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Gustavo Nunez|Capricho: Works by Olthuis, Lamarque Pons, Villa-Lobos & Gubaidulina

Capricho: Works by Olthuis, Lamarque Pons, Villa-Lobos & Gubaidulina

Gustavo Nunez

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The bassoon solo that opens Stravinsky’s Rite of Spring (1913) constitutes a confirmation of the instrument’s long process of emancipation.It illustrates how the bassoon was transformed from a subservient bass function in the Baroque era to an instrument capable of fulfilling an entirely autonomous solo role. This was a process of three centuries and numerous alterations to its construction. Nonetheless, as far back as the seventeenth century composers such as Selma ySalaverde and Böddecker had already attempted to demonstrate the bassoon’s virtuosic potential.In the eighteenth and nineteenth centuries, composers including Vivaldi, J.S. Bach, Telemann, Haydn, Mozart, Weber and Saint-Saëns contributed important solos, concertos and sonatas to the instrument’s repertoire.A key figure in the further development of the bassoon was Carl Almenräder (1786-1846), who a.o. explored the high register and thus increased its expressivepower, while other successful improvements were made by Johann Adam Heckel (1812-1877). The flute and clarinet, traditionally composers’ favourites for virtuosic, brilliant passages,gradually came to face serious competition.The works featured on the present recording underline the emancipated role of the bassoon in the twentieth century. The CD has a strikingly South American flavour, which is by no means coincidental.

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Capricho: Works by Olthuis, Lamarque Pons, Villa-Lobos & Gubaidulina

Gustavo Nunez

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1
Capricho
00:18:06

Members of the Royal Concertgebouw Orchestra, MainArtist - Kees Olthuis, Composer, MainArtist - Gustavo Nunez, MainArtist - donemus, amsterdam, MusicPublisher

2013 Channel Classics Records 2013 Channel Classics Records

Concertino de verano (Jaures Lamarque Pons)

2
I. Allegro moderato
00:04:45

Jaures Lamarque Pons, Composer - Ed Spanjaard, MainArtist - Eldorado, MusicPublisher - Members of the Royal Concertgebouw Orchestra, MainArtist - Gustavo Nunez, MainArtist

2013 Channel Classics Records 2013 Channel Classics Records

3
II. Moderato ma non troppo
00:04:29

Jaures Lamarque Pons, Composer - Ed Spanjaard, MainArtist - Eldorado, MusicPublisher - Members of the Royal Concertgebouw Orchestra, MainArtist - Gustavo Nunez, MainArtist

2013 Channel Classics Records 2013 Channel Classics Records

4
III. Allegro
00:02:38

Jaures Lamarque Pons, Composer - Ed Spanjaard, MainArtist - Eldorado, MusicPublisher - Members of the Royal Concertgebouw Orchestra, MainArtist - Gustavo Nunez, MainArtist

2013 Channel Classics Records 2013 Channel Classics Records

5
Ciranda das sete notas, W. 325
00:10:14

Heitor Villa-Lobos, Composer - Ed Spanjaard, MainArtist - Southern Music Publishing, MusicPublisher - Members of the Royal Concertgebouw Orchestra, MainArtist - Gustavo Nunez, MainArtist

2013 Channel Classics Records 2013 Channel Classics Records

Concerto for Bassoon and Low Strings (Sofia Gubaidulina)

6
I.
00:11:04

Hans Woudenberg, MainArtist - Pieter Smithuijsen, MainArtist - Sofia Gubaidulina, Composer - Ed Spanjaard, MainArtist - Boosey and Hawkes, MusicPublisher - Benedikt Enzler, MainArtist - Gustavo Nunez, MainArtist - Joost Maegerman, MainArtist - Rares Mihailescu, MainArtist - Pepijn Meeuws, MainArtist - Georgina Poad, MainArtist

2013 Channel Classics Records 2013 Channel Classics Records

7
II.
00:03:41

Hans Woudenberg, MainArtist - Pieter Smithuijsen, MainArtist - Sofia Gubaidulina, Composer - Ed Spanjaard, MainArtist - Boosey and Hawkes, MusicPublisher - Benedikt Enzler, MainArtist - Gustavo Nunez, MainArtist - Joost Maegerman, MainArtist - Rares Mihailescu, MainArtist - Pepijn Meeuws, MainArtist - Georgina Poad, MainArtist

2013 Channel Classics Records 2013 Channel Classics Records

8
III.
00:06:22

Hans Woudenberg, MainArtist - Pieter Smithuijsen, MainArtist - Sofia Gubaidulina, Composer - Ed Spanjaard, MainArtist - Boosey and Hawkes, MusicPublisher - Benedikt Enzler, MainArtist - Gustavo Nunez, MainArtist - Joost Maegerman, MainArtist - Rares Mihailescu, MainArtist - Pepijn Meeuws, MainArtist - Georgina Poad, MainArtist

2013 Channel Classics Records 2013 Channel Classics Records

9
IV.
00:04:04

Hans Woudenberg, MainArtist - Pieter Smithuijsen, MainArtist - Sofia Gubaidulina, Composer - Ed Spanjaard, MainArtist - Boosey and Hawkes, MusicPublisher - Benedikt Enzler, MainArtist - Gustavo Nunez, MainArtist - Joost Maegerman, MainArtist - Rares Mihailescu, MainArtist - Pepijn Meeuws, MainArtist - Georgina Poad, MainArtist

2013 Channel Classics Records 2013 Channel Classics Records

10
V.
00:04:50

Hans Woudenberg, MainArtist - Pieter Smithuijsen, MainArtist - Sofia Gubaidulina, Composer - Ed Spanjaard, MainArtist - Boosey and Hawkes, MusicPublisher - Benedikt Enzler, MainArtist - Gustavo Nunez, MainArtist - Joost Maegerman, MainArtist - Rares Mihailescu, MainArtist - Pepijn Meeuws, MainArtist - Georgina Poad, MainArtist

2013 Channel Classics Records 2013 Channel Classics Records

Album review

The bassoon solo that opens Stravinsky’s Rite of Spring (1913) constitutes a confirmation of the instrument’s long process of emancipation.It illustrates how the bassoon was transformed from a subservient bass function in the Baroque era to an instrument capable of fulfilling an entirely autonomous solo role. This was a process of three centuries and numerous alterations to its construction. Nonetheless, as far back as the seventeenth century composers such as Selma ySalaverde and Böddecker had already attempted to demonstrate the bassoon’s virtuosic potential.In the eighteenth and nineteenth centuries, composers including Vivaldi, J.S. Bach, Telemann, Haydn, Mozart, Weber and Saint-Saëns contributed important solos, concertos and sonatas to the instrument’s repertoire.A key figure in the further development of the bassoon was Carl Almenräder (1786-1846), who a.o. explored the high register and thus increased its expressivepower, while other successful improvements were made by Johann Adam Heckel (1812-1877). The flute and clarinet, traditionally composers’ favourites for virtuosic, brilliant passages,gradually came to face serious competition.The works featured on the present recording underline the emancipated role of the bassoon in the twentieth century. The CD has a strikingly South American flavour, which is by no means coincidental.

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