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Carl Meisl's play The Consecration of the House, to the music of Ludwig van Beethoven, was performed in Vienna on October 3, 1822 on the occasion of the reopening of the Theater in der Josefstadt. Its theme is the reawakening of art after times of crisis.
Beethoven's music to August von Kotzebue's text The Ruins of Athens (1812) served as the basis for the work, and was adapted to Meisl's text as well as expanded to include new music by the composer. Beethoven seems to have started composing for the upcoming performance only in September 1822, writing new music for those of Meisl's texts for which nothing suitable could be found in The Ruins of Athens. The dance with chorus "Wo sich die Pulse jugendlich jagen" is listed separately as WoO (work without opus number) 98, as is the March, Op. 114, which was reworked for the play. The overture achieved a high degree of popularity. Its prominent position as a separate opus (124) between the Missa solemnis and the Ninth Symphony reveals that Beethoven likely approved its use as a concert overture. © Profil
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Die Weihe des Hauses, Op. 124 (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - Filharmonie Brno, Orchestra, MainArtist - Fabian Enders, Conductor, MainArtist
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Die Ruinen von Athen, Op. 113 (Excerpts) (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - August von Kotzebue, Lyricist - Vocalconsort Berlin, Choir, MainArtist - Filharmonie Brno, Orchestra, MainArtist - Sächsischer Kammerchor, Choir, MainArtist - Fabian Enders, Conductor, MainArtist
(C) 2022 Profil (P) 2022 Profil
Ludwig van Beethoven, Composer - Klaus Mertens, Artist, MainArtist - August von Kotzebue, Lyricist - Filharmonie Brno, Orchestra, MainArtist - Fabian Enders, Conductor, MainArtist - Evelin Novak, Artist, MainArtist
(C) 2022 Profil (P) 2022 Profil
Ludwig van Beethoven, Composer - Filharmonie Brno, Orchestra, MainArtist - Fabian Enders, Conductor, MainArtist
(C) 2022 Profil (P) 2022 Profil
Wo sich die Pulse jugendlich jagen, WoO 98 (Live) (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - August von Kotzebue, Lyricist - Vocalconsort Berlin, Choir, MainArtist - Filharmonie Brno, Orchestra, MainArtist - Sächsischer Kammerchor, Choir, MainArtist - Fabian Enders, Conductor, MainArtist - Evelin Novak, Artist, MainArtist
(C) 2022 Profil (P) 2022 Profil
Die Ruinen von Athen, Op. 113 (Excerpts) (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - Klaus Mertens, Artist, MainArtist - August von Kotzebue, Lyricist - Filharmonie Brno, Orchestra, MainArtist - Fabian Enders, Conductor, MainArtist
(C) 2022 Profil (P) 2022 Profil
Die Ruinen von Athen, Op. 114 (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - August von Kotzebue, Lyricist - Vocalconsort Berlin, Choir, MainArtist - Filharmonie Brno, Orchestra, MainArtist - Sächsischer Kammerchor, Choir, MainArtist - Fabian Enders, Conductor, MainArtist
(C) 2022 Profil (P) 2022 Profil
Die Ruinen von Athen, Op. 113 (Excerpts) (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - Klaus Mertens, Artist, MainArtist - August von Kotzebue, Lyricist - Filharmonie Brno, Orchestra, MainArtist - Fabian Enders, Conductor, MainArtist
(C) 2022 Profil (P) 2022 Profil
Ludwig van Beethoven, Composer - August von Kotzebue, Lyricist - Vocalconsort Berlin, Choir, MainArtist - Filharmonie Brno, Orchestra, MainArtist - Sächsischer Kammerchor, Choir, MainArtist - Fabian Enders, Conductor, MainArtist
(C) 2022 Profil (P) 2022 Profil
Ludwig van Beethoven, Composer - Klaus Mertens, Artist, MainArtist - August von Kotzebue, Lyricist - Vocalconsort Berlin, Choir, MainArtist - Filharmonie Brno, Orchestra, MainArtist - Sächsischer Kammerchor, Choir, MainArtist - Fabian Enders, Conductor, MainArtist
(C) 2022 Profil (P) 2022 Profil
Ludwig van Beethoven, Composer - August von Kotzebue, Lyricist - Vocalconsort Berlin, Choir, MainArtist - Filharmonie Brno, Orchestra, MainArtist - Sächsischer Kammerchor, Choir, MainArtist - Fabian Enders, Conductor, MainArtist
(C) 2022 Profil (P) 2022 Profil
Applause (Live)
Audience, November 19th, 2021 - Friedenskirche Potsdam, Artist, MainArtist
(C) 2022 Profil (P) 2022 Profil
Album review
Carl Meisl's play The Consecration of the House, to the music of Ludwig van Beethoven, was performed in Vienna on October 3, 1822 on the occasion of the reopening of the Theater in der Josefstadt. Its theme is the reawakening of art after times of crisis.
Beethoven's music to August von Kotzebue's text The Ruins of Athens (1812) served as the basis for the work, and was adapted to Meisl's text as well as expanded to include new music by the composer. Beethoven seems to have started composing for the upcoming performance only in September 1822, writing new music for those of Meisl's texts for which nothing suitable could be found in The Ruins of Athens. The dance with chorus "Wo sich die Pulse jugendlich jagen" is listed separately as WoO (work without opus number) 98, as is the March, Op. 114, which was reworked for the play. The overture achieved a high degree of popularity. Its prominent position as a separate opus (124) between the Missa solemnis and the Ninth Symphony reveals that Beethoven likely approved its use as a concert overture. © Profil
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:52:56
- 1 Digital booklet
- Main artists: Vocalsonsort Berlin
- Composer: Ludwig van Beethoven
- Label: Profil
- Genre: Classical Vocal Music (Secular and Sacred) Choral Music (Choirs)
(C) 2022 Profil (P) 2022 Profil
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