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Anton Steck|Cattaneo & Others: Violin Works

Cattaneo & Others: Violin Works

Anton Steck, L'arpa Festante

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The content of “Schranck No: II” represents the rich Dresden instrumental repertoire from the first two thirds of the 18th century with a volume of about 1,750 pieces of music. After the end of the Seven Years’ War, these musical pieces were sorted, inserted into envelopes with their characteristic detailed title labels and deposited in an archive cabinet, the aforementioned “Schranck No: II”, in the court church. Like a time capsule, this treasure was rediscovered only after the middle of the 19th century by the court capellmeister Julius Rietz. Today, this unique collection belongs to the collection of the Saxon State Library – Dresden State and University Library. The sources of the violin concertos by Francesco Maria Cattaneo have been handed down exclusively in Dresden and all originate from the almost legendary “Schranck No: II”. Stylistically, Cattaneo drew from the musical language of his environment, whereby echoes of Vivaldi can be discerned, as well as of Hasse, who set the tone in Dresden. The three anonymous orchestral pieces for strings also originate from the “Schranck No: II”. With the combination of Italian sinfonia and French overture suite, they are exemplary of the typical reception of the so-called mixed taste of Dresden. © Accent


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Cattaneo & Others: Violin Works

Anton Steck

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Violin Concerto No. 1 in A Major "Gradual" (Francesco Maria Cattaneo)

1
I. Adagio
00:02:20

Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

2
II. Allegro assai
00:04:49

Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

Sinfonia in G major

3
I. Allegro
00:01:59

Anton Steck, MainArtist, - L'arpa Festante, Orchestra

(C) 2020 Accent (P) 2020 Accent

4
II. Larghetto
00:01:31

Anton Steck, MainArtist, - L'arpa Festante, Orchestra

(C) 2020 Accent (P) 2020 Accent

5
III. Allegro
00:02:50

Anton Steck, MainArtist, - L'arpa Festante, Orchestra

(C) 2020 Accent (P) 2020 Accent

Violin Concerto in F major (Francesco Maria Cattaneo)

6
I. Allegro
00:04:45

Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

7
II. Largo (Ed. A. Steck)
00:02:27

Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

Concerto for Violin & Bassoon in D Major (Francesco Maria Cattaneo)

8
I. Allegro
00:03:19

Wouter Verschuren, Artist - Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

9
II. Adagio
00:02:16

Wouter Verschuren, Artist - Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

10
III. Allegro
00:03:51

Wouter Verschuren, Artist - Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

Ouverture in C Minor

11
I. Andante - Allegro
00:05:37

Anton Steck, MainArtist, - L'arpa Festante, Orchestra

(C) 2020 Accent (P) 2020 Accent

12
II. Aria. Cantabile
00:03:00

Anton Steck, MainArtist, - L'arpa Festante, Orchestra

(C) 2020 Accent (P) 2020 Accent

13
III. Alla breve
00:03:23

Anton Steck, MainArtist, - L'arpa Festante, Orchestra

(C) 2020 Accent (P) 2020 Accent

14
IV. Presto
00:01:42

Anton Steck, MainArtist, - L'arpa Festante, Orchestra

(C) 2020 Accent (P) 2020 Accent

15
V. Minuet - Trio
00:03:31

Anton Steck, MainArtist, - L'arpa Festante, Orchestra

(C) 2020 Accent (P) 2020 Accent

Violin Concerto in A Major "Schweriner Concerto" (Francesco Maria Cattaneo)

16
I. Allegro
00:03:40

Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

17
II. Adagio
00:02:09

Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

18
III. Allegro
00:03:42

Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

Sinfonia in B-Flat Major

19
I. Allegro
00:01:59

Anton Steck, MainArtist, - L'arpa Festante, Orchestra

(C) 2020 Accent (P) 2020 Accent

20
II. Adagio
00:00:49

Anton Steck, MainArtist, - L'arpa Festante, Orchestra

(C) 2020 Accent (P) 2020 Accent

21
III. Allegro
00:02:03

Anton Steck, MainArtist, - L'arpa Festante, Orchestra

(C) 2020 Accent (P) 2020 Accent

Violin Concerto No. 2 in A Major (Francesco Maria Cattaneo)

22
I. Allegro
00:03:30

Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

23
II. Adagio staccato
00:01:59

Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

24
III. Allegro
00:06:01

Anton Steck, MainArtist, - L'arpa Festante, Orchestra - Francesco Maria Cattaneo, Composer

(C) 2020 Accent (P) 2020 Accent

Album review

The content of “Schranck No: II” represents the rich Dresden instrumental repertoire from the first two thirds of the 18th century with a volume of about 1,750 pieces of music. After the end of the Seven Years’ War, these musical pieces were sorted, inserted into envelopes with their characteristic detailed title labels and deposited in an archive cabinet, the aforementioned “Schranck No: II”, in the court church. Like a time capsule, this treasure was rediscovered only after the middle of the 19th century by the court capellmeister Julius Rietz. Today, this unique collection belongs to the collection of the Saxon State Library – Dresden State and University Library. The sources of the violin concertos by Francesco Maria Cattaneo have been handed down exclusively in Dresden and all originate from the almost legendary “Schranck No: II”. Stylistically, Cattaneo drew from the musical language of his environment, whereby echoes of Vivaldi can be discerned, as well as of Hasse, who set the tone in Dresden. The three anonymous orchestral pieces for strings also originate from the “Schranck No: II”. With the combination of Italian sinfonia and French overture suite, they are exemplary of the typical reception of the so-called mixed taste of Dresden. © Accent


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