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Bruno Cocset|Beethoven: Sonatas for Fortepiano and Cello, Vol. 1

Beethoven: Sonatas for Fortepiano and Cello, Vol. 1

Bruno Cocset and Maude Gratton

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Bruno Cocset, an eminent ambassador of the Baroque cello, here makes a teenage dream come true: to record the Beethoven sonatas. "When we rediscover it from the inside, this music overwhelms us: its art of the mise en abyme, its ability to deviate from the formal scheme, to dare to go as far as the uncontrolled surge of frenzy or the break in tempo... On the part of a champion of the metronome (Beethoven took a hand in its creation), this imperious seizure of freedom creates immeasurable spaces, thrusting performer and listener into unknown, unforeseen depths... The piano and the cello are bound together throughout the narrative by a fertile, pungent, exhilarating complementarity".

At the fortepiano, a longstanding musical partner, Maude Gratton, plays two different instruments, chosen according to the character of each sonata: a Viennese piano after Johann Andreas Stein and an original John Broadwood from 1822, a model that circulated in Vienna and which Beethoven himself played. In order to tackle this repertory at the cusp of Classicism and Romanticism, Bruno Cocset commissioned a new cello from another faithful partner. © Alpha Classics

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Beethoven: Sonatas for Fortepiano and Cello, Vol. 1

Bruno Cocset

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Cello Sonata No. 1 in F Major, Op. 5 No. 1 (Ludwig van Beethoven)

1
I. Adagio sostenuto
00:02:47

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Maude Gratton, MainArtist - Bruno Cocset, MainArtist

2022 Alpha Classics / Outhere Music France 2022 Les Basses Réunies

2
II. Allegro
00:14:06

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Maude Gratton, MainArtist - Bruno Cocset, MainArtist

2022 Alpha Classics / Outhere Music France 2022 Les Basses Réunies

3
III. Allegro vivace
00:07:00

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Maude Gratton, MainArtist - Bruno Cocset, MainArtist

2022 Alpha Classics / Outhere Music France 2022 Les Basses Réunies

Cello Sonata No. 2 in G Major, Op. 5 No. 2 (Ludwig van Beethoven)

4
I. Adagio sostenuto ed espressivo
00:04:46

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Maude Gratton, MainArtist - Bruno Cocset, MainArtist

2022 Alpha Classics / Outhere Music France 2022 Les Basses Réunies

5
II. Allegro molto più tosto presto
00:09:55

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Maude Gratton, MainArtist - Bruno Cocset, MainArtist

2022 Alpha Classics / Outhere Music France 2022 Les Basses Réunies

6
III. Rondo (Allegro)
00:08:24

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Maude Gratton, MainArtist - Bruno Cocset, MainArtist

2022 Alpha Classics / Outhere Music France 2022 Les Basses Réunies

Cello Sonata No. 3 in A major, Op. 69 (Ludwig van Beethoven)

7
I. Allegro, ma non tanto
00:11:45

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Maude Gratton, MainArtist - Bruno Cocset, MainArtist

2022 Alpha Classics / Outhere Music France 2022 Les Basses Réunies

8
II. Scherzo (Allegro molto)
00:05:23

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Maude Gratton, MainArtist - Bruno Cocset, MainArtist

2022 Alpha Classics / Outhere Music France 2022 Les Basses Réunies

9
III. Adagio cantabile - Allegro vivace
00:08:27

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Maude Gratton, MainArtist - Bruno Cocset, MainArtist

2022 Alpha Classics / Outhere Music France 2022 Les Basses Réunies

Album review

Bruno Cocset, an eminent ambassador of the Baroque cello, here makes a teenage dream come true: to record the Beethoven sonatas. "When we rediscover it from the inside, this music overwhelms us: its art of the mise en abyme, its ability to deviate from the formal scheme, to dare to go as far as the uncontrolled surge of frenzy or the break in tempo... On the part of a champion of the metronome (Beethoven took a hand in its creation), this imperious seizure of freedom creates immeasurable spaces, thrusting performer and listener into unknown, unforeseen depths... The piano and the cello are bound together throughout the narrative by a fertile, pungent, exhilarating complementarity".

At the fortepiano, a longstanding musical partner, Maude Gratton, plays two different instruments, chosen according to the character of each sonata: a Viennese piano after Johann Andreas Stein and an original John Broadwood from 1822, a model that circulated in Vienna and which Beethoven himself played. In order to tackle this repertory at the cusp of Classicism and Romanticism, Bruno Cocset commissioned a new cello from another faithful partner. © Alpha Classics

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