Code Red
00:03:55

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

3
What Hell Can Create
00:03:31

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

4
Tombstone
00:03:55

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

5
Liquidation
00:02:44

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

6
Spiritual Demise
00:02:51

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

7
Warlike Conspiracy
00:02:49

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

8
Cowardice
00:04:16

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

9
The Vice of Killing
00:04:21

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

10
Visual Buggery
00:03:13

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

11
Book Burning
00:02:34

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

12
The Wolf & the Lamb
00:03:18

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

13
Addicted to Abstinence
00:02:06

Sodom, Artist, MainArtist - Thomas Such, Composer, Author - Edition Drakkar - Inh. Bogdan Kopec, OriginalPublisher

1999 Drakkar Entertainment GmbH 1999 Drakkar Entertainment GmbH

Album review

Code Red is something of an attempt to recapture the frenzied chaos of Sodom's earlier work, and it partially succeeds. Partially, because the band's technique has improved substantially since the mid-'80s, which has made their work more accessible yet tamed a bit of the unbridled fury (some called it sloppiness) that polarized listeners into love-'em-or-hate-'em camps early on. The 1999 version of Sodom sounds strangely out of time, somewhere in between godfathers of contemporary death metal and throwbacks to underground '80s thrash. This means that Code Red isn't a stunning new statement or re-imagining of the band's sound, but it is a solid example of that sound, and at this point, that's probably all that's necessary.
© Steve Huey /TiVo

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